In Houses in a Landscape, Julia A. Hendon examines the connections between social identity and social memory using archaeological research on indigenous societies that existed more than one thousand years ago in what is now Honduras. While these societies left behind monumental buildings, the remains of their dead, remnants of their daily life, intricate works of art, and fine examples of craftsmanship such as pottery and stone tools, they left only a small body of written records. Despite this paucity of written information, Hendon contends that an archaeological study of memory in such societies is possible and worthwhile. It is possible because memory is not just a faculty of the individual mind operating in isolation, but a social process embedded in the materiality of human existence. Intimately bound up in the relations people develop with one another and with the world around them through what they do, where and how they do it, and with whom or what, memory leaves material traces. Hendon conducted research on three contemporaneous Native American civilizations that flourished from the seventh century through the eleventh CE: the Maya kingdom of Copan, the hilltop center of Cerro Palenque, and the dispersed settlement of the Cuyumapa valley. She analyzes domestic life in these societies, from cooking to crafting, as well as public and private ritual events including the ballgame. Combining her findings with a rich body of theory from anthropology, history, and geography, she explores how objects—the things people build, make, use, exchange, and discard—help people remember. In so doing, she demonstrates how everyday life becomes part of the social processes of remembering and forgetting, and how “memory communities” assert connections between the past and the present.

Beginning in the tenth century, Chaco Canyon emerged as an important center whose influence shaped subsequent cultural developments throughout the Four Corners area of the American Southwest. Archaeologists investigating the prehistory of Chaco Canyon have long been impressed by its massive architecture, evidence of widespread trading activities, and ancient roadways that extended across the region. Research on Chaco Canyon today is focused on what the remains indicate about the social, political, and ideological organization of the Chacoan people. Communities with great houses located some distance away are of particular interest, because determining how and why peripheral areas became associated with the central canyon provides insight into the evolution of the Chacoan tradition. This volume brings together twelve chapters by archaeologists who suggest that the relationship between Chaco Canyon and outlying communities was not only complex but highly variable. Their new research reveals that the most distant groups may have simply appropriated Chacoan symbolism for influencing local social and political relationships, whereas many of the nearest communities appear to have interacted closely with the central canyon--perhaps even living there on a seasonal basis. The multifaceted approach taken by these authors provides different and refreshing perspectives on Chaco. Their contributions offer new insight into what a Chacoan community is and shed light on the nature of interactions among prehistoric communities.

... how to bring house and garden into perfect harmony.

Cedar Grove, The Cliffs, Grumblethorpe, Mount Airy, Bartram's House and Garden: Accommodation of the Vernacular

Anchored by Austin and San Antonio, Texas Hill Country is celebrated for its frontier history and natural beauty. Architects and interior designers build contemporary houses using local materials and drawing on the area’s diverse heritage—Spanish Colonial missions and Mexican-style haciendas, French pioneers’ log cabins, German stonework, and the legacy of the “new regionalism” espoused by O’Neil Ford in the 1930s—to create inspired residences that respect tradition and allow their owners to enjoy expansive rural surroundings. This volume presents nineteen of the area’s most remarkable private houses, with lush photography to provide a glimpse of how life in Central Texas is unique—from restored Victorian houses in bohemian Southtown, to a glass-walled ranch in Boerne canopied by oak trees; from floating stairs and sustainable systems to the casual elegance of country antiques, screen porches, and longleaf pine floors. The rolling hills, spring-fed creeks, rivers, timber forests, and fertile grass-covered prairies of Hill Country—along with their abundance of natural materials such as limestone, cedar, local pecan, mesquite, oak, and cypress—inspire architects and interior designers to create beautiful modern spaces. They draw from the strong vernacular tradition of classic farmhouses that once dotted the land, and the building techniques that have been handed down through generations. The architecture and interiors featured here in beautiful full-color photography celebrate the wonderful particularities of this singular place.

In the twenty-first century, housing has become a site of ecological experimentation and environmental remediation. From the vantage point of contemporary architecture, conservation concerns and emergent building science technologies support one another, with new processes and materials deployed to reduce energy usage, water consumption, and carbon dioxide emissions. Landscapes of Housing examines this trend in historical perspective, arguing for a more considered environmental vision that includes the organic, social, and cultural dimensions of landscape. By shifting the focus from architecture, the book highlights and critiques the relationship between dwelling and landscape itself. Contributors from a wide range of international perspectives propose a more integrative ecology that includes history, culture, society, and materiality, in addition to technology, within contemporary ecological housing programs. This book will be a resource for upper-level students, academics, and researchers in landscape architecture interested in the social and political implications of ecological housing.

Highlighting thirty-five spectacular recently completed houses overlooking sea, lake, river, and ocean, selected for beauty and variety across the globe, Houses by the Shore features homes that demonstrate the extraordinarily diverse ways that today's leading architects and interior designers build and design homes on the water and new approaches homeowners are taking to life on the shore. Frequently elegant and uncluttered, these houses serve as models of smart and often exquisite design with lots of ideas for homeowners who don't necessarily live in a waterfront home, but who wish to have something of that appeal and sensitivity in their own space. A range of projects encompassing myriad geographic and cultural inspirations show some of the world's most inviting residences, built in stone and glass, in wood and steel and concrete. The houses vary in size and style, though all within the realm of the modern, from open plan homes that include terraces and rooms that flow from indoors to out, to spaces flooded with light and views. Each house is photographed comprehensively with detailed interior and exterior pictures and plans, and placed into context through the lens of widely respected editor Oscar Riera Ojeda and descriptive texts written by design critic Byron Hawes, to give readers a privileged look at the best of shore-side residential architecture. With its beautiful modernist homes set beside the golden sands of the gulf coast of Mexico or upon the romantic islands of Greece, from Finland to South Africa to New Zealand, Houses by the Shore is a paean to rooms with a view.