First published in 1983 to gain the distinction of being the first book of poetry written by a Caribbean woman to have won the Commonwealth Poetry Prize, it has since become a modern classic. Rightly proclaimed a significant narrative of the African Caribbean woman in proclaiming the recovery of her memory, the book celebrates and evokes memories of the triangular trade in enslavement from the African continent to the cane plantations of the Caribbean through the voice of an unnamed African woman.

Beauty is a fat black woman walking the fields pressing a breezed hibiscus to her cheek while the sun lights up her feet Nichols gives us images that stare us straight in the eye, images of joy, challenge, accusation. Her 'fat black woman' is brash; rejoices in herself; poses awkward questions to politicians, rulers, suitors, to a white world that still turns its back. Grace Nichols writes in a language that is wonderfully vivid yet economical of the pleasures and sadnesses of memory, of loving, of 'the power to be what I am, a woman, charting my own futures'.

An impressive galaxy of new poems that kids will love from one of the UK’s most exciting contemporary poets. From Aurora Borealis, Sun – You’ re a Star and A Matter of Holes, to Lady Winter’s Rap, the Earthworm Sonnet and You – a Universe Yourself, this is brilliant poetry with an astonishing range – comic riddles, animals and nature, home truths and the explosive wonder of the cosmos. This is a poetry book like no other

Psychology has had a number of things to say about black and coloured people, none of them favourable, and most of which have reinforced stereotyped and derogatory images. Beyond the Masks is a readable account of black psychology, exploring key theoretical issues in race and gender. In it, Amina Mama examines the history of racist psychology, and of the implicit racism throughout the discipline. Beyond the Masks also offers an important theoretical perspective, and will appeal to all those involved with ethnic minorities, gender politics and questions of identity.

'There is something holy about Georgetown at dusk. The Atlantic curling the shoreline . . .' The first adult novel from Grace Nichols, winner of the Queen's Gold Medal for Poetry 2021. It is 1960 and the Walcotts are moving into the city from the village of Highdam. School headmaster Archie Walcott knows that he will miss the openness of pastureland; his wife, Clara, the women and their nourishing 'womantalk and roots magic; and Gem, their daughter, her loved jamoon and mango trees. Their move into the rough and tumble Charlestown neighbourhood couldn't have come at a worse time, for the serenity of the city is exploded by political upheavals in the country's struggle for independence. Undercover moves - CIA-backed and supported by Britain attempt to bring down the Marxist government. Along with the sweep of events - strikes, riots, and racial dashes - daily life in the Charlestown yard and beyond gathers its own intensity. Archie's friend, Conrad, seeing and knowing all, moves with ease among the opposing groups, monocle to his eye, white mice in his pockets; through one terrible night the neighbourhood tenses as the Ramsammy's rum shop is threatened with burning; and Archie, troubled by the times, tries to keep a tight rein on his family. Young Gem, ever-watchful, responds with wonderment and curiosity to the new life around her. In this, her first adult novel, Grace Nichols richly and imaginatively evokes a world that was part of her own Guyanese childhood.