“Rutherford describes Humanimal as being about the paradox of how our evolutionary journey turned ‘an otherwise average ape’ into one capable of creating complex tools, art, music, science, and engineering. It’s an intriguing question, one his book sets against descriptions of the infinitely amusing strategies and antics of a dizzying array of animals.”—The New York Times Book Review Publisher’s note: Humanimal was published in the UK under the title The Book of Humans. Evolutionary theory has long established that humans are animals: Modern Homo sapiens are primates who share an ancestor with monkeys and other great apes. Our genome is 98 percent identical to a chimpanzee’s. And yet we think of ourselves as exceptional. Are we? In this original and entertaining tour of life on Earth, Adam Rutherford explores the profound paradox of the “human animal.” Looking for answers across the animal kingdom, he finds that many things once considered exclusively human are not: In Australia, raptors have been observed starting fires to scatter prey; in Zambia, a chimp named Julie even started a “fashion” of wearing grass in one ear. We aren’t the only species that communicates, makes tools, or has sex for reasons other than procreation. But we have developed a culture far more complex than any other we’ve observed. Why has that happened, and what does it say about us? Humanimal is a new evolutionary history—a synthesis of the latest research on genetics, sex, migration, and much more. It reveals what unequivocally makes us animals—and also why we are truly extraordinary.

Power and counterpower in the space of silence

My 138,000 word novel, Discovery, is the first book of my book series ‘The Humanimals.’ It is an action packed fun-filled thrilling story that begins when twins ‘discover’ they have the power to morph into animals…yet that is only the beginning. Set near Madison, Wisconsin, twins Emily and Tony Dunn are normal eighth grade students when Emily first discovers her newfound power. What follows is a series of adventures and misadventures by the twins exploring Emily’s abilities and limitations, both at home and at school, while trying to keep her powers secret. Tony soon comes upon powers of his own while the twins’ mom, a biologist, is determined to find the reason her twins have their newfound abilities. Some investigating leads her to believe they may stem from an accident that occurred years ago at her workplace while she was pregnant with her twins. She also finds out there may be others with similar powers who may have devious revenge driven plans as to how to use them. The progression of figuring out their powers is filled with action, suspense, teenage fun and a number of thrills. Soon, the story drives towards a complicated and dramatic climax that may blow up a large part of Madison and cost the lives of numerous people and animals. Facing the risk of having their powers found out, can Tony, Emily, their family and best friends save the day? And even if they try, is it worth the risk of being found by authorities to have supernatural powers? The ending is suspenseful and filled with a couple touching surprises.

An illustrated collection that takes stock of current knowledge and proposes a new way of reading indigenous art For thousands of years, nomadic hunter-gatherers assigned a fundamental role to the visualization of the animals who shared their lives. Some, such as the Cape eland, the largest of antelopes, were the object of a fascinated gaze, as though the graceful markings and shapes of their bodies were the key to secret knowledge safeguarded by the animals’ unsettling silence. Renaud Ego posits that the artists sought to steal the animals’ secret through an act of rendering visible a vitality that remained hidden beneath appearances. In this process, the San themselves became the visionary animal who, possessing the gift of making pictures, would acquire far-seeing powers. Thanks to the singular effectiveness of their visual art, they could make intellectual contact with the world in order better to think and,ultimately, to act. They gained access to the full dimension of their human condition through painting scenes that functioned like visual contracts with spiritual and ancestral powers. Their art is an act that seeks to preserve the wholeness of existence through a respect for the relationships linking all beings, both real and imaginary,who partake of it. The fundamentally ecological dimension of this message confers on San art its universality and contemporary relevance.Visionary Animal is a translation of L’Animal voyant, published in France in 2015. This rich collection of essays is beautifully illustrated with the author’s photographs of rock art from across southern Africa.

The subject of the posthuman, of what it means to be or to cease to be human, is emerging as a shared point of debate at large in the natural and social sciences and the humanities. This volume asks what classical learning can bring to the table of posthuman studies, assembling chapters that explore how exactly the human self of Greek and Latin literature understands its own relation to animals, monsters, objects, cyborgs and robotic devices. With its widely diverse habitat of heterogeneous bodies, minds, and selves, classical literature again and again blurs the boundaries between the human and the non-human; not to equate and confound the human with its other, but playfully to highlight difference and hybridity, as an invitation to appraise the animal, monstrous or mechanical/machinic parts lodged within humans. This comprehensive collection unites contributors from across the globe, each delving into a different classical text or narrative and its configuration of human subjectivity-how human selves relate to other entities around them. For students and scholars of classical literature and the posthuman, this book is a first point of reference.

Explores Levinas’s approach to animal ethics from a range of perspectives. This is the first volume of primary and secondary source material dedicated solely to the animal question in Levinas. Drawing on previously unpublished material, including the recent discovery and digitization of the original French recording of an interview with Levinas that took place in 1986, it seeks to give fresh impetus to the debate surrounding the moral status of animals in Levinas’s work. The book offers ten essays by leading scholars, along with a general introduction that places Levinas’s philosophy in the context of the growing field of animal ethics. The aim of the volume is to encourage dialogue on how we can extend Levinas’s ethics beyond its traditional human confines and to spur further research on the opportunities and challenges it raises. “Face to Face with Animals is an extraordinarily important and timely contribution. Although the question of the animal has weighed heavily upon Levinas scholars for more than two decades, it has not until now formed the subject of a book-length study. This volume rectifies that absence and proves to have been well worth the wait. It is more than scholarly. It is also, in its own way, a rousing call to thinking and acting otherwise in the face of the unsettling gazes of animal others and in the shadow of their useless suffering. Reading Levinas both with and against the grain, Face to Face with Animals makes clearer than ever that injustice is irreducible to inhumanity.” — David L. Clark, coeditor of Intersections: Nineteenth-Century Philosophy and Contemporary Theory “This book contributes the most sustained and multifaceted engagement with Levinas on animals and animality to date. In particular, it makes an important and unique contribution to the interdisciplinary field of animal studies, in which Levinas has long been a figure of great interest in light of the promise his ethics of alterity would seem to hold for developing an ethics that encompasses nonhuman animals.” — Karalyn Kendall-Morwick, Washburn University

Brill’s Companion to the Reception of Aristophanes provides a substantive account of the reception of Aristophanes (c. 446-386 BC) from Antiquity to the present. Aristophanes was the renowned master of Old Attic Comedy, a dramatic genre defined by its topical satire, high poetry, frank speech, and obscenity. Since their initial production in classical Athens, his comedies have fascinated, inspired, and repelled critics, readers, translators, and performers. The book includes seventeen chapters that explore the ways in which the plays of Aristophanes have been understood, appropriated, adapted, translated, taught, and staged. Careful attention has been given to critical moments of reception across temporal, linguistic, cultural, and national boundaries.