In the wake of the September 11 terrorist attacks, it is tempting to regard their perpetrators as evil incarnate. But their motives, as Bruce Lincoln shows in this timely offering, were profoundly and intensely religious. What we need, then, after September 11 is greater clarity about what we take religion to be. With rigor and incisiveness, Holy Terrors examines the implications of September 11 for our understanding of religion and how it interrelates with politics and culture. Lincoln begins with a gripping dissection of the instruction manual given to each of the hijackers. In their evocation of passages from the Quran, we learn how the terrorists justified acts of destruction and mass murder "in the name of God, the most merciful, the most compassionate." Lincoln then offers a provocative comparison of President Bush's October 7 speech announcing U.S. military action in Afghanistan and Osama bin Laden's videotape released hours later. Each speech, he argues, betrays telling contradictions. Bin Laden, for instance, conceded implicitly that Islam is not unitary, as his religious rhetoric would have it, but is torn by deep political divisions. And Bush, steering clear of religious rhetoric for the sake of political unity, still reassured his constituents through coded allusions that American policy is firmly rooted in faith. Lincoln ultimately broadens his discussion further to consider the role of religion since September 11 and how it came to be involved with such fervent acts of political revolt. In the postcolonial world, he argues, religion is widely considered the most viable and effective instrument of rebellion against economic and social injustices. It is the institution through which unified communities ensure the integrity and continuity of their culture in the wake of globalization. Brimming with insights such as these, Holy Terrors will become one of the essential books on September 11 and a classic study on the character of religion.

DIVTranslations of texts by important Latin American women playwrights, and performance artists, together with essays about their work./div

Since the 1950s, children have provided some of horror's most effective and enduring villains, from dainty psychopath Rhoda Penmark of The Bad Seed (1956) and spectacularly possessed Regan MacNeil of The Exorcist (1973) to psychic ghost-girl Samara of The Ring (2002) and adopted terror Esther of Orphan (2009). Using a variety of critical approaches, including those of cinema studies, cultural studies, gender studies, and psychoanalysis, Bad Seeds and Holy Terrors offers the first full-length study of these child monsters. In doing so, the book highlights horror as a topic of analysis that is especially pertinent socially and politically, exposing the genre as a site of deep ambivalence toward—and even hatred of—children.

A fresh and irresistible history of gargoyles-a society of stone creatures perched high above the workaday world. Includes an invaluable guide to gargoyle sites throughout western Europe.

When Cook's newborn baby entered the world, he had nothing but hope for its future. However, it was immediately clear that this was no ordinary child-it's murderous screams seemed a dark portent. As it grew, things only got worse, and the child's mother began to despair. The new parents hoped their child would grow out of it, but soon came to realise that its inauspicious beginnings were only a sign of things to come. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for his contributions to the science fiction genre thanks to such novels as "The Time Machine" (1895), "The Invisible Man" (1897), and "The War of the Worlds" (1898). "The Father of Science Fiction" was also a staunch socialist, and his later works are increasingly political and didactic. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially commissioned new biography of the author.

As Easter festivities approach, Hillside Manor’s party planner and resident sleuth finds a killer hot on her cottontail! Catering the annual pre-Easter brunch and egg hunt is a hare-raising hassle for Judith McManigle, hard-working hostess of Seattle’s cozy Bed & Breakfast, Hillside Manor. And this year’s egg scramble gets particularly messy when the reclusive wife of a local scion is fatally perforated by a fiend dressed in a bunny suit. Never one to pass up a good murder, Judith solicits the help of her sometime-beau policeman Joe and her irrepressible Cousin Renie to get hopping down the floppy-eared assassin’s trail. But soon the list of suspects is multiplying faster than a hutch-full of rabbits. And Judith might very well end up a basket case—or worse—before this whole thing is through . . .

At home, Paul shares a private world with his sister Elisabeth, a world from which parents are tacitly excluded. Their room is where the Game is played, the Game being their own bizarre version of life. All that they do outside is effectively controlled by the rules of the Game: unfortunately the rules of the Game prescribe that the two children must die...