Distinguished playwright David Edgar examines the mechanisms and techniques which dramatists throughout the ages have employed to structure their plays and to express their meaning. Written for playwrights and playgoers alike, Edgar’s analysis starts with the building blocks of whole plays – plot, character creation, genre and structure – and moves on to scenes and devices. He shows how plays share a common architecture without which the uniqueness of their authors’ vision would be invisible. What does King Lear have in common with Cinderella? What does Jaws owe to Ibsen? From Aeschylus to Alan Ayckbourn, from Chekhov to Caryl Churchill, are there common principles by which all plays work? How Plays Work is a masterclass for playwrights and playmakers and a fascinating guide to the anatomy of drama. 'lucid, deeply intelligent... combines theoretical acumen with the assured know-how of a working dramatist' Terry Eagleton, TLS 'Fascinating... Read it. You will learn a lot' The Stage

"Meisel begins with a look at matters often taken for granted in coding and convention, and then - under 'Beginnings' - at what is entailed in establishing and entering the invented world of the play. Each succeeding chapter is a gesture at enlarging the scope. The final chapters explore ways in which both the drive for significant understanding and the appetite for wonder can and do find satisfaction and delight." "Cultivated in tone and jargon-free, How Plays Work is illuminated by dozens of judiciously chosen examples from western drama - from classical Greek dramatists to contemporary playwrights, both canonical and relatively obscure. It will appeal as much to the serious student of the theatre as to the playgoer who likes to read a play before seeing it performed."--BOOK JACKET.

Explains how companies must pinpoint business strategies to a few critically important choices, identifying common blunders while outlining simple exercises and questions that can guide day-to-day and long-term decisions.

(Applause Books). Playwright Wendy Wasserstein is, above all, a social historian. Her plays balance drama and comedy to address such issues as social class and Jewish-American identity. Most notably, however, WassersteinOs work explores the lives and struggles of women. Although she never wanted to be called a feminist playwright, her plays ask whether women can have both satisfying careers and families, concluding that even well-educated women have not yet achieved parity with men. In Reading the Plays of Wendy Wasserstein, author Jan Balakian places WassersteinOs seven major plays in a historical context. Close readings of each play are interwoven with discussion of such topics as the Gilded Age (Old Money), life at a womenOs college in the early 1970s (Uncommon Women and Others), challenges to liberal assumptions (Third), and the rise and fall of feminism (The Heidi Chronicles, winner of the Pulitzer Prize). Drawing on the recently established Wasserstein archives at Mount Holyoke College, this book delves into primary sources such as commencement speeches and popular songs and features unpublished handwritten pages from the playwrightOs notebooks. Lending further insight into WassersteinOs concerns are BalakianOs own interviews with the playwright herself and conversations with WassersteinOs friends, including playwright Christopher Durang, director Dan Sullivan, and playwright and director Emily Mann. Thoroughly researched, accessible, and rich in detail, Reading the Plays of Wendy Wasserstein will provide students, teachers, theatergoers, and other readers with fresh perspective on the work of one of AmericaOs great contemporary playwrights.

Without William Shakespeare, we wouldn’t have literary masterpieces like Romeo and Juliet. But without Henry Condell and John Heminges, we would have lost half of Shakespeare’s plays forever! After the death of their friend and mentor, the two actors are determined to compile the First Folio and preserve the words that shaped their lives. They’ll just have to borrow, beg, and band together to get it done. Amidst the noise and color of Elizabethan London, THE BOOK OF WILL finds an unforgettable true story of love, loss, and laughter, and sheds new light on a man you may think you know.

"Considered an essential text since its publication thirty-five years ago, this guide for students and practitioners of both theater and literature complements, rather than contradicts or repeats, traditional methods of literary analysis of scripts

Classic Noh, Kyogen and Kabuki Works Nothing reflects the beauty of life as much as Japanese theater. It is here that reality is held suspended and emptiness can fill the mind with words, music, dance, and mysticism. A.L. Sadler translates the mysteries of Noh, Kyogen, and Kabuki in his groundbreaking book, Japanese Plays. A seminal classic in its time, it provides a cross-section of Japanese theater that gives the reader a sampler of its beauty and power. The power of Noh is in its ability to create an iconic world that represents the attributes that the Japanese hold in highest esteem: family, patriotism, and honor. Kyogen plays provide comic relief often times performed between the serious and stoic Noh plays. Similarly, Sadler's translated Kyogen pieces are layered between the Noh and the Kabuki plays. The Kabuki plays were the theater of the common people of Japan. The course of time has given them the patina of folk art making them precious cultural relics of Japan. Sadler selected these pieces for translation because of their lighter subject matter and relatively upbeat endings—ideal for a western readership. More linear in their telling and pedestrian in the lessons learned these plays show the difficulties of being in love when a society is bent on conformity and paternal rule. The end result found in Japanese Plays is a wonderful selection of classic Japanese dramatic literature sure to enlighten and delight.