Poetry. In his debut collection HUGE CLOUDY, Bill Carty attends to the world, bringing thought to vision with a cartographer's sense of scale, and a shipbuilder's attention to detail. Alternating stretches of lyric narrative with longer serial poems, HUGE CLOUDY proceeds by a Ship of Theseus poetics. Like a series of field notes, the poems document change as the contemporary landscape is revised by big and small forces--the bank vault that becomes an open mic, the pond that becomes condos, the puddle of vomit to walk around. These poems attend to the ugliness of a world, of a history, or poetic lineage, with a magic map. Drawing as much from the neighborhoods of Seattle as from coastal environs, this is a collection that folds the map--a kind of bounding sphere--in on itself.

In The Art of Poetry, Shira Wolosky provides a dazzling introduction to an art whose emphasis on verbal music, wordplay, and dodging the merely literal makes it at once the most beguiling and most challenging of literary forms. A uniquely comprehensive, step-by-step introduction to poetic form, The Art of Poetry moves progressively from smaller units such as the word, line, and image, to larger features such as verse forms and voice. In fourteen engaging, beautifully written chapters, Wolosky explores in depth how poetry does what it does while offering brilliant readings of some of the finest lyric poetry in the English and American traditions. Both readers new to poetry and poetry veterans will be moved and enlightened as Wolosky interprets work by William Shakespeare, John Donne, William Blake, William Wordsworth, Emily Dickinson, Robert Frost, Sylvia Plath, and others. The book includes a superb two-chapter discussion of the sonnet's form and history, and represents the first poetry guide to introduce gender as a basic element of analysis. In contrast to many existing guides, which focus on selected formal aspects like metrics or present definitions and examples in a handbook format, The Art of Poetry covers the full landscape of poetry's subtle art while showing readers how to comprehend a poetic text in all its dimensions. Other special features include Wolosky's consideration of historical background for the developments she discusses, and the way her book is designed to acquaint or reacquaint readers with the core of the lyric tradition in English. Lively, accessible, and original, The Art of Poetry will be a rich source of inspiration for students, general readers, and those who teach poetry.

The tiny town of Chewandswallow was very much like any other tiny town except for its weather which came three times a day, at breakfast, lunch and dinner. But it never rained rain and it never snowed snow and it never blew just wind. It rained things like soup and juice. It snowed things like mashed potatoes. And sometimes the wind blew in storms of hamburgers. Life for the townspeople was delicious until the weather took a turn for the worse. The food got larger and larger and so did the portions. Something has to be done in Chewandswallow...and in a hurry.

Michelle Kennedy had a typical middle class American childhood in Vermont. She attended college, interned in the U.S. Senate, married her high school sweetheart and settled in the suburbs of D.C. But the comfortable life she was building quickly fell apart. At age twenty-four Michelle was suddenly single, homeless, and living out of a car with her three small children. She waitressed night shifts while her kids slept out in the diner's parking lot. She saved her tips in the glove compartment, and set aside a few quarters every week for truck stop showers for her and the kids. With startling humor and honesty, Kennedy describes the frustration of never having enough money for a security deposit on an apartment—but having too much to qualify for public assistance. Without A Net is a story of hope. Michelle Kennedy survives on her wits, a little luck, and a lot of courage. And in the end, she triumphs.

This book questions when exactly the Anthropocene began, uncovering an “early Anthropocene” in the literature, art, and science of eighteenth- and nineteenth-century Britain. In chapters organized around the classical elements of Earth, Fire, Water, and Air, Seth Reno shows how literary writers of the Industrial Era borrowed from scientists to capture the changes they witnessed to weather, climate, and other systems. Poets linked the hellish flames of industrial furnaces to the magnificent, geophysical force of volcanic explosions. Novelists and painters depicted cloud formations and polluted urban atmospheres as part of the emerging discipline of climate science. In so doing, the subjects of Reno’s study—some famous, some more obscure—gave form to a growing sense of humans as geophysical agents, capable of reshaping Earth itself. Situated at the interaction of literary studies, environmental studies, and science studies, Early Anthropocene Literature in Britain tells the story of how writers heralded, and wrestled with, Britain’s role in sparking the now-familiar “epoch of humans.”