In his estimation, Northerners were just as active as Southerners in myth-making after the war. Crafting a "Cause Victorious" myth that was every bit as resonant and powerful as the much better-known "Lost Cause" myth cherished by Southerners, the North asserted through commemorations the existence of a loyal and reunified nation long before it was actually a fact. Neff reveals that as Northerners and Southerners honored their separate dead, they did so in ways that underscore the limits of reconciliation between Union and Confederate veterans, whose mutual animosities lingered for many decades after the need of the war. Ultimately, Neff argues that the process of reunion and reconciliation that has been so much the focus of recent literature either neglects or dismisses the persistent reluctance of both Northerners and Southerners to "forgive and forget," especially where their dead were concerned.

Crime historian Lizzie Stuart goes to Gallagher, Virginia for a year as a visiting professor at Piedmont State University. She is there to do research for a book about a 1921 lynching that her grandmother, Hester Rose, witnessed when she was a twelve-year-old child. Lizzie's research is complicated by her own unresolved feelings about her secretive grandmother and by the disturbing pres­ence of John Quinn, the police officer she met while on vacation in England. When an arrogant but brilliant faculty member of Piedmont State University is murdered, Lizzie begins to have more than a few sleep­less nights. A Dead Man’s Honor is a haunting story that will keep you awake nights, too. Praise for Frankie Y. Bailey “She has a tremendous eye and ear.” —The Times Union, Albany, New York

"Honoring The Dead" is about honoring loved ones who have passed by keeping their memory alive. Your mind takes a rest from grief and focuses on how to honor your loved one. 50 plus black and white photos and several ideas on how to honor your loved one. Great keepsake or gift.

Although Daniel Everett was a missionary, far from converting the Pirahãs, they converted him. He shows the slow, meticulous steps by which he gradually mastered their language and his gradual realisation that its unusual nature closely reflected its speakers' startlingly original perceptions of the world. Everett describes how he began to realise that his discoveries about the Pirahã language opened up a new way of understanding how language works in our minds and in our lives, and that this way was utterly at odds with Noam Chomsky's universally accepted linguistic theories. The perils of passionate academic opposition were then swiftly conjoined to those of the Amazon in a debate whose outcome has yet to be won. Everett's views are most recently discussed in Tom Wolfe's bestselling The Kingdom of Speech. Adventure, personal enlightenment and the makings of a scientific revolution proceed together in this vivid, funny and moving book.

Death and dying were not in the main focus of the denominational conflicts of the 16th century. However, pious literature covered these topics again and again, not only before the Reformation, but after it as well. Here, certain denominational differences are clearly visible. Partly, these differences consist in the use of genres: For example, funeral sermons are an often used genre among Lutherans, while they are much rarer in the Reformed tradition. Similar differences can be observed concerning epitaphs. In Roman Catholic areas, funeral sermons and epitaphs are common in the 16th century, too; but their religious function is often a different from the one in Lutheranism. Beyond such interdenominational differences, there are also interesting continuities and connections which the contributors of the volume analyze. For example, there is a certain continuity between 16th century Lutheran funeral sermons and the late medieval tradition of ars moriendi.The volume contains papers presented at the Second RefoRC Conference in Oslo in 2012, and is characterized by a multiconfessional and multidisciplinary approach, with contributions from Church History, Art History, Archaeology, History of Literature and Cultural History. Within a field of research dominated by specialized contributions (e.g. on ars moriendi traditions or on specific traditions of funeral monuments and funeral sermons), the broad approach of this volume may further stimulate to comparative and cross-confessional reflection.

Gilbert offers 85 suggestions for crafts, celebrations, writing exercises, and other activities you can do to memorialize a deceased loved one.

What happens to members of the United States Armed Forces after they die? Why do soldiers endanger their lives to recover the remains of their comrades? Why does the military spend enormous resources and risk further fatalities to recover the bodies of the fallen, even decades after the cessation of hostilities? Soldier Dead is the first book to fully address the complicated physical, social, religious, economic, and political issues concerning the remains of men and women who die while serving their country. In doing so, Michael Sledge reveals the meanings of the war dead for families, soldiers, and the nation as a whole. Why does recovering the remains of servicepeople matter? Soldier Dead examines this question and provides a thorough analysis of the processes of recovery, identification, return, burial, and remembrance of the dead. Sledge traces the ways in which the handling of our Soldier Dead has evolved over time and how these changes have reflected not only advances in technology and capabilities but also the shifting attitudes of the public, government, and military. He also considers the emotional stress experienced by those who handle the dead; the continuing efforts to retrieve bodies from Korea and elsewhere; and how unresolved issues regarding the treatment of enemy dead continue to affect U.S. foreign relations. Skillfully incorporating excerpts from interviews, personal correspondence and diaries, military records, and journalistic accounts-as well as never-before-published photographs and his own reflections-Michael Sledge presents a clear, concise, and compassionate story about what the dead mean to the living. Throughout Soldier Dead, the voices of the fallen are heard, as are those of family members and military personnel responsible for the dead before final disposition. At times disturbing and at other times encouraging, they are always powerful as they speak of danger, duty, courage, commitment, and care.