Not just a chemical attraction... Sicilian Husband, Unexpected Baby

When Emma's billionaire Sicilian husband found out she was infertile, their marriage was over. Then, back in England, Emma discovered the impossible had happened--she was pregnant But life is hard, and, unable to pay her bills, she has only one option: Vincenzo. Now that he knows he's a father, Vincenzo will claim his son and if Emma is to stay with her beloved child, she must return to the marriage bed

Playing The Greek's Game Few dare to defy hotel magnate Zak Constantinides. So when his interior designer turns out to have dug her gold–digging claws into his brother, Zak's solution is to transfer her...to New York! Emma may have more skeletons in her closet than most but Zak's brother isn't one of them. The temptation to take her arrogant boss down a peg or three is too much to resist! So she'll play the role he's given her and be every bit as bad as he thinks she is... A Tainted Beauty Merciless businessman Ciro D'Angelo knows Lily Scott's sweetness and old–fashioned values are exactly what he needs in a wife. She's the opposite to the gold–diggers that relentlessly pursue him. But Ciro soon realises that Lily isn't quite the pure bride he's expected. Did her virtuous facade hide a fortune–hunter as shameless as the rest? It seems their marriage is over before it's begun, yet once you're a D'Angelo wife there's no turning back... Sicilian Husband, Unexpected Baby When Emma's billionaire Sicilian husband found out she was infertile, their marriage was over. Then, back in England, Emma discovered the impossible had happened – she was pregnant! But life is hard, and, unable to pay her bills, she has only one option: Vincenzo Cardini. Now that he knows he's a father Vincenzo will claim his son, and if Emma is to stay with her beloved child, she must return to the marriage bed!

As wild and sexy and over the top as the decade it brings to life, author, William Stadiem, tells the inside story of Hollywood producers in the 80s. From hits like Beverly Hills Cop, Top Gun and Batman to flops like Heaven's Gate, Howard the Duck and Leonard Part 6, Hollywood was never more excessive than it was in the 1980s. In this, the Moneywood era, the purse strings were not controlled by reasonably consenting adults but by pop culture cowboys who couldn't balance their own checkbooks. What they could do was sweet talk the talent, seduce the starlets, snowball the Japanese and slither out of Dodge when the low grosses trickled in. Their out of control lifestyles and know-nothing, raging narcissistic personalities make the original brutal studio heads like Sam Goldwyn and Jack Warner seem like Oxford dons. Yet, for all their flops, these Scoundrels of Spago turned Hollywood into a Big Business that was catnip to Wall Street. They were The Producers, and they were way beyond anything Mel Brooks could dream up. The Moneywood cast of characters includes: -Simpson and Bruckheimer; Guber and Peters; Eisner/Katzenberg/Ovitz: An unusual fresh take on the usual subjects. -Ray Stark, the wizard of Holmby Hills, the most powerful producer of the 80s. -Mario Kassar and Andy Vajna, the Rambo boys, who went from making wigs to making blockbusters. -Menahem Golan-Yoram Globus, the Israeli schlockmeisters who proved that every star had a price. -David Begelman, the embezzler, gambler and sex addict who was rewarded for his sins by getting to run both Columbia and MGM. -Roland Betts, the aristocratic Silver Screen Partners founder and former Yale frat-mate of George W. Bush who was a master at playing the Reagan White House card. -Giancarlo Parretti, the Italian cannery worker who bought MGM, with a little help from his (Sicilian) friends. -David Puttnam The high-toned English advertising whiz who was supposed to raise the Hollywood bar, but ended up barred from Hollywood. Moneywood is the ultimate expose of the real hit men of Hollywood's go-go decade.

The twentieth century saw a proliferation of media discourses on colonialism and, later, decolonisation. Newspapers, periodicals, films, radio and TV broadcasts contributed to the construction of the image of the African “Other” across the colonial world. In recent years, a growing body of literature has explored the role of these media in many colonial societies. As regards the Italian context, however, although several works have been published about the links between colonial culture and national identity, none have addressed the specific role of the media and their impact on collective memory (or lack thereof). This book fills that gap, providing a review of images and themes that have surfaced and resurfaced over time. The volume is divided into two sections, each organised around an underlying theme: while the first deals with visual memory and images from the cinema, radio, television and new media, the second addresses the role of the printed press, graphic novels and comics, photography and trading cards.

Magnate's Mistress... Accidentally Pregnant! Ally Smith may have dumped a cheating fiancé, but she refuses to miss her Caribbean honeymoon! One night with sexy stranger Chris Wells is the perfect heartbreak cure – until she finds out she’s pregnant with the billionaire’s baby!

In this long-awaited book (already a major bestseller in Italy) Ginsborg has created a fascinating, sophisticated and definitive account of how Italy has coped, or failed to cope, with the past two decades. Contemporary Italy strongly mirrors Britain - the countries have roughly the same extent, population size and GNP - and yet they are fantastically different. Ginsborg sees this difference as most fundamentally clear in the role of the family and it is the family which is at the heart of Italian politics and business. Anyone wishing to understand contemporary Italy will find it essential to have this enormously attractive and intelligent book.