In these nine intensely compelling essays, with a new preface, bestselling author Tom McGuane shares remarkable stories of the exceptional horses and horsemen he has known as he learned roping, cutting, dallying, and ultimately trust. He addresses the special and profound relationship between humans and horses: what horses reveal about us, what we can learn from them, what they learn from us, and the symbiosis that results from a perfect match. The relationship between rider and horse runs deeper than any show or job, and McGuane’s work with both animals and humans over the years provides a rich and nuanced depth of understanding about every level of the bond that he explores in his elegant, award-winning prose.

“A wild, rollicking ride into the heart of horse country—these essays get at what it means to love horses, in all that love's complexity.” —Anton DiSclafani, author of The Yonahlossee Riding Camp for Girls A compelling and provocative essay collection that smashes stereotypes and redefines the meaning of the term “horse girl,” broadening it for women of all cultural backgrounds. As a child, horses consumed Halimah Marcus’ imagination. When she wasn’t around horses she was pretending to be one, cantering on two legs, hands poised to hold invisible reins. To her classmates, girls like Halimah were known as “horse girls,” weird and overzealous, absent from the social worlds of their peers. Decades later, when memes about “horse girl energy,” began appearing across social media—Halimah reluctantly recognized herself. The jokes imagine girls as blinkered as carriage ponies, oblivious to the mockery behind their backs. The stereotypical horse girl is also white, thin, rich, and straight, a daughter of privilege. Yet so many riders don’t fit this narrow, damaging ideal, and relate to horses in profound ways that include ambivalence and regret, as well as unbridled passion and devotion. Featuring some of the most striking voices in contemporary literature—including Carmen Maria Machado, Pulitzer-prize winner Jane Smiley, T Kira Madden, Maggie Shipstead, and Courtney Maum—Horse Girls reframes the iconic bond between girls and horses with the complexity and nuance it deserves. And it showcases powerful emerging voices like Braudie Blais-Billie, on the connection between her Seminole and Quebecois heritage; Sarah Enelow-Snyder, on growing up as a Black barrel racer in central Texas; and Nur Nasreen Ibrahim, on the colonialist influence on horse culture in Pakistan. By turns thought-provoking and personal, Horse Girls reclaims its titular stereotype to ask bold questions about autonomy and desire, privilege and ambition, identity and freedom, and the competing forces of domestication and wildness.

A beautifully designed, full-color photo-essay celebrating the intimate bond between some noted equestrians and the horses they own, ride, train-and love! Leading man Richard Gere fell for a girl on horseback. For actress Alfre Woodard and her daughter Mavis, the connection with horses is spiritual. Chevy Chase says his Icelandics "get very hairy during the winter, but then so do I." And Robert Redford, recalling his month-long ride down the old Outlaw Trail that Butch Cassidy and the Sundance Kid rode, says: "What I marvel at is how wild and free this land still can seem from the back of a horse." In People We Know, Horses They Love, we meet nearly thirty celebrity horse lovers, from Whoopi Goldberg and Christie Brinkley to the original horse whisperer, Buck Brannaman and bestselling author Tami Hoag, who's also an amateur international champion dressage rider. Gorgeous, full-color, never-seen-before photographs capture the majesty and grace of the animals, the beauty of the ranches and stables where they reside and intimate moments shared with their owners. Whether highlighting Paul Newman and Joanne Woodward on their ranch for special needs children, exploring Hilary Duff's passion for wild mustangs, hanging with Jeff Bridges on the set of Seabiscuit, or illuminating the interior lives of Maria Shriver, Morgan Freeman, and many others, People We Know, Horses They Love pays tribute to the special relationship between human and horse. A portion of the proceeds will be donated to the Pegasus Therapeutic Riding Program.

"Isak Dinesen . . . had an original approach to life that permeated all her work. She loved storytelling, with the result that most of her essays are quasi-narratives, which proceed not from major to minor premise but from one anecdote to another as the way of making concrete whatever idea she is considering. Her work is a delight and at times a marvel."—The New Yorker "Through these daguerreotypes we begin to understand other periods, the renunciations of World War I, the purpose of houses and mansions, of ritual ceremonials, such as tatooing. We are given a fresh and vivid view of the women's movement . . . which urges that what our 'small society' needs beyond human beings who have demonstrated what they can do, is people who are. 'Indeed, our own time,' she wrote in 1953, 'can be said to need a revision from doing to being.' She demonstrated it in her own work and craft, with courage and with dignity. This collection is as real as a gallery of old daguerreotypes, moving and unfaded. The work, as Hannah Arendt says, of a wise woman."—Robert Kirsch, Los Angeles Times "These essays . . . have the flavor of good conversation: humorous, easy, personal but not oppressive, the distillation of reading, thought, and experience. Their subjects are of surprisingly current interest. We need make no concessions to the past, need not set our watches back to 'historical.' Isak Dinesen was not a faddish thinker. . . . 'In history it is always the human element that has a chance for eternal life,' Dinesen remarks, and she gives these essays their chance."—Penelope Mesic, Chicago

Table Scraps and Other Essays is for all intents and purposes memoir writing. At the heart of the twenty-two true stories is an African American female who, as a child, along with her siblings, must learn the value of hard work as hired hands. James’s young spirit is often at odds with her growing family, especially with a father figure who ignores his duties as husband and provider. She has a strong, loving mother who insists on keeping the family together. James learns to trust and depend on the “guardians” of her small Louisiana community—teachers who are eventually forced to move away from the area when the local schools are integrated. Many years later, James returns home figuratively, and literally on occasion, from the apartment where she lives in New Orleans, and reconnects with a father who seeks forgiveness for his earlier betrayal. He spends each day attempting to make up for the ill treatment of his wife and children. In these essays, James shares her love of nature, both as a means of escape from her troubled family and as inspiration for her writing.

Susanna Forrest grew up in the 1980s near Norwich, and like many a girl, she yearned for a pony. She was never to get one, but this didn't stop her becoming obsessed with all things equine. If Wishes Were Horses is the story of that all-consuming interest, and of the author's nerve-wracked attempts later in life to ride once again. However, as Susanna Forrest's journey unfolds, it leads her to horse-obsessed princesses, recovering crack addicts, courtesans, warriors, pink-obsessed schoolgirls, national heroines, and runaways across the ages. From girl-riders of the Bronze Age, to lavishly adorned equestrian Victorians and 21st-century children on horseback in Brixton, she explores the development of this Pony Cult from its earliest times to the present day. In doing so, she takes to the saddle once more and rediscovers her own riding legs in this frank, eclectic, and captivating memoir of an ever-changing equine world.

The Road Traveled and Other Essays presents the recent work of philosopher and educator Steven M. Cahn. This book offers his latest reflections on the nature of well-being, the rationality of religious belief, and the aims of higher education. Also included are a selection of his challenging philosophical puzzles. The work concludes with a detailed account of his career as a faculty member, foundation executive, and university administrator.