Here is a collection of sixty-two beautifully crafted poems on some of the deepest of human emotions. They celebrate love, constancy, beauty, marriage, birth and death; in the poems are hailed intellectual labour, leadership and duty. Occasionally, the poet depicts the states of his mind against the backdrop of nature, interfusing description, memory and meditation in a manner essentially romantic. The best in Ambanasom's poetry is matter and manner combined. The striking force of the poems lies in the intriguing relationship between romanticism and romance. Ambanasom's romanticism is concerned with the concept of nature as a universal being or a cosmic entity, nostalgia, the attempt to link his childhood with the present and the future, and the response to nature at different levels of his development. The poet also demonstrates a penchant for rural subject matter, places and people. In the poet of romance there is a more direct expression of basic human emotions, in particular of love that is enchanting, possessing, seductive, and alluring. We find in the poems, love that is reciprocal and imbued with constancy and understanding.

This is volume three of a three-volume set that brings together a rich collection of primary source materials on flirtation and courtship in the nineteenth-century. Introductory essays and extensive editorial apparatus offer historical and cultural contexts of the materials included Throughout the long nineteenth-century, a woman’s life was commonly thought to fall into three discrete developmental stages; personal formation and a gendered education; a young woman’s entrance onto the marriage market; and finally her emergence at the apogee of normative femininity as wife and mother. In all three stages of development, there was an unspoken awareness of the duplicity at the heart of this carefully cultivated femininity. What women were taught, no matter their age, was that if you desired anything in life, it behooved you to perform indifference. This meant that for women, the art of flirtation and feigning indifference were viewed as essential survival skills that could guarantee success in life. These three volumes document the many ways in which nineteenth-century women were educated in this seemingly universal wisdom, but just as frequently managed to manipulate, subvert, and navigate their way through such proscribed norms to achieve their own desires. Presenting a wide range of documents from novels, memoirs, literary journals, newspapers, plays, poetry, songs, parlour games, and legal documents, this collection will illuminate a far more diverse set of options available to women in their quest for happiness, and a new understanding of the operations of courtship and flirtation, the "central" concerns of a nineteenth-century woman’s life. The volumes will be of interest to scholars of history, literature, gender and cultural studies, with an interest in the nineteenth-century.

Literature Review from the year 2008 in the subject English Language and Literature Studies - Literature, grade: none, , language: English, abstract: Though a powerful and celebrated critic and by now a good and fine creative writer, Shadrach A. Ambanasom has a characteristic tendency of inviting his critics to the dialogue table to tell them that he knows where the weakness in his work is and is therefore ready to accommodate whatever criticism this may attract. In the preface to Homage and Courtship, he comes out apologetically to give reason for his choice of subject matter and his consciousness of the criticism that is likely to follow: Of course I am well aware that the poems may not find favour with some critics because they do not carry a ready perceptible ‘political punch’, the criterion fashionable these days in some Anglophone quarters for the confinement of the seal of relevance to literature. (v-vi) Then, he goes on to self defence by expressing his “humble opinion”: Important and central as politics is in our corporate existence, it should not be the one and only subjected matter of our literature. In any case, it is not given to just any writer to produce genuinely good political literature. May those capable of pursuing more vigorous committed writing do so; may our our radical visionaries bloom. But let there be room for liberal humanist too. (vi)