A broadside consisting of the words of Dorothea Mackellar's poem written in a calligraphic hand above a redish-toned desert scene showing two lizards and clumps of grass on a rocky outcrop. The image is digitally printed but has the title, punctuation amd the eyes of the lizards embellished with hand applied gold leaf.

Anika Molesworth fell in love with her family's farm, a sheep station near Broken Hill, at an early age. She formed a bond with the land as though it were a member of her family. When the Millennium Drought hit, though, bringing with it heatwaves and duststorms, the future she'd always imagined for herself began to seem impossible. As she learned more about the causes of - and the solutions to - the extreme weather that was killing her land and her livelihood, Anika became fired up and determined to speak out. Talking to farmers and food producers all around the world, she soon realised that there was a way forward that could be both practical and sustainable - if only we can build up the courage to take it. Beautifully written and full of hope, Our Sunburnt Country shows that there is a way to protect our land, our food and our future, and it is within our grasp. Praise for Our Sunburnt Country: 'In Australia our climate debate can be depressing. In the hands of Anika Molesworth it is uplifting and full of hope.' - Craig Reucassel 'Anika Molesworth invites us to imagine a better future. Read this book and be inspired.' - Michael E. Mann 'In a hope-filled, personal tale framed by her family farm in a sun-baked landscape, Anika Molesworth weaves philosophy, science and a poet's eye into a heartwarming tale of how to help heal the planet.' - Matthew Evans 'This is an important, accessible and evocative book written by a farmer and scientist in that most vital of spaces: the future of our Earth. This book can be part of the solution.' - Charles Massy 'A personal journey spurred by climate change in the west of NSW, learning what can be done and why it is worth doing.' - Ross Garnaut

In war-torn Malaya, Nancy dreams of Australia - and a young man called Michael. The year is 1942 and the world is at war. Nancy Clancy left school at fourteen to spend a year droving, just like her grandfather Clancy of the Overflow. Now sixteen, Nancy's family has sent her to Malaya to bring home her sister-in-law Moira and baby nephew Gavin. Yet despite the threat of Japanese invasion, Moira resists, wanting to stay near her husband Ben. But not even Nancy of the Overflow can stop the fall of Singapore and the capture of so many Australian troops. When their ship is bombed, Nancy, Moira and Gavin are reported missing. Back home at Gibbers Creek, Michael refuses to believe the girl he loves has died. As Darwin, Broome and even Sydney are bombed, Australians must fight to save their country. But as Michael and the families of Gibbers Creek discover, there are many ways to love your country, and many ways to fight for it. From one of Australia's most-admired storytellers comes a gripping and unforgettable novel based on true events and little-known people. This is a story about ultimate survival and the deepest kinds of love. PRAISE 'A book about a love of country that is heartwarming and heartbreaking, and hard to put down.' -- Adelaide Advertiser, 4 stars

As Australian cities face uncertain water futures, what insights can the history of Aboriginal and settler relationships with water yield? Residents have come to expect reliable, safe, and cheap water, but natural limits and the costs of maintaining and expanding water networks are at odds with forms and cultures of urban water use. Cities in a Sunburnt Country is the first comparative study of the provision, use, and social impact of water and water infrastructure in Australia's five largest cities. Drawing on environmental, urban, and economic history, this co-authored book challenges widely held assumptions, both in Australia and around the world, about water management, consumption, and sustainability. From the 'living water' of Aboriginal cultures to the rise of networked water infrastructure, the book invites us to take a long view of how water has shaped our cities, and how urban water systems and cultures might weather a warming world.

A stunning mix of memoir, reportage, fiction, satire, and critique composed by a powerful new voice in poetry. Alison Whittaker's BLAKWORK is an original and unapologetic collection from which two things emerge; an incomprehensible loss, and the poet's fearless examination of the present. Whittaker is unsparing in the interrogation of familiar ideas - identifying and dissolving them with idiosyncratic imagery, layering them to form new connections, and reinterpreting what we know. 'Alison Whittaker's second book, Blakwork is a bold mix of poetry, micro-fiction, memoir and critique, and a follow-up to her award-wining debut poetry collection, Lemons in the Chicken Wire...Whittaker has drawn on the strength of past generations to become a strong blak woman in contemporary Australia, and readers are gifted her insights into growing up blak. With a unique style of writing, she bravely unpacks themes such as colonisation and Aboriginal rights in Australia.' -- Karen Wyld, Books+Publishing