The triennial meetings of the ICOM Committee for Conservation (ICOM-CC) are widely regarded as the most significant global events in the heritage conservation calendar. At each Congress, the membership of the ICOM-CC are brought together to report and to review current research. The meetings offer the conservation professional a unique opportunity to discover the current status of research and practice across the full range of conservation disciplines at the highest level. The refereed papers and posters in this unrivalled collection were selected for their quality by the organizers of the 14th Triennial Meeting. The collection includes studies of all manner of museum objects, and includes documentary, legal and educational issues. Over 1000 papers have been published in the Congress preprints in the past twenty years.They represent an immense amount of research work conducted in many countries and cover all the world's continents both in terms of subject area and authorship. Includes a free CD-ROM.

Item contains working papers of ongoing research carried out during the period between the triennial meetings, covering many aspects of conservation.

The first truly comprehensive analysis of the history, practice, and conservation of painting on canvas. Throughout its long history in Western art, canvas has played an influential role in the creative process. From the Renaissance development of oil painting on canvas to the present day—through Impressionism, Abstract Expressionism, and other art historical movements—the use of canvas has enhanced the scale of painting, freedom of brushwork, and spontaneity in technique. This book recounts some of that rich history in relation to corresponding developments in conservation practice. Rather than concentrating on the familiar concerns of cleaning and varnish removal, this volume considers the preservation of a painting’s structure. By focusing on recent studies on the fundamental nature of canvas and its mechanisms of deterioration, the book explains new approaches to the conservation of both contemporary and historical art—including reversible, passive, and preventive treatments, particularly with respect to lining. Written by Stephen Hackney, a conservation practitioner and leader in conservation research, On Canvas is the first book to take a comprehensive look at this important subject and is destined to become an invaluable resource for the field.

Conservation of Cultural Heritage covers the methods and practices needed for future museum professionals who will be working in various capacities with museum collections and artifacts. It also assists current professionals in understanding the complex decision making processes that faces conservators on a daily basis. Covering a broad range of topics that are key to sound conservation in the museum, this volume is an important tool for students and professional alike in ensuring that best practice is followed in the preservation of important collections.

Volume 2 of The Handbook of Colorant Chemistry focuses on paints, painting and drawing systems used by the painter and craftsman. From presenting molecular compositions of common paints and inks to a historical look at color chemistry, the author offers an in-depth look at the world of color.