The conflicts of the Civil War continued long after the conclusion of the war: jockeys and Thoroughbreds took up the fight on the racetrack. A border state with a shifting identity, Kentucky was scorned for its violence and lawlessness and struggled to keep up with competition from horse breeders and businessmen from New York and New Jersey. As part of this struggle, from 1865 to 1910, the social and physical landscape of Kentucky underwent a remarkable metamorphosis, resulting in the gentile, beautiful, and quintessentially southern Bluegrass region of today. In her debut book, How Kentucky Became Southern: A Tale of Outlaws, Horse Thieves, Gamblers, and Breeders, former turf writer Maryjean Wall explores the post–Civil War world of Thoroughbred racing, before the Bluegrass region reigned supreme as the unofficial Horse Capital of the World. Wall uses her insider knowledge of horse racing as a foundation for an unprecedented examination of the efforts to establish a Thoroughbred industry in late-nineteenth-century Kentucky. Key events include a challenge between Asteroid, the best horse in Kentucky, and Kentucky, the best horse in New York; a mysterious and deadly horse disease that threatened to wipe out the foal crops for several years; and the disappearance of African American jockeys such as Isaac Murphy. Wall demonstrates how the Bluegrass could have slipped into irrelevance and how these events define the history of the state. How Kentucky Became Southern offers an accessible inside look at the Thoroughbred industry and its place in Kentucky history.

Now renowned for its rich tradition of Thoroughbred breeding and racing, Kentucky was not always the center of the hourse industry. During and after the Civil War, Kentucky was seens as a border state with a shifting identity, scorned for its violence and lawlessness. --publisher.

The conflicts of the Civil War continued long after the conclusion of the war: jockeys and Thoroughbreds took up the fight on the racetrack. A border state with a shifting identity, Kentucky was scorned for its violence and lawlessness and struggled to keep up with competition from horse breeders and businessmen from New York and New Jersey. As part of this struggle, from 1865 to 1910, the social and physical landscape of Kentucky underwent a remarkable metamorphosis, resulting in the gentile, beautiful, and quintessentially southern Bluegrass region of today.

In Creating a Confederate Kentucky, Anne E. Marshall traces the development of a Confederate identity in Kentucky between 1865 and 1925, belying the fact that Kentucky never left the Union. After the Civil War, the people of Kentucky appeared to forget their Union loyalties and embraced the Democratic politics, racial violence, and Jim Crow laws associated with former Confederate states. Marshall looks beyond postwar political and economic factors to the longer-term commemorations of the Civil War by which Kentuckians fixed the state's remembrance of the conflict for the following sixty years.

Eleven generations of a founding American family are examined in this sweeping history that traces the Clays of Kentucky, a true So

The South was many things to Mark Twain: boyhood home, testing ground for manhood, and the principal source of creative inspiration. Although he left the South while a young man, seldom to return, it remained for him always a haunting presence, alternately loved and loathed. Mark Twain and the South was the first book on this major yet largely ignored aspect of the private life of Samuel Clemens and one of the major themes in his writing from 1863 until his death. Arthur G. Pettit clearly demonstrates that Mark Twain's feelings on race and region moved in an intelligible direction from the white Southern point of view he was exposed to in his youth to self-censorship, disillusionment, and, ultimately, a deeply pessimistic and sardonic outlook in which the dream of racial brotherhood was forever dead. Approaching his subject as a historian with a deep appreciation for literature, he bases his study on a wide variety of Mark Twain's published and unpublished works, including his notebooks, scrapbooks, and letters. An interesting feature of this illuminating work is an examination of Clemens's relations with the only two black men he knew well in his adult years.

Belle Brezing made a major career move when she stepped off the streets of Lexington, Kentucky, and into Jennie Hill's bawdy house -- an upscale brothel run out of a former residence of Mary Todd Lincoln. At nineteen, Brezing was already infamous as a youth steeped in death, sex, drugs, and scandal. But it was in Miss Hill's "respectable" establishment that she began to acquire the skills, manners, and business contacts that allowed her to ascend to power and influence as an internationally known madam. In this revealing book, Maryjean Wall offers a tantalizing true story of vice and power in the Gilded Age South, as told through the life and times of the notorious Miss Belle. After years on the streets and working for Hill, Belle Brezing borrowed enough money to set up her own establishment -- her wealth and fame growing alongside the booming popularity of horse racing. Soon, her houses were known internationally, and powerful patrons from the industrial cities of the Northeast courted her in the lavish parlors of her gilt-and-mirror mansion. Secrecy was a moral code in the sequestered demimonde of prostitution in Victorian America, so little has been written about the Southern madam credited with inspiring the character Belle Watling in Margaret Mitchell's Gone with the Wind. Following Brezing from her birth amid the ruins of the Civil War to the height of her scarlet fame and beyond, Wall uses her story to explore a wider world of sex, business, politics, and power. The result is a scintillating tale that is as enthralling as any fiction.