They've been laid off, they're broke, and their faith is really being tried. Nonetheless dedicated Mount Kneel Down Baptist Church members Patience Kash and Joy Karry figure now is the perfect time to pursue their other true calling - becoming private detectives. If that means putting up with their cousin Porky's delusions while hilariously interfering with their famous detective godson Percy's investigations, well it's still a heaven-sent opportunity.

There is a vigorous debate on the exact beginnings of the Crusades, as well as a growing conviction that some practices of crusading may have been in existence, at least in part, long before they were identified as such. The Prehistory of the Crusades explores how the Crusades came to be seen as the use of aggressive warfare to Christianise pagan lands and peoples. Reynolds focuses on the Baltic, or Northern, Crusades, an aspect of the Crusades that has been little documented, thus bringing a new perspective to their historical and ideological origins. Baltic Crusades were distinctive because they were not directed at the Holy Land, and they were not against Muslim opponents, but rather against pagan peoples. From the Emperor Charlemagne's wars against the Saxons in the 8th and 9th centuries to the Baltic Crusades of the 12th century, this book explores the sanctification of war in creating the ideal of crusade. In so doing, it shows how crusading ultimately developed in the 12th and 13th centuries. The Prehistory of the Crusades provides a valuable insight into the topic for students of medieval history and the Crusades.

An exploration of what worship looks like from a biblical standpoint and why the topic of worship can be so contentious among Christians. Because worship is inherently theological--because it's a manifestation of humanity's response to God's holiness--it's important to take seriously how we worship and the roles it serves in personal displays of adoration and in community with other believers. Exploring the Worship Spectrum provides an overview, critique, and celebration of six prominent worship styles: Formal-Liturgical – represented by Paul Zahl Traditional Hymn-Based – represented by Harold Best Contemporary Music-Driven – represented by Joe Horness Charismatic – represented by Don Williams Blended – represented by Robert Webber Emerging – represented by Sally Morgenthaler This unique format allows those with a heart for worship to compare different perspectives and draw their own conclusions on what the Bible teaches. It allows readers to understand the various approaches to worship, carefully evaluate their strengths and weaknesses, and make personal choices without adopting a judgmental spirit. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

"This rich and engaging book looks at instances of sanctified violence, the holy wars related to religion. It covers it all, from ancient to present day, including examples of warfare among Sikhs, Hindus and Buddhists, as well as Christians, Jews and Muslims. It is a comprehensive and readable overview that provides a lively introduction to the subject of holy war in its broadest sense—as ‘sanctified violence’ in the service of a god or ideology. It is certain to be a useful companion in the classroom, and a boon to anyone fascinated by the dark attraction of religion and violence." —Mark Juergensmeyer, University of California, Santa Barbara Contents: Introduction: What Is Holy War? Chapter 1: Holy Wars in Mythic Time, Holy Wars as Metaphor, Holy Wars as RitualChapter 2: Holy Wars of Conquest in the Name of a DeityChapter 3: Holy Wars in Defense of the SacredChapter 4: Holy Wars in Anticipation of the Millennium Epilogue: Holy Wars Today and Tomorrow Also included are a description of the Critical Themes in World History series, Preface, index, and suggestions for further reading.

From the literary wonder boy to the countercultural guru whose cross-country bus trip inspired The Electric Kool-Aid Acid Test, this candid biography chronicles the life and times of cultural icon Ken Kesey from the 1960s through the 1980s. Presenting an incisive analysis of the author who described himself as "too young to be a beatnik, and too old to be a hippie," this account conducts a mesmerizing journey from the perspective of Mark Christensen, an eventual member of the Kesey "flock." Featuring interviews with those within his inner circle, this exploration reveals the bestselling author of One Flew Over the Cuckoo's Nest in his many forms, placing him within the framework of his time, his generation, and the zeitgeist of the psychedelic era.

Author Michael J. O’Hara provides a heart-wrenching probe into the mind of a nine-year-old child. The boy must navigate his way through the loss of his mother and the Christian family he has just met, while coming to grips with the spirit to serve God. The Little Minister: Part 1 is a family relationships book set mainly in a church, with a man child coming of age both spiritually and physically. This back-and-forth journey into the history of the characters shows just how much history repeats itself.

Mysticism in the Theater introduces theater makers to the power and possibility of using historical mystical ideas to influence all aspects of a production. Historical mysticism represents ideas developed by recognized spiritual thinkers in all religions and time periods: individuals who stilled their ego, and perceived the unity of all, hidden within the apparent multiplicity of existence. This unique manner of spiritual inlay allows theatrical presentations to find the height of artistic expression: art at the intersection of our historical moment and the eternal. This study introduces theater makers to the history of mystical inspiration within performance work and develops strategies for inserting mystical ideas into their productions. The book ties this model into theatre’s history, as mystical ideas and quotes have been inserted into productions from Greek theatre through Shakespeare and into the present day. This book explores how teachings and ideas of specific historical mystical thinkers might influence all aspects of contemporary theatrical productions including writing, directing, acting, stagecraft/set design, lighting design, costume design, sound design, and choreography.