“Fiendishly well-plotted, hugely entertaining.” —Lucy Foley, bestselling author of The Hunting Party In this classic whodunit filled with red herrings and double-crosses, the Queen of Crime returns in the role of sleuth as she investigates a mysterious death in the Scottish Highlands. Bestselling novelist and part-time undercover sleuth Agatha Christie is looking forward to a bit of well-deserved rest and relaxation when her longtime friend John Davison pleads with her to help him protect a retired British agent turned hotelier who has been receiving threatening letters. Together they travel to Dallach Lodge, a beautiful estate on Scotland’s picturesque Isle of Skye. There they insert themselves among the hotel’s illustrious guests, including members of the owner’s family, a leading lady of the theater, a brilliant botanist, a local doctor, and two sisters who coauthor romance novels. After a pleasant first evening, Agatha thinks it unlikely that any of them are capable of evil, much less murder. But early the next morning, the sound of a gunshot rings out and the hotel owner is found dead in the arms of his nephew. At first, it appears to be a simple hunting accident, but as Agatha digs deeper, she discovers that each and every one of the residents has a reason for wanting the late proprietor dead.

Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day. #1 New York Times bestseller * 4 starred reviews * A School Library Journal Best Book of the Year * A Kirkus Best Book of the Year * A Booklist Editors' Choice * A Bustle Best YA Novel * A Paste Magazine Best YA Book * A Book Riot Best Queer Book * A Buzzfeed Best YA Book of the Year * A BookPage Best YA Book of the Year On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day. In the tradition of Before I Fall and If I Stay, They Both Die at the End is a tour de force from acclaimed author Adam Silvera, whose debut, More Happy Than Not, the New York Times called “profound.” Plus don't miss The First to Die at the End: #1 New York Times bestselling author Adam Silvera returns to the universe of international phenomenon They Both Die at the End in this prequel. New star-crossed lovers are put to the test on the first day of Death-Cast’s fateful calls.

Clanger Bell, Breckham Market’s well-known drunk, is run over and killed as he staggers across the street at closing time. It seems to everyone – to town residents, the police, and to Clanger’s only relative, his sister Miss Eunice Bell – that his death was an accident, brought upon himself by his drunken folly. Certainly no one blames the unfortunate driver, a newly rich and newly married man called Jack Goodrum who has recently bought a large house in the town. So when Miss Bell changes her mind, and calls in Detective Chief Inspector Douglas Quantrill and his attractive Sergeant, Hilary Lloyd, to announce that she is convinced that the ‘accident’ was in fact murder, the two detectives are reluctant to take her seriously. Subsequent events, however, prove serious indeed. A nasty robbery and a brutal killing send Quantrill and Hilary probing the lives of local people, and uncovering disturbing depths of hatred and bitterness. Quantrill’s own private life at this time is also full of disturbing emotions: resentment of ageing, secret yearning for Hilary, anger with his rebellious teenage son . . . Sheila Radley has a novelist’s fascination with character and motive, as well as an acute eye for landscape, and this is the sixth novel in her highly successful, and superbly well written, series featuring Douglas Quantrill, his family and his colleagues on the Breckham Market police force. Private conflicts, old grievances, tragic accidents and misdirected love – these explosive ingredients combine in Sheila Radley’s powerful story to shatter the life and happiness of more than one family in the peaceful Suffolk market town.

