The weaving of lau hala represents a living tradition borne on the great arc of Pacific voyaging history. This thriving tradition is made immediate by masters of the art who transmit their knowledge to those who are similarly devoted to, and delighted by, the smoothness, softness, and that particular warm fragrance of a woven lau hala treasure. The third volume in the Hawai‘inuiākea series, ‘Ike Ulana Lau Hala is an intriguing collection of articles and images about the Hawaiian tradition of ulana lau hala: the weaving, by hand, of dried Pandanus tectorius leaves. ‘Ike Ulana Lau Hala considers the humble hala leaf through several, very different lenses: an analysis of lau hala items that occur in historic photographs from the Bishop Museum collections; the ecological history on hala in Hawai‘i and the Pacific including serious challenges to its survival and strategies to prevent its extinction; perspectives–in Hawaiian–of a native speaker from Ni‘ihau on master weavers and the relationship between teacher and learner; a review–also in Hawaiian– of references to lau hala in poetical sayings and idioms; a survey of lau hala in Hawaiian cultural heritage and the documentation project underway to share the art with a broader audience; and a conversation with a master artisan known for his distinct and intricate construction of the lei hala. Rich with imagery, this extraordinary volume will guide the reader to a better understanding of the cultural scope and importance of lau hala, fostering an appreciation of the level of excellence to which the art of ulana lau hala has risen under the guidance of masters who continue to steer the Hawaiian form of the tradition into the future.

Learn the art of palm weaving with this fun Hawaiian craft book. Based on years of meticulous study and practice, the book explains in clear, easy-to understand instructions how to obtain and prepare coconut palm fronds suitable for weaving into hats, baskets, epergnes, mats, birds, and various decorations. More than 100 easy-to-follow diagrams and sketches give the reader exact, detailed instructions on weaving procedures, and provide countless ideas to inspire the imagination of the creator. After mastering the basic principles of frond weaving, the reader will be able to duplicate almost any woven object or execute his own designs, whether in coconut palm fronds or with fronds from other types of palm trees and palmettos. The weaving itself takes no unusual physical prowess. In fact, frond weaving is well suited to the needs of both recreational craft and physical therapy programs, as well as the general hobbyist. With a little patience and effort, a novice weaver can acquire the skills of an ancient art which is as uncomplicated as it is beautiful. This economical and delightfully presented volume will be a valued addition to the literature of traditional handicrafts, a book that recreation libraries and all craft enthusiasts will welcome.

For those who work with FIBER in weaving, spinning, crocheting, knitting, macrame; for those who work with CLOTH in batik, tie-dying, quilting, applique, soft sculpture, sewing. With this book you can come one step closer to making it from "scratch" - increasing your involvement and satisfaction in your craft, while enhancing the beauty and value of your finished product. Rich, soft, subtle colors, not easily copied by synthetic man-made dyes, are commonly obtained from natural dye sources. The end reward is beautiful natural colors, but equally rewarding is the pleasure to be derived from collecting natural materials and from the dyeing process itself. The world around you becomes a treasure house of "hidden" possibilities, with common and readily available plant materials yielding colors that can be as surprising as they are special. Like the ancient Hawaiians who colored their tapa cloth with dyes from kukui, ferns, and other plants of their islands, you become more sensitive to your natural environment. A greater respect for craftspeople of the past and a deeper appreciation for the materials are every natural dyer's gain. Val Frieling Krohn-Ching is a distinguished weaving and textile design artist whose curiosity and desire for experimenting has also made her the authority on dyeing with plant materials in Hawaii using wool fibers. She now shares the results of her years of experimentation - and her enthusiasm - with others. Even beginners can use her basic principles and techniques successfully to achieve new results of their own. Hawaii Dye Plants and Dye Recipes is itself an artistic production, filled with charming, botanically accurate pen-and-ink drawings to aid in plant identification. Instructions are concise and easy to follow. Interesting information about each plant enlivens the text, as do personal comments about the author's experimentation and sources of natural materials. A color chart, photographed from actual wool samples prepared by the author, shows more than 300 beautiful results that the natural dyer can achieve using recipes in this book.

"A guide to learn how to weave with coconut fronds; instructions for making simple objects such as fish, bird, baskets, and more included"--Provided by publisher.