Holy Old Mackinaw is the rough and lusty story of the American lumberjack at work and at play, from Maine to Oregon. In these modern days timber is harvested by cigarette-smoking married men, whose children go to school in buses, but for nearly three hundred years the logger was a real pioneer who ranged through the forests of many states, steel calks in his boots and ax in his fist, a plug of chew handy, who emerged at intervals into the towns to call on soft ladies and drink hard liquor.

“Jolly fellows,” a term that gained currency in the nineteenth century, referred to those men whose more colorful antics included brawling, heavy drinking, gambling, and playing pranks. Reforms, especially the temperance movement, stigmatized such behavior, but pockets of jolly fellowship continued to flourish throughout the country. Richard Stott scrutinizes and analyzes this behavior to appreciate its origins and meaning. Stott finds that male behavior could be strikingly similar in diverse locales, from taverns and boardinghouses to college campuses and sporting events. He explores the permissive attitudes that thrived in such male domains as the streets of New York City, California during the gold rush, and the Pennsylvania oil fields, arguing that such places had an important influence on American society and culture. Stott recounts how the cattle and mining towns of the American West emerged as centers of resistance to Victorian propriety. It was here that unrestrained male behavior lasted the longest, before being replaced with a new convention that equated manliness with sobriety and self-control. Even as the number of jolly fellows dwindled, jolly themes flowed into American popular culture through minstrelsy, dime novels, and comic strips. Jolly Fellows proposes a new interpretation of nineteenth-century American culture and society and will inform future work on masculinity during this period.

Stewart Holbrook - high-school dropout, logger, journalist, storyteller, and historian - was one of the best-loved figures in the Pacific Northwest during the two decades preceding his death in 1964. This anthology collects two dozen of his best pieces about his adopted home, the Pacific Northwest. Holbrook believed in "lowbrow or non-stuffed shirt history." Holbrook's lowbrow Northwest ranges from British Columbia logging camps to Oregon ranches, and is peopled with fascinating characters like Liverpool Liz of the old Portland waterfront, the over-sexed prophet Joshua II of the Church of the Brides of Christ in Corvallis, and Arthur Boose, the last Wobbly paper boy. Here are stories of forgotten scandals and crimes, forest fires, floods, and other catastrophes, stories of workers, underdogs, scoundrels, dreamers, and fanatics, stories that bring the past to life.

"Filled with brilliant insights and tantalizing leads."--