How to Speak With the Dead: A Practical Handbook was first published in 1918, written anonymously by Sciens. Though Curious Publications guarantees no results with this new reprinting, it does believe it'll offer a sense of wonder and amusement. This edition also features an original review from the October 9, 1919 issue of Life Magazine. As Sciens said himself: "This book is intended, first, as a practical guide for the assistance of those persons who may be desirous of speaking with the dead; and, secondly, as an elementary textbook of occult phenomena. It presupposes for its readers a willingness to be guided by facts and a disregard of opinions based upon imagination instead of upon fact. ... Let us speak to the dead and let us add their knowledge and counsel to the common store."

Modern technology has given us powerful new tools for an age-old dream: seeing and speaking with the dead. Using things you probably already own - such as a camcorder, computer, or tape recorder - you can contact departed loved ones or other spirits, record their images and voices, and establish two-way communications between the worlds. Speak with the Dead also details the more traditional methods of seance, trance, and scrying. You don't have to be a "techie" or an occultist to use any of these techniques. This book will guide you to one of the most awe-inspiring experiences you'll ever have - making contact with deceased loved ones and other souls. Speak with the Dead is the first book in the modern marketplace to focus on practical, usable techniques for communicating with spirits. This book shows you seven methods for spirit contact: -catching Electronic Voice Phenomena on tape -using radio noise to provide spirits with a voice -capturing ghostly images on videotape -letting spirits use your computer or telephone -scrying, establishing telepathic contact with the dead, and holding a seance Speak with them. They're waiting.

Unmarked graves are found on the grounds of an old orphanage in this “riveting” British crime thriller by an Edgar Award finalist (Publishers Weekly, starred review). With profiler Tony Hill behind bars and Carol Jordan no longer with the police, he’s finding unexpected outlets for his talents in jail and she’s joined forces with a group of lawyers and forensics experts looking into suspected miscarriages of justice. But they’re doing it without each other; being in the same room at visiting hour is too painful to contemplate. Meanwhile, construction is suddenly halted on the redevelopment of an orphanage after dozens of skeletons are found buried at the site. Forensic examination reveals they date from between twenty and forty years ago, when the nuns were running their repressive regime. But then a different set of skeletons is discovered in a far corner—young men from as recent as ten years ago. When newly promoted DI Paula McIntyre discovers that one of the male skeletons is that of a killer who is supposedly alive and behind bars—and the subject of one of Carol’s miscarriage investigations—it brings Tony and Carol irresistibly into each other’s orbit once again in this masterfully plotted novel by “the queen of psychological thrillers” (Irish Independent).

Discusses the merging of medical, religious and social aspects of handling the topic of death, especially to those who work and learn in those environments.

This book is designed for those who wish to develop their natural gifts or to understand more about the afterlife and see the signs that their loved ones are around them. Firstly, let me introduce myself. My name is Lisa Williams, and I have been working as a psychic medium for over twenty years. I never planned to work as a medium. I mean, think about it: in the '80s, having a career as a medium was never heard of. If I had gone to my teachers and said, "I want to speak to dead people for a career," I would have been carted off to the nearest mental institute. In fact, there were times that my mother would joke about the men in white coats coming to get me. I thought she was serious, and I grew up thinking that I was a little weird and hiding my ability. I was lucky to have a friend who thought my weirdness was cool. She was always asking questions about it, so I started to feel more comfortable; but as friends do, we drifted apart, and I had a new circle of friends, so I went back into the closet. I still had a growing intuition, but I curbed it and didn't say anything. I just found that I "knew" things, and I couldn't really explain it. I was actually quite shy growing up, and I found that I conformed with society about what I believed I should be like. It was easy. I fit the mold, and I didn't say anything...many people would call that being a sheep and following the crowd. Does this sound familiar to your story? It probably does. Well let me tell you: you are normal. Just because you have this gift doesn't mean that you have to hide it. For years I hid from it. I even hid it from my own parents for a while. For most of my life, my father has been a huge skeptic, and I remember the time when I had been working as a psychic medium for a while and he asked me when I was going to get a "proper job." He was an atheist and couldn't wrap his head around the concept that our soul continues to live on when our body dies. When I finally decided to come out as a medium, it was accepted and most people had a fascination about it. It was "cool" to have this gift. I grew up in the United Kingdom and so we never showed emotions, never went to therapy, and we never said we loved each other. It was a very different world to what we live in now. Going to a psychic or a medium was better than going to a therapist in the United Kingdom. When you went to the therapist you were admitting that you had a problem, it was a sign of weakness. Now it's considered a gift to be aware of your challenges, and it's actually character building. I finally surrendered to my gift after my friend helped me see that I wasn't crazy and that I actually could help others. The rest is history. What I would have benefited from, though, in those early years was some structure, discipline, and understanding. Even though my grandmother worked as a medium she died before I started, and so I didn't have anyone really to talk too. The only thing that she said to me was: "Always trust your gut instincts. It will never let you down." That is something I live by, and I will suggest that you do, too. Through my work, I have been guided by Spirit, which has shown me the way forward to work with my gift. I have built my gift on discipline and respect, which is something that I will enforce within you. I have developed the skill of delivering a message, as well as enhancing and fine-tuning my gift. These are things that I will help you with. Throughout this book you will come to understand the history of Mediumship, how to develop your gift, and how to see signs from your loved ones. You will be given daily exercises to enhance your gift and to help you connect to your own loved ones and those of other people.

Forensic science is in crisis and at a cross-roads. Movies and television dramas depict forensic heroes with high-tech tools and dazzling intellects who—inside an hour, notwithstanding commercials—piece together past-event puzzles from crime scenes and autopsies. Likewise, Sherlock Holmes—the iconic fictional detective, and the invention of forensic doctor Sir Arthur Conan Doyle—is held up as a paragon of forensic and scientific inspiration—does not "reason forward" as most people do, but "reasons backwards." Put more plainly, rather than learning the train of events and seeing whether the resultant clues match those events, Holmes determines what happened in the past by looking at the clues. Impressive and infallible as this technique appears to be—it must be recognized that infallibility lies only in works of fiction. Reasoning backward does not work in real life: reality is far less tidy. In courtrooms everywhere, innocent people pay the price of life imitating art, of science following detective fiction. In particular, this book looks at the long and disastrous shadow cast by that icon of deductive reasoning, Sherlock Holmes. In The Sherlock Effect, author Dr. Thomas W. Young shows why this Sherlock-Holmes-style reasoning does not work and, furthermore, how it can—and has led—to wrongful convictions. Dr. Alan Moritz, one of the early pioneers of forensic pathology in the United States, warned his colleagues in the 1950’s about making the Sherlock Holmes error. Little did Moritz realize how widespread the problem would eventually become, involving physicians in all other specialties of medicine and not just forensic pathologists. Dr. Young traces back how this situation evolved, looking back over the history of forensic medicine, revealing the chilling degree to which forensic experts fail us every day. While Dr. Young did not want to be the one to write this book, he has felt compelled in the interest of science and truth. This book is measured, well-reasoned, accessible, insightful, and—above all—compelling. As such, it is a must-read treatise for forensic doctors, forensic practitioners and students, judges, lawyers adjudicating cases in court, and anyone with an interest in forensic science.