A memoir details the haunting and redemptive events of the author's life, covering such topics as his con-man father's betrayal, the murder-suicide of a houseguest, and his decade spent in the Arctic as a translator of Inuit tales.

“Some books celebrate the human condition; others commiserate with us. This memoir does both.” —Helen Oyeyemi, NPR This spellbinding memoir by the National Book Award–nominated author of The Bird Artist begins with a portrait, both harrowing and hilarious, of a midwestern boy’s summer working in a bookmobile, under the shadow of his grifter father and the erotic tutelage of his brother’s girlfriend. Howard Norman’s life story continues in places as far-flung as the Arctic, where he spends part of a decade as a translator of Inuit tales—including the story of a soapstone carver turned into a goose whose migration-time lament is “I hate to leave this beautiful place”—and in his beloved Point Reyes, California, as a student of birds. Years later, Norman and his wife lend their Washington, DC, home to a poet and her young son, and a subsequent murder-suicide in the house has a profound effect on them. In this “unexpectedly arresting” memoir, life’s unpredictable strangeness is fashioned into a creative and redemptive story (The New York Times Book Review). “Norman uses the tight focus of geography to describe five unsettling periods of his life, each separated by time and subtle shifts in his narrative voice. . . . The originality of his telling here is as surprising as ever.” —The Washington Post “These stories almost seem like tall tales themselves, but Norman renders them with a journalistic attention to detail. Amidst these bizarre experiences, he finds solace through the places he’s lived and their quirky inhabitants, human and avian.” —The New Yorker

A young boy must make a new life in Toronto after the death of his mother and cousin. An original, entertaining account of a boy's coming of age, and a National Book Award nominee.

The revised and expanded third edition of the bestselling guide to understanding borderline personality disorder—with advice for communicating with and helping the borderline individuals in your life. After more than three decades as the essential guide to borderline personality disorder (BPD), the third edition of I Hate You—Don’t Leave Me now reflects the most up-to-date research that has opened doors to the neurobiological, genetic, and developmental roots of the disorder, as well as connections between BPD and substance abuse, sexual abuse, post-traumatic stress syndrome, ADHD, and eating disorders. Both pharmacological and psychotherapeutic advancements point to real hope for success in the treatment and understanding of BPD. This expanded and revised edition is an invaluable resource for those diagnosed with BPD and their family, friends, and colleagues, as well as professionals and students in the field, and the practical tools and advice are easy to understand and use in your day-to-day interactions with the borderline individuals in your life.

“We Can Never Leave This Place is the apocalyptic 21st century Grimm's fairy tale you need in your life. Eric LaRocca plucks images directly from the muck and mire of our id and fashions them into something grotesquely beautiful.” ~ Paul Tremblay, author of The Cabin at the End of the World and The Pallbearers Club “We Can Never Leave This Place is a bleak and tender, monstrous and visceral fable of family and loss, and the courage it takes to confront them both.” ~ Kathe Koja, author of The Cipher “When you’re given a gift, something else gets taken away.” A precocious young girl with an unusual imagination is sent on an odyssey into the depths of depravity. After her father dies violently, young Mara is surprised to find her mother welcoming a new guest into their home, claiming that he will protect them from the world of devastation and destruction outside their door. A grotesque and thrilling dark fantasy, We Can Never Leave This Place is a harrowing portrait of inherited grief and familial trauma.

Howard Norman's The Bird Artist, the first book of his Canadian trilogy, begins in 1911. Its narrator, Fabian Vas is a bird artist: He draws and paints the birds of Witless Bay, his remote Newfoundland coastal village home. In the first paragraph of his tale Fabian reveals that he has murdered the village lighthouse keeper, Botho August. Later, he confesses who and what drove him to his crime--a measured, profoundly engrossing story of passion, betrayal, guilt, and redemption between men and women. The Bird Artist is a 1994 National Book Award Finalist for Fiction.