"In Hummingbirds in The Trenches, Kondwani Fidel digests the circumstances of every day living in Baltimore. His honest recollection of growing up in his city--one plagued by poverty, inadequate schools, and violent murders--is a must read till the end. Fidel skillfully guides readers down a narrow line--his vulnerability on one side, his deafening power on the other. In the end, Fidel emerges a victor--overtly aware of the ironclad, historical systemic racism that continues to confine his community, yet still a hopeful, suggestive voice with a strong belief in change. His essays will make you cry tears of anger, but also tears of light-hearted laughter."--Stephanie Wash, Emmy Award Winning Producer and ABC News Journalist.

Beautiful Kondwani Fidel has once again composed a masterpiece of stories and memories that forms lessons to all young Suns growing up in the neighborhood. This piece, this lesson, is ever so necessary in an era where, we, who come from urban communities, are still fighting structural racism, police brutality, economic genocide while simultaneously fighting the ways in which we self-destruct, destroy one another, and create chaos in our communities. It is a critique of the system of our oppression and a critique of the dysfunctions in our own families, relationships, and communities. It is brilliant that a young mind such as Fidel's has been blessed with the conscious and creative spirit that allows him to compose a lesson from a perspective and in a way that no other could. Raw Wounds is sung in pitches and frequencies that invokes the emotion. It is a bittersweet song." -Dr. Zoe Spencer, Associate Professor in the Department of Sociology and Criminal Justice at Virginia State University

The country's most noted writers, poets, and artists converge at a singular moment in American life, a great companion to fans of the film A Quiet Passion, starring Cynthia Nixon as Emily Dickinson. At the close of the Civil War, the lives of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade intersected in an intricate map of friendship, family, and romance that marked a milestone in the development of American art and literature. Using the image of a flitting hummingbird as a metaphor for the gossamer strands that connect these larger-than-life personalities, Christopher Benfey re-creates the summer of 1882, the summer when Mabel Louise Todd-the protégé to the painter Heade-confesses her love for Emily Dickinson's brother, Austin, and the players suddenly find themselves caught in the crossfire between the Calvinist world of decorum, restraint, and judgment and a new, unconventional world in which nature prevails and freedom is all.

What would happen if people started moving beyond the conversation and took action to combat racism? We are in an era where many Americans express the sentiment, “I thought we were past that,” when a public demonstration of racism comes across their radar. Long before violence committed by police was routinely displayed on jumbotrons publicizing viral executions, the Black community has continually tasted the blood from having police boots in their mouths, ribs, and necks. The widespread circulation of racial injustices is the barefaced truth hunting us down, forcing us to confront the harsh reality—we haven’t made nearly as much racial progress as we thought. The Antiracist: How to Start the Conversation about Race and Take Action, will compel readers to focus on the degree in which they have previously, or are currently contributing to the racial inequalities in this country (knowingly or unknowingly), and ways they can become stronger in their activism. The Antiracist is an explosive indictment on injustice, highlighted by Kondwani Fidel, a rising young literary talent, who offers a glimpse into not only the survival required of one born in a city like Baltimore, but how we can move forward to tackle violent murders, police brutality, and poverty. Throughout it all, he pursued his Master of Fine Arts in Creative Writing & Publishing Arts from the University of Baltimore, while being deeply immersed in his community—helping combat racism in schools by getting students to understand the importance of literacy and critical thinking. With his gift for storytelling, he measures the pulse of injustice, which is the heartbeat of this country.

A part of Belt's City Anthology Series, a unique take on Charm City through the eyes of those who live there every day. To many outsiders, Baltimore--sometimes derisively called "Mobtown" or "Bodymore"--is a city famous for its poverty and violence, twin ills that have been compounded by decades of racial segregation and the loss of manufacturing jobs. But that portrait has only given us a skewed view of a truly unique and diverse American city, the place that produced Babe Ruth, Elijah Cummings, Nancy Pelosi, Edgar Allan Poe, John Waters, and Thurgood Marshall, and a city that's completely its own. In the over thirty-five essays, poems, and short stories collected here, the authors take an unfiltered look at the ins and outs of Baltimore's past and present. You'll hear about the first time an umbrella appeared in the Inner Harbor, nineteenth-century grave robbers, and the city's history with redlining and blockbusting. But you'll also get a deeper sense of what life is like in Baltimore today, including stories about urban gardening in Bolton Hill, the slow demise of local journalism, what life was like in the city during COVID, and the legacy of Freddie Gray. As Ron Kipling Williams writes in his essay about the city's magnetic appeal, "Baltimore has always been a city worth fighting for," and running through all these essays is the story of Baltimore's resilience. From Pigtown to Pimlico, this anthology captures the sights, sounds, and feel of this city that so many people have come to discover is truly a lovely place, a fighting place, a charmer. Edited by Gary M. Almeter and Rafael Alvarez, this anthology offers an unfiltered look at Baltimore that will appeal to anyone looking for a portrait of an American city that's far more nuanced than the stories that are generally told about it.

It's field trip day, and students are excited to travel on their yellow spaceship bus from their space station to the moon in this wordless picture book. An ALA Notable Children's Book A Golden Duck Notable Picture Book Climb aboard the spaceship bus for a fantastic field trip adventure to the moon! Once their bright yellow ship lands, students debark and set out with their teacher to explore. They jump over trenches and see craters and mountains on the moon's surface and even Earth in the faraway distance. But when one student takes a break to draw some pictures and falls asleep, they wake up to discover that the rest of the class and the spaceship are gone. How the student passes the time waiting to be rescued makes for a funny and unexpected adventure that will enchant children all over the galaxy. With rich atmospheric art, John Hare's wordless picture book invites children to imagine themselves in the story--a story full of surprises including some friendly space creatures. A perfect complement to discussions and lessons on the moon landing. Don't miss Field Trip to the Ocean Deep, another wordless adventure! Recipient of the Pied Piper Literary Prize An ILA-CBC Children's Choice! A Pennsylvania Center for the Book Baker's Dozen Selection! A School Library Journal Best Book of the Year A Horn Book Best Book of the Year A Bank Street Best Book of the Year - Outstanding Merit