Children play the role of the big bad wolf in a classic fable in this “wonderfully expressive . . . beautifully designed and wholly engaging picture book.”(Booklist) This interactive retelling of the Three Little Pigs story allows the reader to play the part of the big bad wolf. Three interior die-cut holes invite readers to huff, puff, and blow the pigs’ houses down! This fractured fairy tale ends sweetly when, rather than blowing down the third pig’s brick home, the wolf/reader blows out the candles on a cake baked by the pigs! A satisfying and engaging read for every young Three Little Pigs fan. “A good chance for youngsters to relish enacting the wicked role while still getting a friendly reconciliation at the end.” —Kirkus Reviews “Very young readers will get a kick out of taking the wolf’s part, and their parents will appreciate that the scariest bits of the original tale have been omitted.” —School Library Journal

The three children of the little pig who built his house out of bricks are threatened by the wolf and his son, who have modern tools at their disposal.

This report considers the biological and behavioral mechanisms that may underlie the pathogenicity of tobacco smoke. Many Surgeon General's reports have considered research findings on mechanisms in assessing the biological plausibility of associations observed in epidemiologic studies. Mechanisms of disease are important because they may provide plausibility, which is one of the guideline criteria for assessing evidence on causation. This report specifically reviews the evidence on the potential mechanisms by which smoking causes diseases and considers whether a mechanism is likely to be operative in the production of human disease by tobacco smoke. This evidence is relevant to understanding how smoking causes disease, to identifying those who may be particularly susceptible, and to assessing the potential risks of tobacco products.

Jeremy Scott, was born an underdog, always trying to overcome. Jeremy, was raised in a single family home, barley a pot to pee in and a hand to pour it out. While surrounded with Drugs, Sex, Violence, and abuse, still walking with a smile on his face. While his family would always pray GOD would grant him favor over his struggle and be somebody. Will Jeremy Len Scott fall victim of the Struggle, or will he overcome and become something better of his Mother, who always instilled in him at his tender young age.

"My own journey to the summit of Kilimanjaro opened me to a life of adventure, and this book brought me right back to the slopes of that magical mountain. An honest and affirming tale of embracing the unknown and the transformative power of nature, Jeff's journey is an invitation to all of us to get outside our comfort zone, see the world, and let it change us." —Josh Gates, Explorer, Host of Discovery's Expedition Unknown An honest and engaging account of one amateur hiker's journey to spiritual transformation as he climbs to the summit of Mount Kilimanjaro. After his brother-in-law Chris passed away, author Jeff Belanger made the decision to take the trip of a lifetime, both in honor of Chris and in pursuit of clarity about his own life and goals. The Call of Kilimanjaro is a day-by-day record of Belanger's ascent to the peak of Africa's highest mountain. By turns contemplative and irreverent, joyful and thoughtful, boyish and wise, this is a book for all ages - from 10 to 100 - and a memoir for armchair travelers with an interest in spirituality. By example, Belanger teaches us to take stock of our accomplishments, eye the lofty goals we've placed in front of ourselves, and push higher than we've ever dared, turning an honest eye toward past, present, and future, through the end of life and beyond.

Terrence McNally’s canon of plays, books for musicals and opera libretti possesses such a breadth of subject matter and diversity of dramatic modes that critics have had difficulty assessing his accomplishment. This book is the first critical study to identify the four major stages of McNally’s development in terms of his understanding of how theater helps the modern person trapped in a seemingly profane existence to find a gateway to the transcendent. Drawing upon such diverse religious thinkers as Martin Buber, Mircea Eliade, Ilia Delio and Carter Heyward, Frontain analyzes the evolution of McNally’s understanding of grace, not as a gift bestowed by an all-powerful deity upon a desperate soul, but as the unwarranted—and, thus, all the more unusual—“act of devotion” (McNally’s phrase) that one person performs for another. By seeking to foment community, most importantly at the height of the AIDS pandemic, McNally’s theater itself proves to be a channel of grace. McNally’s greatest success is shown to be the creation of a theater of empathy and compassion in contradistinction to Artaud’s “theater of cruelty” and Albee’s Americanization of the theater of the absurd.