"A stage vehicle for the Marx Brothers. The scene is the Long Island estate of Mrs. Rittenhouse, a wealthy patroness of the arts with a marriageable daughter. Her celebrity weekend guest is the renowned Captain Jeffrey Spaulding, the African Explorer. He arrives with his secretary, Horatio Jameson, followed by pair of "musicians": Ravelli and the Professor. What follows is typical Marxian lunacy, involving a stolen painting, a surreal bridge game, a Broadway gossip columnist named Wally Winston, a financial wizard formerly known as Abie the Fish Peddler, and a climatic burlesque of Marie Antoinette and the Three Musketeers."--George S. Kaufman website.

Ever eaten Poodle Strudel? Slain a Jabberwock? Bathed in Irish Stew? Quentin Blake is one of the best loved of children’s illustrators. In this brilliant book he has selected and illustrated his favourite comic verse, making it pure entertainment for nonsense-lovers of all ages. His unique style of drawing brings a new perspective to every poem. Classic writers such as Lewis Carroll and Edward Lear are combined with more contemporary talents such as Roger McGough, Margaret Mahy and Russell Hoban. With fifteen wonderfully absurd sections, including Distracting Creatures, Sticky Ends, I Wish I Were a Jelly Fish, A Recipe for Indigestion and Chortling and Galumphing, here is a delightful collection of the topsy-turvy, the fantastical, the anarchic, the illogical and the utterly wonderful.

This comprehensive guide covers all of the music used in Woody Allen's films from Take the Money and Run (1969) to Match Point (2005). Each film receives scene-by-scene analysis with a focus on how Allen utilized music.

For a British Empire that stretched across much of the globe at the start of the nineteenth century, the interiors of Africa and Australia remained intriguing mysteries. The challenge of opening these continents to imperial influence fell to a proto-professional coterie of determined explorers. They sought knowledge, adventure, and fame, but often experienced confusion, fear, and failure. The Last Blank Spaces follows the arc of these explorations, from idea to practice, from intention to outcome, from myth to reality. Those who conducted the hundreds of expeditions that probed Africa and Australia in the nineteenth century adopted a mode of scientific investigation that had been developed by previous generations of seaborne explorers. They likened the two continents to oceans, empty spaces that could be made truly knowable only by mapping, measuring, observing, and preserving. They found, however, that their survival and success depended less on this system of universal knowledge than it did on the local knowledge possessed by native peoples. While explorers sought to advance the interests of Britain and its emigrant communities, Dane Kennedy discovers a more complex outcome: expeditions that failed ignominiously, explorers whose loyalties proved ambivalent or divided, and, above all, local states and peoples who diverted expeditions to serve their own purposes. The collisions, and occasional convergences, between British and indigenous values, interests, and modes of knowing the world are brought to the fore in this fresh and engaging study.

The ground has shifted from the days in which "serious history" and "boring" went hand in glove. Textbooks and lectures have their place, but less traditional classrooms can be powerfully immersive and insightful. Take the 1929 Marx Brothers film The Cocoanuts and what it teaches about both the Great Depression and early sound films. The Marx Brothers are among the funniest comedy teams of all time. Four of their 13 films are on the American Film Institute's list of the 100 greatest American comedies ever made. For many contemporary viewers, though, "getting" the jokes is not always easy because the humor can be subjective and timebound. This work looks at the American past through the lens of the Marx Brothers' films and other projects. Each of the chapters focuses on a specific film, contextualizing the world at the time and how the Marx Brothers lampooned those subjects. Along the way, the book demonstrates what the Marx Brothers revealed about weighty topics like gambling, gender relations, immigration, medical care, Prohibition, race and war, all leavened with offbeat humor.