“A riveting, astonishing, and flat-out gorgeous debut.”-- Nina de Gramont, author of The Christie Affair A mesmerizing and suspenseful coming-of-age novel about an orphan hiding within the walls of her former family home—and about what it means to be truly seen after becoming lost in life Eventually, every hidden thing is found. Elise knows every inch of the house. She knows which boards will creak. She knows where the gaps are in the walls. She knows which parts can take her in, hide her away. It’s home, after all. The home her parents made for her, before they were taken from her in a car crash. And home is where you stay, no matter what. Eddie is a teenager trying to forget about the girl he sometimes sees out of the corner of his eye. But when his hotheaded older brother senses her, too, they are faced with the question of how to get rid of someone they aren’t sure even exists. And as they try to cast her out, they unwittingly bring an unexpected and far more real threat to their doorstep. Written with grace and enormous heart, Girl in the Walls is a novel about carrying on through grief, forging unconventional friendships, and realizing, little by little, that we don’t need to fear what we do not understand.

Horrifying Children examines weird and eerie children's television and literature via critical analysis, memoir and autoethnography. There has been an explosion of interest in the impact of children's television and literature of the late twentieth century. In particular, the 1970s, '80s and '90s are seen as decades that shaped a great deal of the contemporary cultural landscape. Television of this period dominated the world of childhood entertainment, drawing freely upon literature and popular culture, like the Garbage Pail Kids and Stranger Things, and much of it continues to resonate powerfully with the generation of cultural producers (fiction writers, screenwriters, directors, musicians and artists) that grew up watching the weird, the eerie and the horrific: the essence of 21st-century Hauntology. In these terms this book is not about children's television as it exists now, but rather as it features as a facet of memory in the 21st century. As such it is the legacy of these television programmes that is at the core of Horrifying Children. The 'haunting' of adults by what we have seen on the screen is crucial to the study. This collection directly addresses that which 'scared us' in the past insomuch as there is a correlation between individual and collective cultural memory, with some chapters providing an opportunity for situating existing explorations and understandings of Gothic and Horror TV within a hauntological and experiential framework.

Children's author Carol Brendler and illustrator Greg Pizzoli's Not Very Scary follows a young monster as she makes her way to her friend's house for a Halloween party, despite the not very...slightly...okay, pretty scary creatures dogging her along the way. Melly is a brave little monster who is not afraid of anything. She loves surprises, and when her fun-loving cousin invites her over for a big surprise, Melly excitedly sets out for a visit. On her way, she notices skittish skeletons, a coal-black cat, and even ghoulish goblins following her. But Melly is not scared, no she's not! Well, maybe just a teensy bit . . .

A perfect blend of silly and scary, this oversized lift-the-flap board book shows children what's hiding inside some creepy creatures. Snakes, bats, and spiders aren't that frightening--but just wait till you see what they're like on the inside! This delightfully ghoulish book is filled to the brim with creatures perfect for some Halloween fun. Whether it's a big bad wolf or a skeletal ghost, each monster is hiding its really horrible side beneath a foldable flap. Lift the foldout on the crab to reveal sharp teeth and tentacle tongues or pull down the flap on the spider to discover its recently caught snacks. Thierry Dedieu's colorful illustrations bring humor and lightheartedness to many spine-chilling creatures. A perfect blend of silly and scary, this big board book helps kids overcome their worries with laughter. Encourage your children to embrace their spooky side with this Halloween treat!

In Widowsbury, an isolated village where people believe "known is good, new is bad," three outcasts form the girls' school join forces with a home-schooled boy to uncover and combat the evil that is making people disappear.

Creak... Crash... BOO! Shivering skeletons, ghostly pirates, chattering corpses, and haunted graveyards...all to chill your bones! Share these seven spine-tingling stories in a dark, dark room.

Contributions by Rebecca A. Brown, Justine Gieni, Holly Harper, Emily L. Hiltz, A. Robin Hoffman, Kirsten Kowalewski, Peter C. Kunze, Jorie Lagerwey, Nick Levey, Jessica R. McCort, and Janani Subramanian Dark novels, shows, and films targeted toward children and young adults are proliferating wildly. It is even more crucial now to understand the methods by which such texts have traditionally operated and how those methods have been challenged, abandoned, and appropriated. Reading in the Dark fills a gap in criticism devoted to children's popular culture by concentrating on horror, an often-neglected genre. These scholars explore the intersection between horror, popular culture, and children's cultural productions, including picture books, fairy tales, young adult literature, television, and monster movies. Reading in the Dark looks at horror texts for children with deserved respect, weighing the multitude of benefits they can provide for young readers and viewers. Refusing to write off the horror genre as campy, trite, or deforming, these essays instead recognize many of the texts and films categorized as "scary" as among those most widely consumed by children and young adults. In addition, scholars consider how adult horror has been domesticated by children's literature and culture, with authors and screenwriters turning that which was once horrifying into safe, funny, and delightful books and films. Scholars likewise examine the impetus behind such re-envisioning of the adult horror novel or film as something appropriate for the young. The collection investigates both the constructive and the troublesome aspects of scary books, movies, and television shows targeted toward children and young adults. It considers the complex mechanisms by which these texts communicate overt messages and hidden agendas, and it treats as well the readers' experiences of such mechanisms.