When most people think of space, they think of physical space. However, visual space concerns space as consciously experienced, and it is studied through subjective measures, such as asking people to use numbers to estimate perceived distances, areas, angles, or volumes. This book explores the mismatch between perception and physical reality, and describes the many factors that influence the perception of space including the meaning assigned to geometric concepts like distance, the judgment methods used to report the experience, the presence or absence of cues to depth, and the orientation of a stimulus with respect to point of view. The main theme of the text is that no single geometry describes visual space, but that the geometry of visual space depends upon the stimulus conditions and mental shifts in the subjective meaning of size and distance. In addition, The Geometries of Visual Space: *contains philosophical, mathematical, and psychophysical background material; *looks at synthetic approaches to space perception including work on hyperbolic, spherical, and Euclidean geometries; *presents a meta-analysis of studies that ask observers to directly estimate size, distance, area, angle, and volume; *looks at the size constancy literature in which observers are asked to adjust a comparison stimulus to match a variety of standards at different distances away; *discusses research that takes a multi-dimensional approach toward studying visual space; and *discusses how spatial experience is influenced by memory. While this book is primarily intended for scholars in perception, mathematical psychology, and psychophysics, it will also be accessible to a wider audience since it is written at a readable level. It will make a good graduate-level textbook on space perception.

First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

It is ten years since Adolf Griinbaum published the first edition of this book. It was promptly recognized to be one of the few major works in the philosophy of the natural sciences of this generation. In part, this is so because Griinbaum has chosen a problem basic both to philosophy and to the natural sciences - the nature of space and time; and in part, this is so because he so admirably exemplifies that Aristotelian devotion to the intimate and mutual dependence of actual science and philosophical understanding. More than this, however, the quality of his work derives from his achievement in combining detail with scope. The problems of space and time have been among the most difficult in contemporary and classical thought, and Griinbaum has been responsible to the full depth and complexity of these difficulties. This revised and enlarged second edition is a work in progress, in the tradition of reflective analysis of modern science of such figures as Ehrenfest and Reichenbach. In publishing this work among the Boston Studies in the Philosophy of Science, we hope to contribute to and encourage that broad tradition of natural philosophy which is marked by the close collaboration of philoso phers and scientists. To this end, we have published the proceedings of our Colloquia, of meetings and conferences here and abroad, as well as the works of single authors.

When most people think of space, they think of physical space. However, visual space concerns space as consciously experienced, and it is studied through subjective measures, such as asking people to use numbers to estimate perceived distances, areas, angles, or volumes. This book explores the mismatch between perception and physical reality, and describes the many factors that influence the perception of space including the meaning assigned to geometric concepts like distance, the judgment methods used to report the experience, the presence or absence of cues to depth, and the orientation of a stimulus with respect to point of view. The main theme of the text is that no single geometry describes visual space, but that the geometry of visual space depends upon the stimulus conditions and mental shifts in the subjective meaning of size and distance. In addition, The Geometries of Visual Space: *contains philosophical, mathematical, and psychophysical background material; *looks at synthetic approaches to space perception including work on hyperbolic, spherical, and Euclidean geometries; *presents a meta-analysis of studies that ask observers to directly estimate size, distance, area, angle, and volume; *looks at the size constancy literature in which observers are asked to adjust a comparison stimulus to match a variety of standards at different distances away; *discusses research that takes a multi-dimensional approach toward studying visual space; and *discusses how spatial experience is influenced by memory. While this book is primarily intended for scholars in perception, mathematical psychology, and psychophysics, it will also be accessible to a wider audience since it is written at a readable level. It will make a good graduate-level textbook on space perception.

Richard Trudeau confronts the fundamental question of truth and its representation through mathematical models in The Non-Euclidean Revolution. First, the author analyzes geometry in its historical and philosophical setting; second, he examines a revolution every bit as significant as the Copernican revolution in astronomy and the Darwinian revolution in biology; third, on the most speculative level, he questions the possibility of absolute knowledge of the world. A portion of the book won the Pólya Prize, a distinguished award from the Mathematical Association of America.