Here is the first survey of the surviving evidence for the growth, development, and influence of the Neoplatonist allegorical reading of the Iliad and Odyssey. Professor Lamberton argues that this tradition of reading was to create new demands on subsequent epic and thereby alter permanently the nature of European epic. The Neoplatonist reading was to be decisive in the birth of allegorical epic in late antiquity and forms the background for the next major extension of the epic tradition found in Dante.

This collaborative work represents a pathbreaking exercise in Native American theology. While observing traditional categories of Christian systematic theology (Creation, Deity, Christology, etc.), each of these is reimagined consistent with Native experience, values, and worldview. At the same time the authors introduce new categories from Native thought-worlds, such as the Trickster (eraser of boundaries, symbol of ambiguity), and Land. Finally, the authors address issues facing Native Americans today, including racism, poverty, stereotyping, cultural appropriation, and religious freedom--From publisher's description.

Frederick Ahl and Hanna M. Roisman believe that contemporary readers who do not know ancient Greek can gain a sophisticated grasp of the Odyssey if they are aware of some of the issues that intrigue and puzzle the experts. They offer a challenging new reading of the epic that is directed to the general student of literature as well as to the classicist.Ahl and Roisman suggest that, while translators have served the Odyssey and its English-speaking readers remarkably well, the nonspecialist wishing to do a more detailed, critical reading of the epic faces a dilemma. The enormous scholarly literature makes few concessions to the nonspecialist, and those studies designed for general readers tend to offer variations on the overly simple, idealized readings of the epic common in high school and college survey courses.The Odyssey Re-Formed offers a lively and detailed reading of the Odyssey, episode by episode, with particular attention paid to the manipulative power of its language and Homer's skill in using that power. The authors explore how myth is shaped for specific, rhetorical reasons and suggest ways in which the epic uses its audience's awareness of the varied pool of mythic traditions to give the Odyssey remarkable and subtle resonances that have profound poetic power.

This bilingual edition, with introduction and brief commentary, makes accessible for the first time in English a text of great importance for the history and interpretation of Homer. Although attributed to Plutarch, the Essay is probably the work of a grammaticus of the second and thirdcentury and is the single most valuable source of evidence for the nature of the teaching of Homer in the schools of the Roman Empire. Well represented in the manuscript tradition, the Essay was used as prefatory material by Renaissance editors of Homer, beginning with the editio princeps (1488), and so exercised a powerful influence on Renaissance and early-modern readers, who often refer to "Plutarch" as an authority on Homer. The newly edited Greek text is presented with facing translation.

Examines the treatment of religion and spirituality in the animated television series, including its depiction of God, Jesus, heaven, hell, and prayer in chapters devoted to Homer, Lisa, Ned, Reverend Lovejoy, Krusty, and Apu.

How did Origen, one of the major Patristic thinkers, construct his philosophical theology? What are his main innovations in metaphysics, protology, Trinitarian Theology and Christology? How did he view the relation between philosophy and theology? This is a collection of over twenty essays, mostly from world-leading journals and books from outstanding publishers, besides two new ones, from Professor Ilaria L.E. Ramelli’s life-long, and always continuing, research on Origen. This coherent set of studies is grouped around Origen’s metaphysics, protology, Trinitarian theology and Christology, and the relation between theology and philosophy, with reception aspects. The essays address Origen’s towering figure in Patristic philosophy, Christian Platonism, and the Platonic tradition, facets of his reception of Platonism, reflections concerning the Christianization of Hellenism (vs. the Hellenization of Christianity) and the relation between philosophy and theology and between ‘pagan’ and Christian Platonism; Origen’s philosophical theology and connections to Platonism; the question of Origen's conversion and his lexicon of epistrophē; a comparison between the imperial Platonist Atticus’ and Origen’s theories on the soul of God the Creator; Alexander of Aphrodisias as a source of Origen’s philosophy and the birth of the eternity formula in reference to the Son; the problem of Origen’s "subordinationism", which must be nuanced; Origen’s major contribution to Trinitarian theology in the notion of hypostasis and its foundation in Scripture and philosophy; the reciprocal indwelling of the Father in the Son and its implications against Origen’s "subordinationism"; Origen’s influence on Augustine as paradoxical and a Christological case study; the divine as inaccessible object of knowledge in ancient and Patristic Platonism; the reception of Origen’s ideas in the West; the notion of divine power in Origen: sources and aftermath; Platonist exemplarism in Origen and Plotinus; Paul’s notion of nous in Origen and Evagrius; the reception of Origen in Ps.Dionysius, and Origen’s heritage in the concept of matter in the Dialogue of Adamantius. The volume is rounded off by theoretical reflections on philosophy of religion and philosophical theology. This book is very relevant to the study of Origen, the foundations of Christian thought, and ancient and late antique philosophy, theology and culture.

From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.