NATIONAL BESTSELLER • Here is the beloved, bestselling author of I Feel Bad About My Neck at her funniest, wisest, and best, taking a hilarious look at the past and bemoaning the vicissitudes of modern life—and recalling with her signature clarity and wisdom everything she hasn’t (yet) forgotten. In these pages she takes us from her first job in the mailroom at Newsweek to the six stages of email, from memories of her parents’ whirlwind dinner parties to her own life now full of Senior Moments (or, as she calls them, Google moments), from her greatest career flops to her most treasured joys. Filled with insights and observations that instantly ring true, I Remember Nothing is a delightful, poignant gift from one of our finest writers.

If there is any solace in growing older, it is that you will find yourself guffawing in hysterical recognition at the situations Nora Ephron describes, from the impossibility of trying to remember people's names at parties, to struggling with new technology.

The classic Crazy Salad, by screenwriting legend and novelist Nora Ephron, is an extremely funny, deceptively light look at a generation of women (and men) who helped shape the way we live now. In this distinctive, engaging, and simply hilarious view of a period of great upheaval in America, Ephron turns her keen eye and wonderful sense of humor to the media, politics, beauty products, and women's bodies. In the famous "A Few Words About Breasts," for example, she tells us: "If I had had them, I would have been a completely different person. I honestly believe that." Ephron brings her sharp pen to bear on the notable women of the time, and to a series of events ranging from Watergate to the Pillsbury Bake-Off. When it first appeared in 1975, Crazy Salad helped to illuminate a new American era--and helped us to laugh at our times and ourselves. This new edition will delight a fresh generation of readers.

The perfect holiday gift: a pair of hilarious books from the “wickedly witty and astute” Nora Ephron, a “crackling smart cultural scribe” (The Boston Globe) whose insights and observations have made her a heroine to women all over America. Critics and readers embraced the nationwide best seller I Feel Bad About My Neck—“Marvelous” (The Washington Post); “Sparkling” (Ladies’ Home Journal); “Delightful” (The New York Review of Books)—and applauded Ephron for “mak[ing] the truth about life so funny” (The Sunday Times, London). In I Remember Nothing the beloved humorist returns with more razor-sharp reflections on growing older in the twenty-first century, along with those stories from the past she hasn’t (yet) forgotten. I Feel Bad About My Neck and Other Thoughts on Being a Woman With her disarming, intimate, completely accessible voice and dry sense of humor, Ephron shares with us her ups and downs in this wise, wonderful look at women of a certain age who are dealing with the tribulations of maintenance, menopause, empty nests, and everything in between. Ephron chronicles her life as an obsessed cook, a passionate city dweller, and a hapless parent. But mostly she speaks frankly and uproariously about getting older. Utterly courageous, unexpectedly moving, and laugh-out-loud funny, I Feel Bad About My Neck is a scrumptious, irresistible treat of a book. I Remember Nothing and Other Reflections Ephron takes a cool, hard, hilarious look at the past, the present, and the future, writing about falling hard for a way of life (“Journalism: A Love Story”) and breaking up even harder with the men in her life (“The D Word”); revealing the alarming evolution, a decade after she wrote and directed You’ve Got Mail, of her relationship with her in-box (“The Six Stages of E-mail”); and asking the age-old question, which came first, the chicken soup or the cold? All the while, she gives voice to everything women have been thinking . . . but rarely acknowledging. Filled with insights and observations that instantly ring true—and could have come only from Nora Ephron—I Remember Nothing is pure joy. “[Ephron] retains an uncanny ability to sound like your best friend, whoever you are . . . Some things don’t change. It’s good to know that Ms. Ephron’s wry, knowing X-ray vision is one of them.” —The New York Times “Nora Ephron has become timeless.” —Los Angeles Times Book Review

A New York Times Notable Book and a San Francisco Chronicle Book of the Year: A look at the pleasures and surprises of rereading. Compared with reading, the act of rereading is far more personal—it involves a complex interaction of our past selves, our present selves, and literature. With candor and humor, this “inspired intellectual romp, part memoir, part criticism” takes us on a guided tour of the author’s own return to books she once knew—from the plays of Shakespeare to twentieth-century novels by Kingsley Amis and Ian McEwan, from the childhood favorite I Capture the Castle to classic novels such as Anna Karenina and Huckleberry Finn, from nonfiction by Henry Adams to poetry by Wordsworth—as she reflects on how the passage of time and the experience of aging has affected her perceptions of them (Lawrence Weschler). A cultural critic and the acclaimed author of Why I Read, Wendy Lesser conveys an infectious love of reading and inspires us all to take another look at the books we’ve read to find the unexpected treasures they might offer. “Delightful.” —Diane Johnson, author of Le Divorce “Anyone who has ever approached a once favorite book later in life . . . will find in this memoir moments of bittersweet recognition.” —The New York Times Book Review “Reflect[s] deeply and candidly on how a reader’s life experiences alter her perceptions of literature . . . [Lesser] has truly fascinating and original things to say about a compelling assortment of writers, including George Orwell, George Eliot, D. H. Lawrence, Dostoyevsky, and Shakespeare.” —Booklist

“A very personal remembrance of Nora Ephron’s life and loves, and her ups and downs” (USA TODAY) by her long-time and dear friend Richard Cohen in a hilarious, blunt, raucous, and poignant recollection of their decades-long friendship. Nora Ephron (1941–2012) was a phenomenal personality, journalist, essayist, novelist, playwright, Oscar-nominated screenwriter, and movie director (Sleepless in Seattle; You’ve Got Mail; When Harry Met Sally; Heartburn; Julie & Julia). She wrote a slew of bestsellers (I Feel Bad About My Neck: And Other Thoughts on Being a Woman; I Remember Nothing: And Other Reflections; Scribble, Scribble: Notes on the Media; Crazy Salad: Some Things About Women). She was celebrated by Hollywood, embraced by literary New York, and adored by legions of fans throughout the world. Award-winning journalist Richard Cohen, wrote this about She Made Me Laugh: “I call this book a third-person memoir. It is about my closest friend, Nora Ephron, and the lives we lived together and how her life got to be bigger until, finally, she wrote her last work, the play, Lucky Guy, about a newspaper columnist dying of cancer while she herself was dying of cancer. I have interviewed many of her other friends—Mike Nichols, Tom Hanks, Steven Spielberg, Meryl Streep, Arianna Huffington—but the book is not a name-dropping star turn, but an attempt to capture a remarkable woman who meant so much to so many other women.” With “the nuanced perspective of a confidant” (The Washington Post), She Made Me Laugh “is a fine tribute to a fascinating woman” (Houston Chronicle): “Nora would be pleased” (People, “Book of the Week”).