"Wheatle has delivered a definitive narrative steeped in cultural philosophy and human sensibilities. Despite the foibles of his tragic characters, a redemptive quality is present--persevering--a testament of the human will to survive against all odds...Highly recommended." --Kaieteur News (Guyana) "With a tough exterior and brash attitude, Naomi is an authentic character in an unfortunate yet accurate picture of modern-day foster care in the UK...The ending is neither predictable nor sugarcoated, leaving readers rooting for this determined heroine." --School Library Journal Included in In the Margins's 2020 Recommended Fiction List Included in Publishers Weekly's African-American Interest Young Readers's Titles, 2019–2020 Included in Booklist's Fall 2019 Youth Preview Included in Publishers Weekly's Fall 2019 Children's Sneak Previews "As politicians might only see the population's day-to-day lives in terms of statistics rather than experiences, (knowing how many people work on minimum wage doesn't say anything about what the experience is like), they might benefit from more of an insight. A useful contemporary novel they should pick up is Alex Wheatle's Home Girl, focusing on the experience of a girl in the foster care system who is constantly shifted around and can never find a permanent home. Wheatle's other books might be just as beneficial, as he draws on his own experiences of Brixton and the social system." --The Boar, included in The Politicians' Required Reading List "Wheatle returns to the world of his award-winning Crongton books with what Atom is calling his most powerful and personal novel yet. Naomi Brisset is a teenage girl growing up too fast in the UK care system. Her journey through a series of foster homes exposes the unsettling, often heartwrenching truth of this life. Yet despite the grit, Wheatle's writing is as rich and warm as ever, bringing courage and hope to an unforgettable heroine's story." --Bookseller (UK), Editors' Choice "Teenager Naomi, old before her time and as vulnerable as she is fierce, is growing up in the care system. Foster homes and pupil referral units revealing the unsettling, often bewildering reality of this existence. Wheatle's empathy, authentic characters, and rich dialogue illuminate the dark." --Observer Magazine (UK) "Another powerful and poignant novel deftly created by one of the most prolific master novelists on either side of the pond. Home Girl is a page-turner, with not a dull moment. Loved it from the rooter to the tooter." --Eric Jerome Dickey, New York Times best-selling author of Before We Were Wicked "Alex Wheatle's latest novel offers no unrealistic fairy tale happy ending. But the award-winning writer, who draws on his own experiences of a childhood in care, does offer some hope for Naomi, a sometimes difficult but very likeable heroine." --Irish News, Children's Book of the Week This isn't my home. Haven't had a proper home since...This is just somewhere I'll be resting my bones for a week and maybe a bit. This time next year you'll forget who I am. I haven't got a diddly where I'll be by then. But I'm used to it. New from the best-selling black British author Alex Wheatle, Home Girl is the story of Naomi, a teenage girl growing up fast in the foster care system. It is a wholly modern story which sheds a much-needed light on what can be an unsettling life--and the consequences that follow when children are treated like pawns on a family chessboard. Home Girl is fast-paced and funny, tender, tragic, and full of courage--just like Naomi. It is Alex Wheatle's most moving and personal novel to date.

A poignant story about the difficulties of leaving everything behind and the friendships that help you get through it. Fleeing war-torn Kosovo, ten-year-old Drita and her family move to America with the dream of living a typical American life. But with this hope comes the struggle to adapt and fit in. How can Drita find her place at school and in her new neighborhood when she doesn't speak any English? Meanwhile, Maxie and her group of fourth-grade friends are popular in their class, and make an effort to ignore Drita. So when their teacher puts Maxie and Drita together for a class project, things get off to a rocky start. But sometimes, when you least expect it, friendship can bloom and overcome even a vast cultural divide.

The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed-or not-since the book was first published. Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.

A wry, reflective, and entertaining memoir about forging a new life on a troubled street in Harlem, "Home Girl" is also about one woman's eventual embrace of community and home.

Rings on every finger. Hood and educated AF. You've met her. Wearing all her feelings and responding with a side-eye or a tongue-pop. You've seen her. At the grocery store. In restaurants. On the subway. At the bus stop. In a car you pulled up next to blaring whatever matches her mood. Hair in some natural or protective style for the Gods. Ebony Stewart. An around the way girl. One part human, all parts womxn. You know these poems because they be familiar. They be your grandmama, mama, auntie, and sis stories. Welcome to Home.Girl.Hood. Re-released by Button Publishing Inc. 2022.

A stunning New York Times bestselling novel that intertwines the stories of an escaped slave in 1852 Virginia and an ambitious young lawyer in contemporary New York and asks: is it ever too late to right a wrong? Lynnhurst, Virginia, 1852. Seventeen-year-old Josephine Bell decides to run away from the failing tobacco farm where she is a slave and nurse to her ailing mistress, the aspiring artist Lu Anne Bell. New York City, 2004. Lina Sparrow, an ambitious first-year associate in an elite law firm, is given a difficult, highly sensitive assignment that could make her career: finding the “perfect plaintiff” to lead a historic class-action lawsuit worth trillions of dollars in reparations for descendants of American slaves. It is through her father, the renowned artist Oscar Sparrow, that Lina discovers Josephine Bell and a controversy rocking the art world: are the iconic paintings long ascribed to Lu Anne Bell really the work of her house slave, Josephine? A descendant of Josephine’s—if Lina can locate one—would be the perfect face for the reparations lawsuit. While following the runaway house girl’s faint trail through old letters and plantation records, Lina finds herself questioning her own family history and the secrets that her father has never revealed: how did Lina’s mother die? And why will he never speak about her?

Inspired by true events, the New York Times bestselling novel The Girl Who Came Home is the poignant story of a group of Irish emigrants aboard RMS Titanic—a seamless blend of fact and fiction that explores the tragedy's impact and its lasting repercussions on survivors and their descendants. Ireland, 1912. Fourteen members of a small village set sail on RMS Titanic, hoping to find a better life in America. For seventeen-year-old Maggie Murphy, the journey is bittersweet. Though her future lies in an unknown new place, her heart remains in Ireland with Séamus, the sweetheart she left behind. When disaster strikes, Maggie is one of the lucky few passengers in steerage who survives. Waking up alone in a New York hospital, she vows never to speak of the terror and panic of that terrible night ever again. Chicago, 1982. Adrift after the death of her father, Grace Butler struggles to decide what comes next. When her Great Nana Maggie shares the painful secret she harbored for almost a lifetime about the Titanic, the revelation gives Grace new direction—and leads her and Maggie to unexpected reunions with those they thought lost long ago.