Homi Bhabha: An Introduction and Critique is a pathbreaking three-volume study of the postolonial scholar's work. McLaverty-Robinson translates Bhabha's difficult prose into plain English without losing its meaning. His incisive critique cuts through Bhabha's aura and tests whether his ideas work in practice - empirically or politically. This second volume examines the most influential aspects of Bhabha's work: his theories of colonialism, inbetweenness (or liminality), and marginal minority and migrant experiences. It explores his accounts of Indian history, the idea that migrants have a particularly radical point of view, and the concepts of hybridity, mimicry, difference and diversity. The text is livened up with inset boxes and images, including examinations of colonial history.

Homi Bhabha: An Introduction and Critique is a pathbreaking three-volume study of the postolonial scholar's work. McLaverty-Robinson translates Bhabha's difficult prose into plain English without losing its meaning. His incisive critique cuts through Bhabha's aura and tests whether his ideas work in practice - empirically or politically. This second volume examines the most influential aspects of Bhabha's work: his theories of colonialism, inbetweenness (or liminality), and marginal minority and migrant experiences. It explores his accounts of Indian history, the idea that migrants have a particularly radical point of view, and the concepts of hybridity, mimicry, difference and diversity. The text is livened up with inset boxes and images, including examinations of colonial history.

Homi Bhabha: An Introduction and Critique is a pathbreaking three-volume study of the famous postcolonial scholar's work. McLaverty-Robinson's treatment translates Bhabha's almost impenetrable prose into plain English, without losing its meaning. It also explains the background assumptions and references lurking behind Bhabha's theoretical concepts. In addition, McLaverty-Robinson's incisive critique cuts through the aura surrounding critical theory, exploring whether Bhabha's ideas work in practice - either empirically or politically. This first volume explores Bhabha's views on philosophy and culture. It includes chapters explaining his social constructivist assumptions, and exploring his interpretations of art and literature.

Homi Bhabha: An Introduction and Critique is a pathbreaking three-volume study of the celebrated postcolonial scholar's work. McLaverty-Robinson's careful reading renders Bhabha's theories in plain English, without losing their meaning. In addition, McLaverty-Robinson's incisive critique cuts through the theoretical aura of Bhabha's work and explores whether his theories work in practice - either empirically or politically. This third and final volume explores the political content and implications of Bhabha's work. It explores Bhabha's political proposals, such as the ideas of a community of suffering and a right to narrate. It also explores Bhabha's relationship to neoliberalism and to the Eurocommunist current in the 1980s, and his critical engagements with liberalism, communitarianism, Marxism, critical race theory, Deleuze and Guattari, and Frantz Fanon. This volume also includes an entire chapter providing a background on neoliberalism, and a comprehensive index covering all three volumes.

Homi K. Bhabha is one of the most highly renowned figures in contemporary post-colonial studies. This introductory guidebook is ideal for all students working in the fields of literary, cultural and postcolonial theory.

Homi K. Bhabha’s 1994 The Location of Culture is one of the founding texts of the branch of literary theory called postcolonialism. While postcolonialism has many strands, at its heart lies the question of interpreting and understanding encounters between the western colonial powers and the nations across the globe that they colonized. Colonization was not just an economic, military or political process, but one that radically affected culture and identity across the world. It is a field in which interpretation comes to the fore, and much of its force depends on addressing the complex legacy of colonial encounters by careful, sustained attention to the meaning of the traces that they left on colonized cultures. What Bhabha’s writing, like so much postcolonial thought, shows is that the arts of clarification and definition that underpin good interpretation are rarely the same as simplification. Indeed, good interpretative clarification is often about pointing out and dividing the different kinds of complexity at play in a single process or term. For Bhabha, the object is identity itself, as expressed in the ideas colonial powers had about themselves. In his interpretation, what at first seems to be the coherent set of ideas behind colonialism soon breaks down into a complex mass of shifting stances – yielding something much closer to postcolonial thought than a first glance at his sometimes dauntingly complex suggests.

Rethinking questions of identity, social agency and national affiliation, Bhabha provides a working, if controversial, theory of cultural hybridity - one that goes far beyond previous attempts by others. In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.