This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Household Tales With Other Traditional Remains: Collected In The Counties Of York, Lincoln, Derby, And Nottingham Sidney Oldall Addy D. Nutt, 1895 Folklore; Yorkshire (England)

Excerpt from Household Tales With Other Traditional: Remains, Collected in the Counties of York, Lincoln, Derby, and Nottingham The fifty-two short stories printed in this volume have been got together during the last six or seven years. A deluge of cheap literature has fallen upon us since the days when the brothers Grimm made their famous German collection, and the memory, assisted by books, is apt to forget the unwritten lore. But still the ancient stories, beautiful or highly humorous even in their decay, linger with us here and there in England, and, like rare plants, may be found by those who seek them. Though some of the stories here printed illustrate the poverty of present tradition, it is likely that others were never told at greater length, or in better form. In every case I have either written the tales down from dictation, or a written copy has been given to me. I have added nothing except the occasional formula, "Once upon a time," or a title to a story which had no title. Nor have I taken anything away. As nearly as I could manage it, the tales are given in the very words of the narrators. I have hardly attempted to reproduce dialect, but obsolete words, when used by the narrator, have been retained. And when the narrator has used such a word as "mamma," I have not hesitated to write "mother." The tales have all been obtained from oral tradition, and not from printed sources. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Herman Melville's reputation as a great writer has gradually evolved throughout the 20th century. Tempered by studies that emphasize the Western literary tradition, literary appreciation for Melville's use of folklore has been slow in developing. This study focuses on Melville's immersion with and borrowing from oral traditions: both music and narrative; tall-tale humour; nautical folklore; superstition; and legend. The book also acts as a general introduction to Melville's work.

In the late 18th and early 19th centuries, attitudes toward history and national identity fostered a romantic rediscovery of folk and fairy tales. This is the period of the Golden Age of folk and fairy tales, when European folklorists sought to understand and redefine the present through the common tales of the past, and long neglected stories became recognized as cultural treasures. In this rich collection, distinguished expert of fairy tales Jack Zipes continues his lifelong exploration of the story-telling tradition with a focus on the Golden Age. Included are one hundred eighty-two tales--many available in English for the first time--grouped into eighteen tale types. Zipes provides an engaging general Introduction that discusses the folk and fairy tale tradition, the impact of the Brothers Grimm, and the significance of categorizing tales into various types. Short introductions to each tale type that discuss its history, characteristics, and variants provide readers with important background information. Also included are annotations, short biographies of folklorists of the period, and a substantial bibliography. Eighteen original art works by students of the art department of Anglia Ruskin University not only illustrate the eighteen tale types, but also provide delightful—and sometimes astonishing—21st-century artistic interpretations of them.