Emerging adults today feel homeless and alone. How can the church share the good news of a God who offers home and togetherness? Home Together gives a compelling account of a Christian student residence that has shared this good news by engaging emerging adults in a community of discipleship and belonging. For over thirty years, the Menno Simons Centre in Vancouver, British Columbia has supported university students and helped them to grow together in their faith. Using the metaphor of home to describe this community, Thomas Bergen outlines a practical theology of ministry among emerging adults as a shared home construction project. He explores six aspects of the Menno Simons Centre as home—spiritual, supportive, sabbatical, safe, spurring, and sending—combining theological reflection, cultural analysis, personal testimonies, and practical wisdom. Set against the backdrop of postmodern challenges, Home Together offers an inspiring model of ministry among university students that might well be adapted for other contexts.

This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.

“A lively survey…her research and insights make us conscious of how we, today, use books.”—John Sutherland, The New York Times Book Review Two centuries before the advent of radio, television, and motion pictures, books were a cherished form of popular entertainment and an integral component of domestic social life. In this fascinating and vivid history, Abigail Williams explores the ways in which shared reading shaped the lives and literary culture of the eighteenth century, offering new perspectives on how books have been used by their readers, and the part they have played in middle-class homes and families. Drawing on marginalia, letters and diaries, library catalogues, elocution manuals, subscription lists, and more, Williams offers fresh and fascinating insights into reading, performance, and the history of middle-class home life. “Williams’s charming pageant of anecdotes…conjures a world strikingly different from our own but surprisingly similar in many ways, a time when reading was on the rise and whole worlds sprang up around it.”—TheWashington Post

Anthropologists have long looked to forager-cultivator cultures for insights into human lifeways. But they have often not been attentive enough to locals’ horizons of concern and to the enormous disparity in population size between these groups and other societies. Us, Relatives explores how scalar blindness skews our understanding of these cultures and the debates they inspire. Drawing on her long-term research with a community of South Asian foragers, Nurit Bird-David provides a scale-sensitive ethnography of these people as she encountered them in the late 1970s and reflects on the intellectual journey that led her to new understandings of their lifeways and horizons. She elaborates on indigenous modes of “being many” that have been eclipsed by scale-blind anthropology, which generally uses its large-scale conceptual language of persons, relations, and ethnic groups for even tiny communities. Through the idea of pluripresence, Bird-David reveals a mode of plural life that encompasses a diversity of humans and nonhumans through notions of kinship and shared life. She argues that this mode of belonging subverts the modern ontological touchstone of “imagined communities,” rooted not in sameness among dispersed strangers but in intimacy among relatives of infinite diversity.

Two devoted lovers live twice, once as ancient warriors and once living quiet lives in the twentieth century. In ancient time, Sikeemila comes upon young Tay Nee in the woods. Along with her grandfather, she welcomes him into their small family. They are bound by a sacred quest but hated in the world of men for their blood and hunted by those who would oppose them. In the twentieth century, Joe and Astrid meet as kids by the sea. Childhood sweethearts, they grow up to marry and have children of their own. Joe is a quiet academic engaged in obscure scholarship with radical historical implications, while Astrid is a gifted artist whose work gains worldwide interest. The two disparate lives of the lovers are joined through uncanny dreams and are ultimately unified by a vision, revealed to be the source of the quest for the sacred stone.

Explores contemporary art that challenges deadly desires for mastery and dominion. Amid times of emboldened cruelty and perpetual war, Rosalyn Deutsche links contemporary art to three practices that counter the prevailing destructiveness: psychoanalytic feminism, radical democracy, and war resistance. Deutsche considers how art joins these radical practices to challenge desires for mastery and dominion, which are encapsulated in the Eurocentric conception of the human that goes under the name “Man” and is driven by deadly inclinations that Deutsche calls masculinist. The masculinist subject—as an individual or a group—universalizes itself, claims to speak on behalf of humanity, and meets differences with conquest. Analyzing artworks by Christopher D’Arcangelo, Robert Filliou, Hans Haacke, Mary Kelly, Silvia Kolbowski, Barbara Kruger, Louise Lawler, Martha Rosler, James Welling, and Krzysztof Wodiczko, Deutsche illuminates the diverse ways in which they expose, question, and trouble the visual fantasies that express masculinist desire. Undermining the mastering subject, these artworks invite viewers to question the positions they assume in relation to others. Together, the essays in Not-Forgetting, written between 1999 and 2020, argue that this art offers a unique contribution to building a less cruel and violent society.

Without fear of the unknown, an American college student from southern California decides to study abroad, or rather “south of the border” in Mexico City. She is confronted with a culture which she knows little about, but one that she soon learns to love. Her heart and mind will be stretched beyond the borders within which she was born, and the final task for her will be to understand why it all mattered so much.