A memoir of family history, personal identity, and WWII Vienna—a “well-researched, intimate, evocative look at some of the 20th century’s foulest days” (Kirkus). In autumn 1942, Anna Goldenberg’s great-grandparents and one of their sons are deported to the Theresienstadt concentration camp. Hans, their elder son, survives by hiding in an apartment in the middle of Nazi-controlled Vienna. But this is no Anne Frank-like existence; teenage Hans passes time in the municipal library and buys standing room tickets to the Vienna State Opera. He never sees his family again. Goldenberg reconstructs this unique story in magnificent reportage. She also portrays Vienna’s undying allure. Although they tried living in the United States after World War Two, both grandparents eventually returned to the Austrian capital. The author, too, has returned to her native Vienna after living in New York herself, and her fierce attachment to her birthplace enlivens her engrossing biographical history. I Belong to Vienna is a probing tale of heroism and resilience marked by a surprising freshness as a new generation comes to terms with history’s darkest era.

An original study of exile, told through the biography of Austrian writer Stefan Zweig By the 1930s, Stefan Zweig had become the most widely translated living author in the world. His novels, short stories, and biographies were so compelling that they became instant best sellers. Zweig was also an intellectual and a lover of all the arts, high and low. Yet after Hitler’s rise to power, this celebrated writer who had dedicated so much energy to promoting international humanism plummeted, in a matter of a few years, into an increasingly isolated exile—from London to Bath to New York City, then Ossining, Rio, and finally Petrópolis—where, in 1942, in a cramped bungalow, he killed himself. The Impossible Exile tells the tragic story of Zweig’s extraordinary rise and fall while it also depicts, with great acumen, the gulf between the world of ideas in Europe and in America, and the consuming struggle of those forced to forsake one for the other. It also reveals how Zweig embodied, through his work, thoughts, and behavior, the end of an era—the implosion of Europe as an ideal of Western civilization.

“Robert Wistrich’s exemplary scholarly analysis of the Viennese Jewish community in the 19th century is the first well-written, reliable study of its kind... gives elegant portraits of the crucial Jewish figures of the new Viennese politics at the turn of the century... focus[es] on the internal history of the highly diversified Jewish community... [Wistrich] analyzes effectively the genesis of Herzl’s Zionism from within the Viennese context. Although his sympathies for Zionism are clear, he is respectful of Jewish critics of Zionism. What is refreshing in his narrative is the absence of retrospective critical moralizing about assimilation and the remarkable participation of Jews in German culture. Assimilated Jewish aristocrats and intellectuals, even Jews who converted to Christianity, are presented with as much evenhandedness as those Viennese Jewish nationalists and traditionalist theologians whose mistrust of assimilation and acculturation as reliable defenses against prejudice seems to have been vindicated by the Holocaust. The Jews of Vienna in the Age of Franz Joseph is not merely a descriptive history of Viennese Jewry. It vindicates the centrality of Jewishness and anti-Semitism as dynamic and changing forces in the evolution of 19th-century Austro-German politics and culture... Mr. Wistrich’s poignant narrative reminds us that the struggle for civic equality, social acceptance and economic security by the Jews of 19th-century Vienna resulted, among other things, in a steady stream of diverse and unforgettable contributions to art, science and culture... Even if the hopes implicit in the political and social struggle of the Jews of Vienna before 1914 were dashed finally by the violence of Nazism, Mr. Wistrich’s book is a moving reminder of what high hopes they were.” — Leon Botstein, The New York Times Book Review “The excellence of his book lies... in the high quality of scholarship, the sensitivity to nuance, the desire to map the entire Jewish response to the crisis of the empire in all its complexity.” — Michael Ignatieff, New York Review of Books “Will be the standard work for some time to come... eminently readable.” — Peter Pulzer, London Review of Books “[A] monumental book which will be indispensible for a long time to come.” — Ritchie Robertson, German History “Wistrich draws all the strands of this complex story very clearly together... broadly conceived, his book has a compelling dramatic interest and is certain to remain a standard guide to its subject for a long time.” — Roger Morgan, Times Literary Supplement “A paradigm of fine Jewish historical writing and analysis... Wistrich builds his work by exhaustively treating the important trends and figures which Viennese Jewry produced.” — Sharon Fleisher, Jerusalem Post “... a veritable summa of the religious, cultural, and political history in which the Viennese Jews were the main agents of change during the decline of the Habsburg monarchy.” — Victor Karady, Liber

Jennifer Morton armed with a knap-sack full of cameras, chased the global art, music and culture scene. As producer and host of TV Frames a show focusing on urban culture using a documentary style format. Belong is also a look at how art, music and culture survive in places most of the rest of the world associate with poverty and civil strife.

