From exciting and up-and-coming artisan printmaker Molly Mahon, this is a modern, stylish, and practical exploration of the traditional craft of block printing. From the initial design process through to the carving of the block, mixing of the color, and the actual printing process, self-taught textile designer Molly Mahon has always found printing to be meditative. This book enables readers to explore this ancient craft through Molly's contemporary designs and the influences that inspire her use of pattern and color, before teaching the practical skills and potential ways to transform prints into beautiful homeware. The book begins with an introduction to Molly and how she found and nurtured her love of block printing. Molly is constantly inspired by her surroundings in all that she sees and feels, and in the second section the reader is taken on some of her favorite journeys, with an inspirational sourcebook filled with beautiful images. The last section focuses on how to block print, including information on key tools, step-by-step techniques for printing on paper and fabric, and pattern design advice. There are also instructions on how to make five simple homeware projects and exclusive block templates drawn by Molly to copy and re-create at home.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

"A reprint of a 1904 novel by Pennsylvania State College (now University) professor of English Fred Lewis Pattee, set in the 1890s in central Pennsylvania. Includes a preface by poet and essayist Julia Spicher Kasdorf and endnotes by Joshua R. Brown" --Provided by publisher.

This collection profiles understudied figures in the book and print trades of the seventeenth century. With an equal balance between women and men, it intervenes in the history of the trades, emphasising the broad range of material, cultural, and ideological work these people undertook. It offers a biographical introduction to each figure, placing them in their social, professional, and institutional settings. The collection considers varied print trade roles including that of the printer, publisher, paper-maker, and bookseller, as well as several specific trade networks and numerous textual forms. The biographies draw on extensive new archival research, with details of key sources for further study on each figure. Chronologically organised, this Element offers a primer both on numerous individual figures, and on the tribulations and innovations of the print trade in the century of revolution.