Ian Hamilton's last book, published posthumously in 2002, is a typically brilliant revisiting of the concept of Samuel Johnson's classic Lives of the English Poets, wherein Hamilton considers 45 deceased poets of the twentieth century, offering his personal estimation of what claims they will have on posterity and 'against oblivion.' Examples of each poet's verse accompany Hamilton's text, making the book both a provocative primer and a kind of critical anthology. 'The affective power of this book... lies in its understatement and its understanding of what we might care about. From a century of Manifestoes and Movements, Hamilton works as a corrective for the local and particular... his idea of poetry, of what made greatness in poetry, emerges intact from each measured sentence. His criticism always pointed you towards all that he could find that was true in a piece of writing.' Tim Adams, Observer

A stunning new edition that brings together all of Larkin's poems in addition to some unpublished pieces.

Ian Hamilton Finlay's early literary work has been overshadowed by his later achievements in the visual arts, particularly the garden at Little Sparta. This anthology is therefore a welcome volume, to which Ken Cockburn provides an introduction. The mordant wit of a story like "The Money" about an artist's financial situation, still has contemporary relevance; and the poems - particularly the Orkney lyrics and the "Glasgow Beasts" - shimmer with elegy, bright humour and intelligence.

'There have been large magazines with tiny circulations and there have been diminutive sheets which have reached thousands of readers. But all 'little magazines' have been small in one or another of these ways, and usually in both... And yet most of them have had arrestingly large-scale ambitions...' From Ian Hamilton (1938-2001), himself the founder of the Review and New Review, comes this matchless survey (first published in 1976) of the literary magazine from 1912-1950: concentrating on those periodicals that enjoyed dominant editorial personalities (the likes of Pound, Eliot, Cyril Connolly) and which, ultimately, proved central to their cultural epoch. 'Our one consolation for Ian Hamilton's early death is that his work seems to have lived on with undiminished force. He helped to shape our generation and at this rate may well do the same for the next as well.' Clive James

Randall Jarrell was only fifty-one at the time of his death, in 1965, yet he created a body of work that secured his position as one of the century's leading American men of letters. Although he saw himself chiefly as a poet, publishing a number of books of poetry, he also left behind a sparkling comic novel, four children's books, numerous translations, haunting letters, and four collections of essays. Edited by Brad Leithauser, No Other Bookdraws from these four essay collections, reminding us that Jarell the poet was also, in the words of Robert Lowell, "a critic of genius."

Since its publication in 1988, Philip Larkin's Collected Poems has become essential reading on any poetry bookshelf. This new edition returns to Larkin's own deliberate ordering of his poems, presenting, in their original sequence, his four published books: The North Ship, The Less Deceived, The Whitsun Weddings and High Windows. It also includes an appendix of poems that Larkin published in other places, from his juvenilia to his final years - some of which might have appeared in a late book, if he had lived. Preserving everything that he published in his lifetime, this new Collected Poems returns the reader to the book Larkin might have intended.