A compendium of wise and useful advice about preaching: what works and what doesn't.

"The Art of Preaching: A Theological and Practical Primer explores the theological understanding of the homily, lessons from classical and contemporary rhetoric, the relevance of preaching for the life of the Church, highlighting recent teachings of the Magisterium, and it presents the incarnation as the foundation for preaching, understood as an essential aspect of the priestly life and mission. This primer offers a simple and effective method for the preparation and delivery of homilies. The book also provides a selection of homilies from the great preachers of the Church, organized chronologically, with brief introductions and commentaries that highlight what those homilies teach us for preaching today"--

Ideal for priests, deacons, and those in formation for these ministries, this book offers a practical examination of the principal ingredients for effective homilies.

In Postcolonial Preaching, HyeRan Kim-Cragg argues that preaching is the act of dropping the stone of the Gospel into a lake, making waves to move hearts and transform the world wounded by colonial violence. The ripple effect serves as a metaphor and acronym to guide to preaching that takes postcolonial concerns seriously: Rehearsal, Imagination, Place, Pattern, Language and Exegesis (RIPPLE). Kim-Cragg explains each “ripple” in this approach and exercise of creating and delivering sermons. The author delivers fresh insights while drawing on some traditional homiletical perspectives in the service of a homiletic that takes the reality of racism, migration, and environmental degradation seriously. Moreover, Kim-Cragg demonstrates the postcolonial sermon in action by including annotated homilies. This book contributes to the very first wave of the application of postcolonial scholarship in preaching. Given the continuing extent and influence of colonial worldviews and legacies, this approach should become a staple in preaching over the next generation.

Well known for his teaching, writing, and editing of Magnificat, the widely popular monthly publication containing the Scripture readings and prayers for the Mass used weekly by several hundred thousand Catholics, Fr. Peter John Cameron, O.P., offers here expert spiritual and practical help for priests, pastors and seminarians desiring to preach effectively. Why Preach draws from the author's rich understanding of the Word of God as the challenging, encouraging, and healing presence of Christ, as well as from his own experience as both a preacher and a teacher of homiletics. With an eye focused on the works and examples of Pope John Paul II and Pope Benedict XVI, Father Cameron illustrates that good preaching derives from and leads to an encounter with Christ, the Word of God made Flesh, who comes to us through the Scriptures. The objective of the book is to help preachers to think about preaching in a new, dynamic way. Its aim is to provide a fresh and helpful vision of preaching geared to deepening a preacher's appreciation of what preaching is, and the great spiritual impact that good preaching can have on its audience, so as to increase his desire and ability to preach well.

Between the late seventh and the mid-ninth centuries, a debate about sacred images – conventionally addressed as ‘Byzantine iconoclasm’ – engaged monks, emperors, and popes in the Mediterranean area and on the European continent. The importance of this debate cannot be overstated; it challenged the relation between image, text, and belief. A series of popes staunchly in favour of sacred images acted consistently during this period in displaying a remarkable iconophilia or ‘love for images’. Their multifaceted reaction involved not only council resolutions and diplomatic exchanges, but also public religious festivals, liturgy, preaching, and visual arts – the mass-media of the time. Embracing these tools, the popes especially promoted themes related to the Incarnation of God – which justified the production and veneration of sacred images – and extolled the role and the figure of the Virgin Mary. Despite their profound influence over Byzantine and western cultures of later centuries, the political, theological, and artistic interactions between the East and the West during this period have not yet been investigated in studies combining textual and material evidence. By drawing evidence from texts and material culture – some of which have yet to be discussed against the background of the iconoclastic controversy – and by considering the role of oral exchange, Iconophilia assesses the impact of the debate on sacred images and of coeval theological controversies in Rome and central Italy. By looking at intersecting textual, liturgical, and pictorial images which had at their core the Incarnate God and his human mother Mary, the book demonstrates that between c.680–880, by unremittingly maintaining the importance of the visual for nurturing beliefs and mediating personal and communal salvation, the popes ensured that the status of sacred images would remain unchallenged, at least until the Protestant Reformation in the sixteenth century.