Four Hollywood men pursue the American dream in a cocaine-filled, sex-crazed culture.

The hilarious, bawdy and touching story of Madame de Montespan's husband who could not give her up. 'The writing is beautiful, witty, grisly and moving, and reeks of authenticity' Sunday Telegraph The Marquis de Montespan and his new wife, Athenais, are a true love-match - a rarity amongst the nobility of seventeenth-century France. But love is not enough to maintain their hedonistic lifestyle. When Madame de Montespan is offered the chance to become lady-in-waiting to the Queen at Versailles, she seizes this opportunity to turn their fortunes round. Too late, Montespan discovers that his ravishing wife has caught the eye of King Louis XIV. As everyone congratulates him on his new status of cuckold by royal appointment, the Marquis is broken-hearted. He vows to wreak revenge on the monarch and win back his adored Marquise...

In the twenty years that preceded the publication of this book in 1988, David Rabe was in the vanguard of playwrights who shaped American theatre. As the first full-length work on Rabe, this book laid the groundwork for later critical and biographical studies. The first part consists of an essay that covers three sections: a short biography, a summary and evaluation of his formative journalism for the New Haven Register, and a detailed and cohesive stage history of his work. The second part presents the most comprehensive and authoritative primary bibliography of Rabe to date, with the third section containing a secondary bibliography — including a section on biographical studies.

From its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theater as Long Day's Journey into Night, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? Each chapter is written by a leading scholar and focuses on Broadway's most admired and popular productions. The book is ideally suited for classroom use and offers an otherwise unavailable introduction to a subject which is of great interest to students and scholars alike.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.