Using 25 lost structures as a launching point to tell the history of the movie business in Hollywood, Wallace covers such vanished landmarks as Marion Davies's Ocean House, called "Xanadu by the Sea", the Hollywood Canteen, the Garden of Allah, the Brown Derby, and the legendary Pickfair. 22 photos.

Hollywood is a transitory place. Stars and studios rise and fall. Genres and careers wax and wane. Movies and movie moguls and movie makers and movie palaces are acclaimed and patronized and loved and beloved, and then forgotten. And yet… And yet one place in Southern California, built in the 1920s by (allegedly murdered) producer Thomas Ince, acquired by Cecil B. DeMille, now occupied by Amazon.com, has been the home for hundreds of the most iconic and legendary films and television shows in the world for a remarkable and star-studded fifty years. This bizarre, magical place was the location for Tara in Gone with The Wind, the home of King Kong and Superman, of Tarzan and Batman, of the Green Hornet, of Elliot Ness, of Barney Fife, of Tarzan, of Rebecca, of Citizen Kane, of Hogan’s Heroes and Gomer Pyle, of Lasse, of A Star is Born and Star Trek, and at least twice, of Jesus Christ. For decades, every conceivable star in Hollywood, from Clark Gable to Warren Beatty, worked and loved and gave indelible performances on the site. And yet, today, it is completely forgotten. Pretty much anyone alive today, from college professors to longshoremen, have probably heard of Paramount and of MGM, of Warner Bros. and of Universal, and of Disney and Fox and Columbia, but the place where many of these studio’s beloved classics were minted is today as mysterious and unknowable as the sphinx. Hollywood’s Lost Backlot: 40 Acres of Glamour and Mystery will, for the first time ever, unwind the colorful and convoluted threads that make for the tale of one of the most influential and photographed places in the world. A place which most have visited, at least on screen, and which has contributed significantly and unexpectedly to the world’s popular culture, and yet which few people today, paradoxically, have ever heard of.

Ginger is on a mission to find her family’s missing fortune in glamorous Hollywood in this M!X novel from the author of Lost in London, Lost in Paris, Lost in Rome, and Lost in Ireland (formerly titled Lucky Me). Thirteen-year-old Ginger Carlson feels like she is the only normal one in her family. Her father is an inventor who sells his gadgets online, Mom is obsessed with classic movies, and her brother Grant thinks he is from outer space. Luckily, Ginger has a totally normal BFF, Payton, and they have big plans for the future—they plan to become doctors and open a practice together in a big city. But first, they’re partnering on the state Science Olympics where they’re sure to take home the gold for their eighth grade class with their model of the brain. The Olympics training is interrupted when the Carlson family gets an urgent call that their eccentric Aunt Betty, a former actress who lives in Hollywood, is in serious trouble. The bank is going to take her house unless she can give them the money she owes. The Carlsons head to LA to sort things out for Aunt Betty, along with Payton, who tags along for the West Coast adventure. In a moment alone with the girls, Aunt Betty tells them what’s really going on. Because she didn’t trust banks, Aunt Betty stashed her money in a secret hiding place. Only problem—it’s so secret, she can’t remember where that hiding place is! That’s what she’s been doing all around town—looking for her fortune. Can Ginger and Payton help find the money—and give Aunt Betty the Hollywood ending that she deserves?

tars that appeared exclusively in trade magazines to promote the great films of the '30s, '40s, and '50s. The Lost Artwork of Hollywood is a sumptuous package: the color, the quality of the printing all give immense eye appeal to this first-time look at some of the art that made the movies glamorous. 100 full-color illustrations.

More than 60,000 books have been published on the Civil War. Most Americans, though, get their ideas about the war--why it was fought, what was won, what was lost--not from books but from movies, television, and other popular media. In an engaging and accessible survey, Gary W. Gallagher guides readers through the stories told in recent film and art, showing how these stories have both reflected and influenced the political, social, and racial currents of their times.

The portrait of a very young Bob Dylan on the cover of 'The Times They Are a Changin' is probably one of the most recognizable and famous album covers of all time. Photographer Barry Feinstein took that photo, as well as many more of Dylan throughout his career. His images have been published throughout the world many times over, and have become synonymous with our perceptions of that place and time in rock and folk music history. Inspired by a series of photographs that Feinstein took in Hollywood during the 1950s and 60s, Bob Dylan wrote an extraordinary series of poems that have remained unpublished for decades. They are thought-provoking, witty and erudite observations of the world; through the lens of Feinstein's photographs, they speak volumes about the anonymous faces and places of Los Angeles, and offer wry commentary on images of stars and legends in the neighbourhood at the time. Photos of Frank Sinatra, Marlene Dietrich, Judy Garland float through the book, as do poignant images of starlets, casting couches, employment agencies and palm tree'd boulevards. Feinstein was there with a camera to capture some world-famous events, such as Marilyn Monroe's memorial service, and he photographed the forgettable moments, preserving them perfectly and timelessly. Bob Dylan's unsettling and distinctly unique perspective informs and enlivens every page, an irresistible interpretive voice narrating the visual images from photo to photo.

A profile of the late film star River Phoenix chronicles his high-pressure childhood, personal endeavors for environmental causes, rejection of his heartthrob image, and tragic death due to a drug overdose. Reprint.