This true contemporary account of an American nurse's horrific and sometimes bizarre experiences while serving at a French battlefield hospital near Soissons during World War I has poignant layers which even the often naive author did not see. "As our camion drove through the chateau gate we could see that the grounds were covered with what looked like sleeping men." That is just her own introduction to the unit, housed in what was once a country estate, and soon she was standing hours on end treating friend and enemy alike, facing harrowing hyperreality with aplomb. Shirley Millard is throughout a willing reporter of her fascinating perspective on war, youth, loss, and love -- and always slapdash surgery and gallows camaraderie, inside a MASH unit before there was M*A*S*H. And before antibiotics, it is painfully clear. But she is also an unwitting reporter of so much more. The modern reader sees truths and wrongs that Shirley fails to experience herself, some at the time and too many upon rested reflection. Even some of the pronouns she uses reveal herself and the understory more than she ever realized. The book compels attention not only on the level on which she wrote it, which would be enough to bring crashing home this forgotten war, but also on levels hidden to her. Either way the insights pierce through, as when the young French doctor sums up war: "La gloire, la gloire! Bah! C'est de la merde!" He is a hero too, but has his own incongruous scenes later, just in his smoking habits alone. This collection of diary entries and later flashbacks may be the second greatest personal account of World War I, behind that by the much more self-aware Erich Remarque (though readers here may find themselves drawn into the lack of awareness as much as the account itself). Yet this book seems to have been lost in time and the crush of later events. As Time reviewed it in 1936, "Spare, simply written diary of a young, red-haired U.S. volunteer nurse in French hospitals near the front lines of 1918, in which romantic interludes heighten rather than ease a grisly atmosphere." It is that, but there is a lot more to it. And much of the writing is deeper than that, and certainly crisp and evocative in prose, even if some of the depth is more for the reader than the author. Includes penetrating new Foreword by law professor Elizabeth Townsend Gard, who studied the genre as part of her Ph.D. research in History at UCLA. The original book, and its incongruities and twists revealed by Townsend Gard, will stick with you. Previously only available as a rare book, now returned to its place in poignant history. This book, though listed as "trade" or could be read by college adults, will have as its principal audience the general reader and young adults. It would be an excellent, fairly brief book to assign to classes in High School and possibly Middle School. Although some of its scenes are stark and upsetting, and one would be cautioned to have YAs read it much as would be true of the candor of All Quiet on the Western Front, it has no other aspects which would make it inappropriate for minors and allows excellent discussions of war, class, race, nationalism, medicine, unsung women in war, foreshadowing and subtext, and many other themes that the author herself did not mean to raise. In other words, since the writer speaks on one level, and does not realize the other levels she touches, it would help to develop readers' critical skills to share their opinions about what she is missing in her own text. And in the process there will be no concern that the book would be inappropriate for YAs except that some of the medical and casualty moments are, of course, brutal. Also available in ebook and digital formats.

For the many readers who love The Fault in Our Stars, this is the story of a girl who is determined to live, love, and to write her own ending before her time is finally up. Tessa has just months to live. Fighting back against hospital visits, endless tests, and drugs with excruciating side effects, Tessa compiles a list. It’s her To Do Before I Die list. And number one is Sex. Released from the constraints of “normal” life, Tessa tastes new experiences to make her feel alive while her failing body struggles to keep up. Tessa’s feelings, her relationships with her father and brother, her estranged mother, her best friend, and her new boyfriend, are all painfully crystallized in the precious weeks before Tessa’s time runs out. A Publishers Weekly Best Children’s Book of the Year A Booklist Editors’ Choice A Book Sense Children’s Pick A Kirkus Reviews Editors’ Choice A Publishers Weekly Flying Start Author An ALA-YALSA Top Ten Best Book for Young Adults The newly released feature film Now Is Good, starring Dakota Fanning, is based on Jenny Downham's intensely moving novel.

The Instant New York Times Bestseller! Kim Liggett's The Grace Year is a speculative thriller in the vein of The Handmaid’s Tale and The Power. Survive the year. No one speaks of the grace year. It’s forbidden. In Garner County, girls are told they have the power to lure grown men from their beds, to drive women mad with jealousy. They believe their very skin emits a powerful aphrodisiac, the potent essence of youth, of a girl on the edge of womanhood. That’s why they’re banished for their sixteenth year, to release their magic into the wild so they can return purified and ready for marriage. But not all of them will make it home alive. Sixteen-year-old Tierney James dreams of a better life—a society that doesn’t pit friend against friend or woman against woman, but as her own grace year draws near, she quickly realizes that it’s not just the brutal elements they must fear. It’s not even the poachers in the woods, men who are waiting for a chance to grab one of the girls in order to make a fortune on the black market. Their greatest threat may very well be each other. With sharp prose and gritty realism, The Grace Year examines the complex and sometimes twisted relationships between girls, the women they eventually become, and the difficult decisions they make in-between. “A visceral, darkly haunting fever dream of a novel and an absolute page-turner.” – Libba Bray, New York Times bestselling author

ALICE FEENEYS NEW YORK TIMES AND INTERNATIONAL BESTSELLER “Boldly plotted, tightly knotted—a provocative true-or-false thriller that deepens and darkens to its ink-black finale. Marvelous.” —AJ Finn, author of The Woman in the Window My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?