Without the Sex Pistols there would be no punk. And without Steve Jones there would be no Sex Pistols. It was Steve who, with his schoolmate Paul Cook, formed the band that eventually went on to become the Sex Pistols and who was its original leader. As the world celebrates the 40th anniversary of punk -- the influence and cultural significance of which is felt in music, fashion, and the visual arts to this day--Steve tells his story for the very first time. Steve Jones's modern Dickensian tale began in the street of Hammersmith and Shepherd's Bush, West London, where as a lonely, neglected boy living off his wits and petty thievery he was given purpose by the glam art rock of David Bowie and Roxy Music. He became one of the first generation of ragamuffin punks taken under the wings of Malcolm McLaren and Vivienne Westwood. In Lonely Boy, Steve describes the sadness of never having known his real dad, the abuse he suffered at the hands of his stepfather, and how his interest in music and fashion saved him from a potential life of crime spent in remand centers and prisons. He takes readers on his journey from the Kings Road of the early '70s through the years of the Sex Pistols, punk rock, and the recording of "Anarchy in the UK" and Never Mind the Bollocks. He recounts his infamous confrontation on Bill Grundy's Today program -- the interview that ushered in the "Filth and the Fury" headlines that catapulted punk into the national consciousness. And he delves into the details of his self-imposed exile in New York and Los Angeles, where he battled alcohol, heroin, and sex addiction but eventually emerged to gain fresh acclaim as an actor and radio host. Lonely Boy is the story of an unlikely guitar hero who, with the Sex Pistols, transformed twentieth-century culture and kick-started a social revolution.

In November 1977, Warner Bros. secured the rights to release the album Never Mind The Bollocks, Here's the Sex Pistols in America. The following January, the Sex Pistols--already the "scourge" of Britain--were discovered by unsuspecting American audiences in an infamous U.S. tour, accompanied by sensational media coverage and moral panic. Malcolm McLaren, the band's manager, eschewed the established rock 'n' roll markets of New York and Los Angeles in favor of off-the-radar venues in Memphis, San Antonio and Baton Rouge, sowing the seeds for countercultural clashes in the conservative South. Two weeks later the band split up but punk had invaded mainstream American culture. Drawing on input from fans, the author chronicles the Pistols' first and only U.S. tour and separates fact from fallacy in the mythology surrounding those 12 days of mayhem.

A definitive celebration packed with previously unseen material of the original punk band—the group that defined a movement, energized a generation, and brought punk music and the safety-pin aesthetic to the mainstream. The Sex Pistols have defined the look, sound, and feel of the punk movement since they formed in London in 1975. Together for less than three years—a short run that included just four singles and one studio album before they broke up in 1978—their impact on the musical and cultural landscape of the last forty years is nothing short of remarkable. The Sex Pistols—Johnny Rotten, Steve Jones, Paul Cook, and Glen Matlock (later to be replaced by Sid Vicious)—were brought together by the cultural impresario Malcolm McLaren. Between the cultivated attitude of the players themselves, the aggressive management of McLaren, and the tremendous success of their era-defining album Never Mind the Bollocks Here’s the Sex Pistols, the band embodied the punk spirit and colored the worlds of music, fashion, youth culture, and design forever. Published to coincide with the fortieth anniversary of the band’s formation, Johan Kugelberg and Jon Savage draw on an unprecedented wealth of material—from McLaren’s handwritten letters to never-before-seen photographs of the band, Jamie Reid’s iconic album artwork, and a range of ephemera from concert tickets to fanzines—to produce the most comprehensive visual history of the band ever produced and a bible of popular culture for years to come.

'I couldn't put this book down. Malcolm inspired us to make art out of our boredom and anger. He set us free' Bobby Gillespie, Primal Scream Included in the Guardian 10 best music biographies 'Excellent . . . With this book, Gorman convincingly moves away from the ossified image of McLaren as a great rock'n'roll swindler, a morally bankrupt punk Mephistopheles, and closer towards his art-school roots, his love of ideas. Tiresome, unpleasant, even cruel - he was, this book underlines, never boring' Sunday Times 'Exhaustive . . . compelling' Observer 'Definitive . . . epic' The Times 'Gobsmacker of a biography' Telegraph 'This masterful and painstaking biography opens its doorway to an era of fluorescent disenchantment and outlandish possibility' Alan Moore Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. Ten years after his life was cruelly cut short by cancer, The Life & Times of Malcolm McLaren sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure. McLaren first achieved public prominence as a rebellious art student by making the news in 1966 after being arrested for burning the US flag in front of the American Embassy in London. He maintained this incendiary reputation by fast-tracking vanguard and left-field ideas to the centre of the media glare, via his creation and stewardship of the Sex Pistols and work with Adam Ant, Boy George and Bow Wow Wow. Meanwhile McLaren's ground-breaking design partnership with Vivienne Westwood and his creation of their visionary series of boutiques in the 1970s and early '80s sent shockwaves through the fashion industry. The Life & Times of Malcolm McLaren also essays McLaren's exasperating Hollywood years when he broke bread with the likes of Steven Spielberg though his slate of projects, which included the controversial Heavy Metal Surf Nazis and Wilde West, in which Oscar Wilde introduced rock'n'roll to the American mid-west in the 1880s, proved too rich for the play-it-safe film business. With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project Fashion Beast, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, The Life & Times Of Malcolm McLaren is the explosive and definitive account of the man dubbed by Melvyn Bragg 'the Diaghilev of punk'.

Glen Matlock was a founding member of the Sex Pistols and co-wrote most of their iconic songs. His story of the Pistols’ rise to global infamy is an honest, insightful account of a group of intelligent malcontents, determined to change the music business and to attack hypocrisy and stale conventions in society at large. Glen brilliantly captures the flavour of seventies Britain and reveals the complexities and personality clashes that made the Pistols so explosive at that time. Also includes true tales of the Pistols reunion tours of 1996 and 2002.Never mind the other bollocks-filled books about the Sex Pistols, here’s the truth.

Here is the story of how the Sex Pistols shocked and shamed EMI--the UK's most revered and profitable record company--and ended up £40,000 the richer thanks to manager Malcolm McLaren's cunning business strategy. A must read for any punk or Sex Pistols music fan, written by a true insider, Brian Southall, the former EMI PR executive who was there during the whole affair.

When the Sex Pistols swore live on tea-time telly in 1976, there was outrage across Britain. Headlines screamed. Christians marched. TVs were kicked in. Thirty years on, all those words are media-mainstream - bandied about with impunity on TV and in the papers. This is the story of our bad language and its three-decade journey from the fringes of decency to the working centre of a more linguistically liberal nation. Silverton takes a clear, comprehensive and witty look at swearing and the impact of its new acceptability on our language, our manners and our society. He considers how we have become more openly emotional, yet more wary about insulting others. And how it's seemingly become alright to say **** and **** but not ****** or ****. This is the story of that cultural revolution, written by one who was there at the start, proudly striking some of the first blows in the long struggle for the right to reclaim filthy English and use it.