Ian McDonald is a major SF writer, whose River of Gods (2004) won the British Science Fiction Association award for Best Novel, and was shortlisted for the corresponding Hugo, Arthur C. Clarke, and British Fantasy Society awards. Chaga (published in the U.

On the trail of the mystery of Saturn’s disappearing moons, network journalist Gaby McAslan finds herself in Africa researching the Kilimanjaro Event: a meteor-strike in Kenya which caused the stunning African landscape to give way to something equally beautiful – and indescribably alien. Dubbed the ‘Chaga’, the alien flora destroys all man-made materials, and moulds human flesh, bone and spirit to its own designs. But when Gaby finds the first man to survive the Chaga’s changes, she realizes it has its own plans for humankind... Against the backdrop of Mount Kilimanjaro, McDonald weaves a staggering tale of keen human observation and speculation, as the Kilimanjaro Event changes the course of the human race by exposure to something beyond its imagination. Note: Chaga was published in the UK under the title Evolution's Shore. REVIEWS "McDonald... consistently explores new territory with his breathtaking images and incisive language. Both form and substance blend fortuitously in a work that features strong characters, a suspenseful story, and a profound message of hope and transformation. A priority purchase for SF collections." – Library Journal "One of the finest writers of his generation, who chooses to write science fiction because that is how he can best illuminate the world." – New Statesman "...inventive and challenging... [an] often fascinating piece of speculation." – Kirkus

Chapter 1, Professional Responsibilitiesintroduces business concepts like standards of practice, types of commitments and conflict resolution. Chapter 2, Stockholder Management Theory, explains the theory that dominated Western business practice during the latter half of the twentieth century, raising ethical questions about the possible consequences of key concepts like maximization of stockholder profits. Chapter 3, Stakeholder Management Theory, emphasizes the importance of questioning who benefits from (or who is harmed by) business practices, including discussion of the meaning of stakeholder, corporate social responsibility* and transparency. Chapter 4, Critical Thinking in Business, elucidates ways in which grasping the fundamentals of argument encourages better decision making in business, including discussion of types of claims, types of arguments and common fallacies. Chapter 5, Ethics and Business Decisions, argues that an acquaintance with classical ethical theories can sharpen decision making acumen and promote the development of judgment.

Chapter 1: Life and Times discusses Plato's early development in the context of Athenian politics, his love of poetry, and turn to philosophy. Chapter 2: Intellectual Background examines earlier philosophers who influenced Plato, notably Parmenides, Heraclitus, the Pythagoreans, and Socrates. Chapter 3: The Dialogues provides information on chronology and development of the Dialogues, and examines ancient and contemporary approaches to their interpretation. Chapter 4: Other Platonic Productions deals with works of questionable or spurious attribution, and the Unwritten Doctrines. Chapter 5: The Forms is an exposition of Plato's most famous and controversial doctrine. Chapter 6: God and the Soul concludes with Plato's theology and psychology, with an emphasis on government and the state.

Treats Troilus and Cressida as a masterpiece in tune with 20th Century attitudes to love and war, and with literary and dramatic forms which developed through the last century. The book covers Shakespeare's story and its sources; the Elizabethan background; the play's dramatic structure and its status as a problem play'; the characterization (including Achilles, Ajax, Hector, Pandarus, Ulysses, Thersites); its main themes; its language; its performance history and critical views.

Faulkner is notoriously a 'difficult' writer to study, especially for first-time readers. This Literature Insight begins with three chapters clearly setting out the important facts of his life, mapping the people and history of his recurrent fictional setting, Yoknapatawpha County, and analysing the oddities and problems of his prose style. Later chapters turn directly to his great novel 'Go Down, Moses' and his later collection 'Big Woods', dealing in detail with each story and the intertexts and showing how they connect and add up to something much more than loose collections. Readers new to Faulkner will find it a very helpful introduction to his world, and those already familiar with him a valuable resource.

This study is intended both for first-time readers of The Sound and the Fury and-since it offers new scholarship and critical argument on Faulkner-for established critics and scholars. Chapter 1 provides some general context about Faulkner's life and work in the American South and 'Yoknapatawpha County', and introduces the form and style of Faulkner's novel. Chapter 2 provides a discussion of the contexts of Southern history and Faulkner's family history. Chapter 3 is a discussion of the influences on Faulkner of Modernist literature and Modernist psychology and philosophy. Chapter 4 gives a close commentary on each of the novel's four narratives