Nei Jing states, Without entering and leaving, there is no development; without ascending and descending, no transformation, absorption, and storing.

EXCERPT When Benny came back downstairs, Dena was gone. He peered out toward the pool area to see if she was talking to her parents, but saw nobody at the table where they had been. He walked out to the pool area, cupping his sketchbook under his wrist as if hiding it. Most the people in the party were crowded around the pool, cheering loudly. As Benny worked his way through the crowd, he bumped his head on more than one of the "cornhead" foam hats partygoers were wearing. A group of burly college-age men were preparing a ritual sacrifice of an inflatable alligator, in effigy of the mascot of the University of Florida. The crowd was chanting "Go Huskers! Go Huskers!" as three men were circling the floating alligator. Benny joined in the chant, scanning the crowd in the unlikely event he'd find Dena there. A man straddling the gator lifted his arms above his head, and yelling "Huskers!" plunged downward with a broken beer bottle, into the gator. The gator deflated and the man gently sunk until standing on the floor of the pool. The crowd chanted "Huskers! Huskers!" and the executioner lifted his arms in celebration, the broken bottle still in his hand. He was bleeding from a cut on his forearm, but didn't seem to notice or care.

The universally-acclaimed return of the New York Times bestselling author of Fates and Furies, Matrix, and the highly-anticipated The Vaster Wilds In Lauren Groff’s Florida, the hot sun shines, but a wild darkness lurks. Florida is a "superlative" book (Boston Globe), "gorgeously weird and limber" (New Yorker), "frequently funny" (San Francisco Chronicle), "brooding, inventive and often moving" (NPR Fresh Air) -- as Groff is recognized as "Florida's unofficial poet laureate, as Joan Didion was for California." (Washington Post) "Groff's gifts as a writer just keep soaring higher and higher.” – NPR’s Fresh Air In her thrilling new book, Lauren Groff brings the reader into a physical world that is at once domestic and wild—a place where the hazards of the natural world lie waiting to pounce, yet the greatest threats and mysteries are still of an emotional, psychological nature. A family retreat can be derailed by a prowling panther, or by a sexual secret. Among those navigating this place are a resourceful pair of abandoned sisters; a lonely boy, grown up; a restless, childless couple, a searching, homeless woman; and an unforgettable, recurring character—a steely and conflicted wife and mother. The stories in this collection span characters, towns, decades, even centuries, but Florida—its landscape, climate, history, and state of mind—becomes its gravitational center: an energy, a mood, as much as a place of residence. Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive. Startling, precise, and affecting, Florida is a magnificent achievement.

This succinct book articulates a clear framework for remixing in drawing at intermediate and advanced levels. It begins by walking through the ideas of copyright and fair use, providing context, examples, and advice. Mueller directs students through building a collection of sources and influences, leading to the development and analysis of style. With a full chapter on techniques, including approaches to brainstorming, critique, and reflection, this book features over 50 exercises that are easily adapted to various approaches, media, and technologies as necessary. Two sample syllabi are included for both a semester and a quarter system.