An in-depth history of science, primarily covering the 1930s, from Superman to Olaf Stapledon’s Star Maker. The book examines science fiction literature, art, cinema, and comics, and the impact of culture, philosophy, science, technology, and futures studies on the development of science fiction. Further, the book describes the influence of science fiction on human society and the evolution of future consciousness. Other key figures discussed include apek, Hamilton, “Doc” Smith, Campbell, Lovecraft, C. A. Smith, and Williamson.

Een collectie van 30 mythes over het einde van de mensheid, verzameld door Mineke Schipper. De Amerikaans-Japanse kunstenares Yuriko Yamaguchi verbeeldde de wanhoop én de hoop die de verhalen van over de hele wereld kenmerken. 00Long before scholars started wondering and worrying about The End, storytellers provided their own answers in myths. How long?will?people?be?allowed to?continue?handling the earth and their fellow men without respect, before the gods are going to intervene? And what will happen?to us humans? Will fire from heaven set our earth ablaze? Will a pandemic break out? Or will we all be drowned?00This book by Mineke Schipper inspired Yuriko Yamaguchi to create a series of art works depicting both the growing despair and the ultimate hope conveyed by these thrilling stories from all over the globe. A book about our worrisome world with encouraging echoes of hope.00Mineke Schipper is Emeritus Professor of Intercultural Literary Studies at Leiden University of and the author of academic books, literary essays and novels, including 'Never Marry a Woman with Big Feet.?Proverbs about Women from Around the World', and 'Naked or Covered, A History of Dressing and Undressing Around the World'. 00Yuriko Yamaguchi is a Japanese-American artist and sculptor, residing in the US. Her works have been exhibited in the US, Japan and Europe. "I found my purpose in creating works that remind people we are all connected in many overlapping webs (?) family origin, economic stressors, religious beliefs, nature, time, place and technology."

**NOW A MAJOR MOTION PICTURE STARRING JODIE COMER, EXECUTIVE PRODUCED BY BENEDICT CUMBERBATCH, AND WRITTEN BY ALICE BIRCH (NORMAL PEOPLE)** “The End We Start From by Megan Hunter is a short, concentrated book—a shot of distilled story, like the pulp of a tale boiled to a thick spiced paste. . . . With passages from mythology interspersed with its imagined future, the book is engrossing, compelling and finally hopeful.” —Naomi Alderman, author of The Power “The End We Start From is a beautifully spare, haunting meditation on the persistence of life after catastrophe. I loved it.” —Emily St. John Mandel, author of Station Eleven Longlisted for the 2018 Aspen Words Literary Prize Finalist for the Barnes & Noble 2017 Discover Great New Writers Award An indelible and elemental debut—a lyrical vision of the strangeness and beauty of new motherhood, and a tale of endurance in the face of unimaginable change. In the midst of a mysterious environmental crisis, as London is submerged below flood waters, a woman gives birth to her first child, Z. Days later, the family is forced to leave their home in search of safety. As they move from place to place, shelter to shelter, their journey traces both fear and wonder as Z's small fists grasp at the things he sees, as he grows and stretches, thriving and content against all the odds. This is a story of new motherhood in a terrifying setting: a familiar world made dangerous and unstable, its people forced to become refugees. Startlingly beautiful, Megan Hunter's The End We Start From is a gripping novel that paints an imagined future as realistic as it is frightening. And yet, though the country is falling apart around them, this family's world—of new life and new hope—sings with love.

Many natural scientists believe climate change will bring civilizational collapse. Tim Gorringe argues that behind this threat is a commitment to false values, embodied in our political, economic, and farming systems. At the same time, millions of people the world over--perhaps the majority--are committed to alternative values and practices. This book explores how these values, already foreshadowed in people's movements all over the world, can produce different political and economic realities which can underwrite a safe and prosperous future for all.

This book explores the topic of peace and the long-term survival of the human species. Drawing on Existential Risk Studies (ERS), the book lays out a theoretical framework for drawing new perspectives and approaches for looking toward the future and addressing existential risks related to the complexity and dynamics of conflict. Looking at five research lines in Peace and Conflict Studies (PCS); (1) Great Powers Conflict, (2) Peace, Pandemic, and Conflict, (3) Climate, Peace, and Conflict, (4) Emerging Technologies, Peace, and Conflict and (5) Totalitarianism, the chapters discuss how these lines are defined and discussed, how they are understood in ERS, and what approaches would be beneficial to adapt and integrate into PCS. By drawing on ERS and grounding the discussion in lines of research that will be important to the field of PCS, this book suggests that long-term perspectives are needed in the field, especially in regard to existential risk and their implications of conflict.

In this study the author analyses similarities, differences and contradictions in the cultural norms about gender expressed in proverbs she has found in oral and written sources from over 150 countries. Grouping the proverbs into categories as the female body, love, sex, childbirth and the female power, the author examines shared patterns in ideas about women and how men see them.

INSTANT NEW YORK TIMES BESTSELLER A dramatically new understanding of human history, challenging our most fundamental assumptions about social evolution—from the development of agriculture and cities to the origins of the state, democracy, and inequality—and revealing new possibilities for human emancipation. For generations, our remote ancestors have been cast as primitive and childlike—either free and equal innocents, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on pathbreaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what’s really there. If humans did not spend 95 percent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. The Dawn of Everything fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action. Includes Black-and-White Illustrations