This collection of essays highlights the power of the story, especially as told by those living an international life. What compels them to share their experiences? What have they experienced? What have they learned? In this time of tensions across the globe, rapid technological change and extensive migration, there is compelling value in learning through storied experiences. This volume explores the concepts of identity, change, equality, ethics, citizenship, family, feminism, community, faiths and values, advocacy and charity, systems, and languages. These movements are contextualized through a storied approach, adopting social exchange theory, identity theory, and globalization and internationalization movements as frameworks. This book will appeal to academics, ethnographers, practitioners, graduate students, educators, and researchers.

Every adoption experience is uniquely different but the yearning to have unconditional family love is universal. Indian sisters, Priya and Ari, experience what it's like to be adopted into a multi-cultural, interracial family. Walk alongside these two charming, dynamic girls as they journey through the adoption transition to a new country full of new experiences! Told from young Priya's perspective, she shares her fun times, challenges, difficult memories and cultural discoveries. Priya moves through her world with a cautious eye while little sister, Ari, jumps in head first. This makes for comical moments and demonstrates that children can experience the same journey quite differently. A glossary of cultural terms is included so that all can learn and enjoy what Ari and Priya cherish about their Indian roots. This book is meant to be a resource to those hoping to learn about one family's adoption experience and may even help a child process their own adoption story.

“Immersive, enchanting, and gripping, In A Far-Off Land is do-not-miss historical fiction.” —Patti Callahan, NYT Bestselling author of Becoming Mrs. Lewis It’s 1931 in Hollywood, and Minerva Sinclaire is on the run for a murder she didn’t commit. As the Great Depression hits the Midwest, Minerva Sinclaire runs away to Hollywood, determined to make it big and save the family farm. But beauty and moxie don’t pay the bills in Tinseltown, and she’s caught in a downward spiral of poverty, desperation, and compromise. Finally, she’s about to sign with a major studio and make up for it all. Instead, she wakes up next to a dead film star and is on the run for a murder she didn’t commit. Only two unwilling men―Oscar, a Mexican gardener in danger of deportation, and Max, a too-handsome agent battling his own demons―can help Mina escape corrupt police on the take and the studio big shots trying to frame her. But even her quick thinking and grit can't protect her from herself. Alone, penniless, and carrying a shameful secret, Mina faces the consequences of the heartbreaking choices that brought her to ruin . . . and just might bring her back to where she belongs.

2019 Finalist for the Charles Rufus Morey Book Award from the CAA Charles C. Eldredge Prize for Distinguished Scholarship in American Art from the Smithsonian American Art Museum In Race Experts Linda Kim examines the complicated and ambivalent role played by sculptor Malvina Hoffman in T​he Races of Mankind series created for the Chicago Field Museum in 1930. Although Hoffman had training in fine arts and was a protégé of Auguste Rodin and Ivan Meštrović, she had no background in anthropology or museum exhibits. She was nonetheless commissioned by the Field Museum to make a series of life-size sculptures for the museum’s new racial exhibition, which became the largest exhibit on race ever installed in a museum and one of the largest sculptural commissions ever undertaken by a single artist. Hoffman’s Races of Mankind exhibit was realized as a series of 104 bronzes of racial types from around the world, a unique visual mediation between anthropological expertise and everyday ideas about race in interwar America. Kim explores how the artist brought scientific understandings of race and the everyday racial attitudes of museum visitors together in powerful and productive friction. The exhibition compelled the artist to incorporate not only the expertise of racial science and her own artistic training but also the popular ideas about race that ordinary Americans brought to the museum. Kim situates the Races of Mankind exhibit at the juncture of these different forms of racial expertise and examines how the sculptures represented the messy resolutions between them. Race Experts is a compelling story of ideological contradiction and accommodation within the racial practices of American museums, artists, and audiences.

An intrepid traveller and a true cosmopolitan, the legendary Bengali writer Syed Mujtaba Ali from Sylhet (in erstwhile East Bengal, now Bangladesh) spent a year and a half teaching in Kabul from 1927 to 1929. Drawing on this experience, he later wrote Deshe Bideshe which was published in 1948. Ali's young mind was curious to explore the Afghan society of the time and, with his impressive language skills, he had access to a cross-section of Kabul's population, whose ideas and experiences he chronicles with a keen eye and a wicked sense of humour. His account provides a fascinating first-hand insight into events at a critical point in Afghanistan's history, when the reformist King Amanullah tried to steer his country towards modernity by encouraging education for girls and giving them the choice of removing the burqa. Branded a 'kafir', Amanullah was overthrown by the bandit leader Bacha-e-Saqao. Deshe Bideshe is the only published eyewitness account of that tumultuous period by a non-Afghan, brought to life by the contact that Ali enjoyed with a colourful cast of characters at all levels of society-from the garrulous Pathan Dost Muhammed and the gentle Russian giant Bolshov, to his servant, Abdur Rahman and his partner in tennis, the Crown Prince Enayatullah.

Includes Part 1A: Books, Part 1B: Pamphlets, Serials and Contributions to Periodicals and Part 2: Periodicals. (Part 2: Periodicals incorporates Part 2, Volume 41, 1946, New Series)