On her daily bike ride with her dad, a bird-loving little girl passes a woman who frightens her—until she discovers what they have in common. I am a bird. Ca-Caw! Ca-Caw! Every day, a little girl rides to school on the back of her father's bike. As they twist and turn through the streets, the little girl spreads her arms like wings and sings her birdsong for all to hear. But when they pass a strange woman in blue who carries a mysterious bag, the girl goes quiet until the woman is out of sight. One day, when they’re running late, the little girl discovers what the woman does with her bag each morning—a surprise that transforms her wariness into a feeling of kinship to be celebrated. Hope Lim’s simple text and Hyewon Yum’s delicate, expressive illustrations create a touching story that encourages readers to embrace our similarities rather than focus on our differences.

Children's Book: I am NOT a Bird! Short Bedtime Stories for Kids A little bird is convinced it is NOT a bird after all. But can it convince you? Read the book to find out! About Sammy the Bird books This is a picture book series about a quirky bird named Sammy and his amusing misadventures. Readers will discover that Sammy is a little red bird who has a BIG personality. The books in this series are humorous, engaging and sometimes deal with common childhood issues like bullying, fear of the dark, patience and friendship. The books are interactive and engages young readers to participate in the story. There are over 90 ebooks in the series and counting! From the Author I like to think of myself as a storyteller who brings families together through the medium of picture books. Whether it is between a parent or child or a grandparent and child. These stories are intended to be light-hearted and funny and most importantly the stories engage young readers to be a part of the story itself. My hope is that these books will help build upon a child's love for reading and allow families to laugh and enjoy spending time together. As a reader, you can look forward to many more adventures with this silly and fun-loving red bird!-V. Moua About the book: I am NOT a Bird! This is a read aloud kids book. The target age range audience is appropriate for preschool and young children who are at the following stages of reading: I can read level 1, I can read level 2, I can read level 3 and I can read level 4. This is a book that any child will love, especially at bedtime. It is suitable for parents to read to their children. Also, grandparents will definitely enjoy reading this book to their grandchildren. Read this children's book FREE as part of your PRIME or Kindle Unlimited membership!

Dear Reader, Don't chase a dream. Become the Dream itself! I Am the American Dream is dedicated to all who courageously dare to DREAM, no matter where you are in the world. This book is about two immigrants who came to America from two distinct countries and share the same American Dream. We tell the stories of how we followed our childhood dreams from Cambodia and Hong Kong. Our paths finally crossed in America decades later. “Two souls, two journeys, till their paths crossed, becoming one life…” We do not portray the American Dream as superior to any country’s dream. We write about facing bullying, racism, discrimination, loss of hope, and family challenges between two cultures (Asian and American). We share how we chose the nontraditional path to breakthrough, thinking outside the box, maintaining a positive mindset, and embracing our differences. We moved to America for freedom and opportunities. We realized no one handed us the American Dream; we had to work hard for it. For over 45 years, we never gave up. Along our journey, we discovered one profound truth: the Dream isn’t something you chase; we are the Dream! This unique blend of memoir, vivid imagery, and poetry is inspired by Chu's work in Oscar-winning films like The Lord of the Rings, Avatar, Finding Dory, and Coco. Each scene is crafted as a standalone short story, capturing a spectrum of emotions that will deeply resonate with you. A picture is worth a thousand words; this book is enriched by stunning original artwork illustrated by two talented New Zealand artists. You will ponder each illustration as if admiring a painting in a museum. Four generations’ worth of stories, woven together, form the backbone of this book. The stories are a shocking yet heartwarming collection that showcases the growth and resilience of the human spirit and delivers hearty laughs along the way. This book is as real and raw as it gets. We hope you will be curious to open it and ready to be inspired :). With Love, Chu & Wayne

Charles Mingus was one of the most innovative jazz musicians of the 20th Century, and ranks with Ives and Ellington as one of America's greatest composers. By temperament, he was a high-strung and sensitive romantic, a towering figure whose tempestuous personal life found powerfully coherent expression in the ever-shifting textures of his music. Now, acclaimed music critic Gene Santoro strips away the myths shrouding "Jazz's Angry Man," revealing Mingus as more complex than even his lovers and close friends knew. A pioneering bassist and composer, Mingus redefined jazz's terrain. He penned over 300 works spanning gutbucket gospel, Colombian cumbias, orchestral tone poems, multimedia performance, and chamber jazz. By the time he was 35, his growing body of music won increasing attention as it unfolded into one pioneering musical venture after another, from classical-meets-jazz extended pieces to spoken-word and dramatic performances and television and movie soundtracks. Though critics and musicians debated his musical merits and his personality, by the late 1950s he was widely recognized as a major jazz star, a bellwether whose combined grasp of tradition and feel for change poured his inventive creativity into new musical outlets. But Mingus got headlines less for his art than for his volatile and often provocative behavior, which drew fans who wanted to watch his temper suddenly flare onstage. Impromptu outbursts and speeches formed an integral part of his long-running jazz workshop, modeled partly on dramatic models like Orson Welles' Mercury Theatre. Keeping up with the organized chaos of Mingus's art demanded gymnastic improvisational skills and openness from his musicians-which is why some of them called it "the Sweatshop." He hired and fired musicians on the bandstand, attacked a few musicians physically and many more verbally, twice threw Lionel Hampton's drummer off the stage, and routinely harangued chattering audiences, once chasing a table of inattentive patrons out of the FIVE SPOT with a meat cleaver. But the musical and mental challenges this volcanic man set his bands also nurtured deep loyalties. Key sidemen stayed with him for years and even decades. In this biography, Santoro probes the sore spots in Mingus's easily wounded nature that helped make him so explosive: his bullying father, his interracial background, his vulnerability to women and distrust of men, his views of political and social issues, his overwhelming need for love and acceptance. Of black, white, and Asian descent, Mingus made race a central issue in his life as well as a crucial aspect of his music, becoming an outspoken (and often misunderstood) critic of racial injustice. Santoro gives us a vivid portrait of Mingus's development, from the racially mixed Watts where he mingled with artists and writers as well as mobsters, union toughs, and pimps to the artistic ferment of postwar Greenwich Village, where he absorbed and extended the radical improvisation flowing through the work of Allen Ginsberg, Jackson Pollock, and Charlie Parker. Indeed, unlike Most jazz biographers, Santoro examines Mingus's extra-musical influences--from Orson Welles to Langston Hughes, Farwell Taylor, and Timothy Leary--and illuminates his achievement in the broader cultural context it demands. Written in a lively, novelistic style, Myself When I Am Real draws on dozens of new interviews and previously untapped letters and archival materials to explore the intricate connections between this extraordinary man and the extraordinary music he made.