Zine with photos of celebrities featured in Hollywood Babylon by Kenneth Anger, including Rudolph Valentino, Louise Brooks, and Theda Bara.

than 1,500 witty and caustic quotes from the mouths of Hollywood's biggest personalities. "Remarks so scorching you might want to read it with a fire extinguisher".--USA Today.

Now revised and updated to include The 'Ins and Outs' of making the movie Zack & Miri, and a new afterword. Anything but boring, Kevin Smith shares his x-rated thoughts in his diary, telling all in his usual candid, heartfelt and irreverent way! Kevin Smith pulls no punches in this hard-hitting, in-your-face exposé of, er, his rather dull and uneventful life... well, not always dull. In between watching his TiVo, he manages to make and release Clerks II, relate the story of his partner-in-crime Jason Mewes' heroin addiction... and get caught stealing donuts from Burt Reynolds. Thrown in are his views on the perils of strip clubs, the drawback of threesomes, the pain of anal fissures, his love-affair with Star Wars and so much more! Adults Only!

In 1967, television history was made when two masked crime fighters met in a historic crossover. Now, superstar filmmaker Kevin Smith and actor/comedian Ralph Garman join forces with artist Ty Templeton (BATMAN '66) to bring these two iconic characters and their famous partners together again. Set in the continuity of that earlier team-up, Batman, The Green Hornet, Robin and Kato must go up against a very different General (formerly Colonel) Gumm. What crime could be so deadly as to force these rivals to put aside their differences and join forces again? And what surprise does Gumm have up his sticky sleeve? Collects Batman '66/Green Hornet #1-6

While many of John Gallagher’s broadcasting contemporaries went home to the suburbs at the end of the day, Gallagher threw himself fully into the kind of nightlife the average Joe could only dream of. He dishes dirt and names names in this salacious memoir of a career lived on the edge.

From 1934 to 1954 Joseph I. Breen, a media-savvy Victorian Irishman, reigned over the Production Code Administration, the Hollywood office tasked with censoring the American screen. Though little known outside the ranks of the studio system, this former journalist and public relations agent was one of the most powerful men in the motion picture industry. As enforcer of the puritanical Production Code, Breen dictated "final cut" over more movies than anyone in the history of American cinema. His editorial decisions profoundly influenced the images and values projected by Hollywood during the Great Depression, World War II, and the Cold War. Cultural historian Thomas Doherty tells the absorbing story of Breen's ascent to power and the widespread effects of his reign. Breen vetted story lines, blue-penciled dialogue, and excised footage (a process that came to be known as "Breening") to fit the demands of his strict moral framework. Empowered by industry insiders and millions of like-minded Catholics who supported his missionary zeal, Breen strove to protect innocent souls from the temptations beckoning from the motion picture screen. There were few elements of cinematic production beyond Breen's reach he oversaw the editing of A-list feature films, low-budget B movies, short subjects, previews of coming attractions, and even cartoons. Populated by a colorful cast of characters, including Catholic priests, Jewish moguls, visionary auteurs, hardnosed journalists, and bluenose agitators, Doherty's insightful, behind-the-scenes portrait brings a tumultuous era and an individual both feared and admired to vivid life.