How to Read Buildings is a practical primer to looking at architecture and all the elements that are included in buildings, from cornices and friezes to columns and porticos - all facets of buildings are included. Each chapter takes an architectural element and looks at its variety across various historical periods and geographical locations. Examples are shown through dozens of fine engravings with extended captions, creating a dip-in read and an effective I-Spy guide. Additional sections look at the clues offerred by history, geography and religion (with a timeline showing how and where architectural elements have been introduced), and at the significance of the ornaments.

The Art of Reading Buildings focuses on the practical art of reading a building and applying its positive and negative attributes in developing a size-up for fireground operations that center on structure fires. First-due company officers, incident commanders, and safety officers will appreciate the practical “street-wise” lessons captured in the book. Chief officers, training officers, engineers, firefighters, and fire science degree candidates will benefit from the wide range of building construction topics covered in this text. Features include: • Understand the technical and practical aspects of building construction • Learn on-the-spot building construction assessment using the authors’ custom Rapid Street-Read Guides • Develop a quick construction size-up for immediate application to fireground operations • Recognize firefighter traps in newer and alternative construction methods • This text covers objectives for the National Fire Academy’s Fire and Emergency Services in Higher Education (FESHE) Building Construction for Fire Protection course

A captivating exploration of the ever-evolving world of architecture and the untold stories buildings tell. When a building is finished being built, that isn’t the end of its story. More than any other human artifacts, buildings improve with time—if they’re allowed to. Buildings adapt by being constantly refined and reshaped by their occupants, and in that way, architects can become artists of time rather than simply artists of space. From the connected farmhouses of New England to I.M. Pei’s Media Lab, from the evolution of bungalows to the invention of Santa Fe Style, from Low Road military surplus buildings to a High Road English classic like Chatsworth—this is a far-ranging survey of unexplored essential territory. Discover how structures become living organisms, shaped by the people who inhabit them, and learn how architects can harness the power of time to create enduring works of art through the interconnected worlds of design, function, and human ingenuity.

How to Read Modern Buildings is an indispensable pocket-sized guide to understanding the architecture of the modern era. It takes the reader on a guided tour of modern architecture through its most iconic and significant buildings, showing how to read the hallmarks of each architectural style and how to recognize them in the buildings all around. From Art Deco and Arts and Crafts, through the International Style and Modernism to today's environmental architecture and the rise and fall of the icon, all the major architectural movements from the 1900s to the present day are traced through their classic buildings. Examining the key architectural elements and hidden details of each style, we learn what to look out for and where to look for it. Packed with detailed drawings, plans, and photographs, this is both a fascinating architectural history and an effective I-spy guide - a must-read for anyone with an interest in modern design and architecture.

As the ever-changing skylines of cities all over the world show, tall buildings are an increasingly important solution to accommodating growth more sustainably in today’s urban areas. Whether it is residential, a workplace or mixed use, the tower is both a statement of intent and the defining image for the new global city. The Tall Buildings Reference Book addresses all the issues of building tall, from the procurement stage through the design and construction process to new technologies and the building’s contribution to the urban habitat. A case study section highlights the latest, the most innovative, the greenest and the most inspirational tall buildings being constructed today. A team of over fifty experts in all aspects of building tall have contributed to the making of the Tall Buildings Reference Book, creating an unparalleled source of information and inspiration for architects, engineers and developers.

You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction. After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, "lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely." The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language. At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people. At the core of the books, too, is the point that in designing their environments people always rely on certain "languages," which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment. "Patterns," the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.

This introductory volume to Alexander's other works, A Pattern of Language and The Oregon Experiment, explains concepts fundamental to his original approaches to the theory and application of architecture.