Beginning in childhood, one of our strongest and most fundamental human emotions is the desire to belong. This emotion extends beyond merely the self, affecting on a macro scale at a political level. Since its foundation in 1957, the European Union has encouraged people across its member states to feel a sense of belonging to one united international community--with very mixed results. Today, faced with the fracturing impact of the migration crisis, threats of terrorism, and rising tensions, governments within and outside the EU now seek to impose a different kind of belonging through policies of exclusion and border control. In this collection of personal essays, a diverse group of novelists, journalists, and activists reflect on their own individual senses of citizen belonging. In creative and disarming ways, they confront the challenges of nationalism, populism, racism, and fundamentalism and offer fascinating insights into some of the most pressing questions of our day: Why do people fear growing diversity? Is there truly a European identity? Who determines who belongs? ​ Literary, accessible, and timely, Do I Belong? provides unique commentary on an insufficiently understood and defining phenomenon of our age.

The question of the collaboration of Jews with the Nazi regime during the persecution and extermination of European Jewry is one of the most difficult and sensitive issues surrounding the Holocaust. How could people be forced to cooperate in their own destruction? Why would they help the Nazi authorities round up their own people for deportation, manage the 'collection points' and supervise the people being deported until the last moment? This book is a major new study of the role of the Jews, and more specifically the 'Judenrat' or Jewish Council, in Holocaust Vienna. It was in Vienna that Eichmann developed and tested his model for a Nazi Jewish policy from 1938 onwards, and the leaders of the Viennese Jewish community were the prototypes for all subsequent Jewish councils. By studying the situation in Vienna, it is possible to gain a unique insight into the way that the Nazi regime incorporated the Jewish community into its machinery of destruction. Drawing on recently discovered archives and extensive interviews, Doron Rabinovici explores in detail the actions of individual Jews and Jewish organizations and shows how all of their strategies to protect themselves and others were ultimately doomed to failure. His rich and insightful account enables us to understand in a new way the terrible reality of the victims' plight: faced with the stark choice of death or cooperation, many chose to cooperate with the authorities in the hope that their actions might turn out to be the lesser evil.

“Reads like a novel. A fast-paced page-turner, it has everything: sex, wit, humor, and adventures. But it is an impressively researched and important story.” —David Fromkin, author of Europe’s Last Summer Vienna, 1814 is an evocative and brilliantly researched account of the most audacious and extravagant peace conference in modern European history. With the feared Napoleon Bonaparte presumably defeated and exiled to the small island of Elba, heads of some 216 states gathered in Vienna to begin piecing together the ruins of his toppled empire. Major questions loomed: What would be done with France? How were the newly liberated territories to be divided? What type of restitution would be offered to families of the deceased? But this unprecedented gathering of kings, dignitaries, and diplomatic leaders unfurled a seemingly endless stream of personal vendettas, long-simmering feuds, and romantic entanglements that threatened to undermine the crucial work at hand, even as their hard-fought policy decisions shaped the destiny of Europe and led to the longest sustained peace the continent would ever see. Beyond the diplomatic wrangling, however, the Congress of Vienna served as a backdrop for the most spectacular Vanity Fair of its time. Highlighted by such celebrated figures as the elegant but incredibly vain Prince Metternich of Austria, the unflappable and devious Prince Talleyrand of France, and the volatile Tsar Alexander of Russia, as well as appearances by Ludwig van Beethoven and Emilia Bigottini, the sheer star power of the Vienna congress outshone nearly everything else in the public eye. An early incarnation of the cult of celebrity, the congress devolved into a series of debauched parties that continually delayed the progress of peace, until word arrived that Napoleon had escaped, abruptly halting the revelry and shrouding the continent in panic once again. Vienna, 1814 beautifully illuminates the intricate social and political intrigue of this history-defining congress–a glorified party that seemingly valued frivolity over substance but nonetheless managed to drastically reconfigure Europe’s balance of power and usher in the modern age.