Engages with comics as sites of struggle over representation by developing a new methodology of reading for difference in transnational contexts.

Kuper's thrilling exotic adventure through Africa &Southeast Asia.

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A graphic novel lamenting the loss of train travel, the grip of family, mortality, art, and the human condition, with many other digressions thrown in for good measure. The book opens in media res as Collier finds out about his grandmother s death. While trying to publish his next book another close death shocks him to act on his dream to travel with his wife and son across the country by rail, before it is too late. Through the passing landscape he introduces his family (and the reader) to his old way of life and tries to track down the many characters he has lost touch with.

This anthology hosts a collection of essays examining the role of comics as portals for historical and academic content, while keeping the approach on an international market versus the American one. Few resources currently exist showing the cross-disciplinary aspects of comics. Some of the chapters examine the use of Wonder Woman during World War II, the development and culture of French comics, and theories of Locke and Hobbs in regards to the state of nature and the bonds of community. More so, the continual use of comics for the retelling of classic tales and current events demonstrates that the genre has long passed the phase of for children’s eyes only. Additionally, this anthology also weaves graphic novels into the dialogue with comics.

SOON TO BE A MAJOR MOTION PICTURE • From one of the great comic innovators, the long-awaited fulfillment of a pioneering comic vision: the story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years. “A book like this comes along once a decade, if not a century…. I guarantee that you’ll remember exactly where you are, or were, when you first read it.” —Chris Ware, The Guardian "In Here McGuire has introduced a third dimension to the flat page. He can poke holes in the space-time continuum simply by imposing frames that act as trans­temporal windows into the larger frame that stands for the provisional now. Here is the ­comic-book equivalent of a scientific breakthrough. It is also a lovely evocation of the spirit of place, a family drama under the gaze of eternity and a ghost story in which all of us are enlisted to haunt and be haunted in turn.” —The New York Times Book Review With full-color illustrations throughout.