"Asa Rountree was born in Birmingham, Alabama. A graduate of the University of Alabama and Harvard Law School, he practiced law as corporate litigator and trial lawyer. He spent most of his career in New York City as a partner at Debevoise & Plimpton LLP, before he retired from that firm and returned to Birmingham as a shareholder at Maynard, Cooper & Gale, P.C. He was a prolific and broad ranging writer and penned titles such as The Roman Republic : An Historical Parallel?; Human Nature, Morality, and the State; and Words : Essays and Other Words. He was, he like to say, a consummate collector of rejection slips. This book collects Asa's well-honed views on how to practice law. His advice is timeless and true, funny and practical. It also hints at the great pleasure that can be had in aiming for excellence as a lawyer. Asa's memos shaped generations of lawyers who had the good luck to work with him"--Page 4 of cover.

The success of the Apollo program in the 1960s was the first step in our manned attempts at conquering space. Salt Mines revisits aerospace history-that-never-was and explores the plausibility of interplanetary space travel, the confrontations between management and the union, and the effects of downsizing on the sudden emergence of violence in the workplace. Colorful characters who work in the "salt mines" add threads of complexity, laughter, and pathos to the story. There is Chuck Gibson, an avowed union man who likes nothing better than to hear Minerva Aerospace Corporation (MAC) ́s top executives get a roasting. And yes, the prima donna of Mahogany Row, Dr. Rick Davis, although rather eccentric, is someone to be reckoned with. Then there is Jiggs Tanaka, the Hermes coordinator, who never gets the respect he deserves from his subordinates despite his prudence and sensitivity to people issues. On the other hand, Andy Stahl, the demoted Orion coordinator, who drives around naked in a van, is uproariously funny mouthing cryptic utterances from Tennyson ́s "Morte d ́Arthur" and Shakespeare ́s The Merchant of Venice. Not to be forgotten is Will Hardy, the super-dipper, whose speech "Uncle Sam ́s Cabin" has made him the darling of Wall Street. And of course, Nina Hill, the only woman technical writer. Her penchant for enticing top corporate executives precipitates a murder. Finally, there is Derek Lambert, the protagonist. Most of the story unfolds from Derek ́s point-of-view in an episodic narrative of events that reflect the intriguing and dynamic world of the aerospace industry at its height in the 1980s. Intertwined with the events is Derek Lambert ́s recurring nightmare of a past he wants desperately to forget. Although he dearly loves his wife, Jenny DuBois, he can ́t bring himself to forgive her for walking out on him during their honeymoon. In the pressure-laden environment at MAC, Derek manages to remain neutral in the day-to-day conflicts between management and the employees, although his life is inextricably committed to the Hermes program. The Hermes is to be the first manned space capsule to go on a grand tour of the solar system in 1982. This tour coincides with the alignment of the planets, a heavenly phenomenon occurring only once in 179 years. Working at the salt mines might have been a perfect haven for Derek had it not been for the visit of his mother. Since his emotional and psychological problems stem from a strong attachment to his mother, her arrival rekindles the old guilt feelings that have dogged him for years. As if by coincidence, everything takes a downturn at the salt mines. In a period of five months, MAC totters on the brink of financial collapse. Lawsuits. Intrigues. Tension-related deaths. Strikes. Layoffs. Murder. The effect is devastating. To escape being drawn into the morass of the salt mines syndrome, Derek turns to Cindy Li, a beautiful Chinese stewardess. Derek resists the idea of a relationship at first, but Cindy will do anything to achieve her goal. As these societal, corporate, and personal problems compound, the episodic pace accelerates into a suspenseful thriller that is resolved in the novel ́s final shocking developments.

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

Across generations, humor has been a place for American Jews to explore the relationship between Jewish identity, practices, and history. In this comprehensive approach to Jewish humor focused on the relationship between humor and American Jewish practice, Jennifer Caplan calls us to adopt a more expansive view of what it means to "do Jewish," revealing that American Jews have turned, and continue to turn, to humor as a cultural touchstone. Caplan frames the book around four generations of Jewish Americans from the Silent Generation to Millennials, highlighting a shift from the utilization of Jewish-specific markers to American-specific markers. Jewish humor operates as a system of meaning-making for many Jewish Americans. By mapping humor onto both the generational identity of those making it and the use of Judaism within it, new insights about the development of American Judaism emerge. Caplan's explication is innovative and insightful, engaging with scholarly discourse across Jewish studies and Jewish American history; it includes the work of Joseph Heller, Larry David, Woody Allen, Seinfeld, the Coen brothers films, and Broad City. This example of well-informed scholarship begins with an explanation of what makes Jewish humor Jewish and why Jewish humor is such a visible phenomenon. Offering ample evidence and examples along the way, Caplan guides readers through a series of phenomenological and ideological changes across generations, concluding with commentary regarding the potential influences on Jewish humor of later Millennials, Gen Z, and beyond.