From the award-winning host of the critically acclaimed podcast Conversations with People Who Hate Me comes a “fresh, deeply honest, wildly creative, and right on time” (Glennon Doyle, #1 New York Times bestselling author) exploration of difficult conversations and how to navigate them. Dylan Marron’s work has racked up millions of views and worldwide support. From his celebrated Every Single Word video series highlighting the lack of diversity in Hollywood to his web series Sitting in Bathrooms with Trans People, Marron has explored some of today’s biggest social issues. Yet, according to some strangers on the internet, Marron is a “moron,” a “beta male,” and a “talentless hack.” Rather than running from this vitriol, Marron began a social experiment in which he invited his detractors to chat with him on the phone—and these conversations revealed surprising and fascinating insights. Now, Marron retraces his journey through a project that connects adversarial strangers in a time of unprecedented division. After years of production and dozens of phone calls, he shares what he’s learned about having difficult conversations and how having them can help close the ever-growing distance between us. Charmingly candid and refreshingly hopeful, Conversations with People Who Hate Me demonstrates “that talking personally and listening fully—without trying to score points or to convince someone to change their mind—goes a long way toward breaking down barriers. The book will delight his fans and draw new listeners to the podcast” (Kirkus Reviews).

KaraHigh school sweethearts. What a load of bull.He might have been my first love, but it never meant I wanted to hear lyrics containing my name, love story, and *cringe* how I lost my virginity peddled out for the masses to digest.Seven years later, and I'm still being haunted by his photo in every magazine, his music on every radio station. I thought breakups meant that you never had to see the person again. Especially when they ripped out your heart and made hamburger meat with it.But when a chance encounter ends up going viral, I'm tied to him in a way I've always dreaded. And the last person on earth I'd want to spend an hour with, much less a lifetime, makes me an offer I can't refuse. I might just be desperate enough to take it.DeanThe girl in the song is real. And she's made me a rich man.I've been dedicating choruses to her for a decade, she's the muse she never wanted to be. Off of our love, I've become famous ... and a complete egomaniac.When another one of my flings goes off the rails, and lands me in hot water with the media, my recording label is less than thrilled. And so comes the marching orders from my agent; devise a scheme to transform into a squeaky clean good guy.Coming face to face with her is something I've only dreamed about. If not to win her back, then to at least apologize for the ways I've exploited her. Instead, I rope her into my madness, proposing a deal only a masochist would accept.

From New Yorker and Onion writer and comedian Blythe Roberson, How to Date Men When You Hate Men is a comedy philosophy book aimed at interrogating what it means to date men within the trappings of modern society. Blythe Roberson’s sharp observational humor is met by her open-hearted willingness to revel in the ugliest warts and shimmering highs of choosing to live our lives amongst other humans. She collects her crushes like ill cared-for pets, skewers her own suspect decisions, and assures readers that any date you can mess up, she can top tenfold. And really, was that date even a date in the first place? With sections like Real Interviews With Men About Whether Or Not It Was A Date; Good Flirts That Work; Bad Flirts That Do Not Work; and Definitive Proof That Tom Hanks Is The Villain Of You’ve Got Mail, How to Date Men When You Hate Men is a one stop shop for dating advice when you love men but don't like them. "With biting wit, Roberson explores the dynamics of heterosexual dating in the age of #MeToo" — The New York Times

Everyone in Muessa Junction hates Monalisa Kent. After all, she was the thickwit who blowtorched the futon factory—the town's heart, soul, and bread and butter. So what if she was just six at the time? Junctioners don't forgive and forget. And now it's the 10th anniversary of the blaze that fried Mona's supposed life. In the past 10 years, her bitter town resurrected itself through the divine intervention of the fast food industry. But there is no absolution for Mona—they still hate the sorry sight of her. And Mona doesn't like them either. At 16 she's dyed her hair blue, found her place at the local tattoo parlor, and taken to memorizing bumper sticker sayings instead of dealing with people. But disappearing is never that easy, especially with blue hair. And in her efforts to retreat, Mona has forgotten the oldest bumper sticker in the book: "No matter how deep you bury the past, it always climbs out to bite you in the butt."

This book considers the experience of envy, greed, jealousy, and narcissism and how they operate between parents and children, brothers and sisters. It focuses on the object of these harmful emotions, what attracts malice to them, and how they may arouse it.

The highly anticipated and timely follow-up to Philip Gourevitch’s award-winning bestseller We Wish to Inform You That Tomorrow We Will Be Killed with Our Families. Philip Gourevitch's unforgettable modern classic We Wish to Inform You That Tomorrow We Will Be Killed with Our Families opened our eyes to the 1994 genocide of Rwanda’s Tutsi minority: Close to a million people were murdered by their neighbors in one hundred days. Now Gourevitch brings us an astonishingly vivid and intimate exploration of how killers and survivors live together again in the same communities, grappling with seemingly impossible burdens of memory and forgetting, denial and confession, vengefulness and forgiveness. A fiercely beautiful literary reckoning, You Hide That You Hate Me and I Hide That I Know—the culmination of twenty-five years of reporting on the aftermath of the slaughter—takes its title from a stark Rwandan adage that speaks to the uneasy trade-offs that reconciliation after near annihilation demands. Since the genocide, Rwanda has engaged in the most ambitious and sweeping process of accountability ever undertaken by any society. “Truth Heals” was the slogan. But truth also wounds. And truth is always contested. As Gourevitch returns repeatedly over the decades to the same families in one hillside village, their accounts of killing and surviving, and of the life after, inform and enlarge one another, becoming ever more complex and charged with significance. These stories are at once as essential and as extreme as classical myths, illuminating the ways that we seek, individually and collectively, to negotiate our irreparable pasts in pursuit of a more habitable future. This deeply moving book continuously invites us—as only great writing can—to think, and to think again.