This volume focuses on two movies about close encounters of a very different kind. The movies are Six Days on Earth and The Fourth Kind which are combined herein so as to emphasize two movies that deal with the intersection between aliens and gods-especially since some aliens claim to be gods and gods, by a certain definition, are aliens. "Satan's not such a bad guy... we become who we are and ultimately that is to be like our makers; to become gods ourselves." -David Childress, Ancient Aliens episode "The Satan Conspiracy"

Film historian Bruce Rux posits that the film industry has long collaborated with a government disinformation campaign about UFOs, shaping and controlling knowledge about documented UFO activity. The book uncovers the conspiracy roots of government involvement in science-fiction/horror movies, from pulp-fiction and Lost World romances to films dealing with flying saucers, the planet Mars, mind control, abductions, transdimensional journeys, and extraterrestrials. Written in a mock-serious tone reminiscent of Rod Sterling's Twilight Zone TV Series, and illustrated with old movie stills and posters, Hollywood Vs. the Aliens is a fascinating, fun read, yet delivers some startling findings. Rux reviews the facts known about UFOs and ancient technologies, and how they came to be discovered. Then he investigates the period between the 1930s and 1950s, focusing on CIA Robertson Panel's recomendation that Hollywood be used as a deflectionary tool against popular interest in UFOs. Government involvement in Orson Welles' 1938 War of the Worlds broadcast is discussed, as are the Disney and United Artists studios' early connections to patriotic propaganda. Early '50s movies like The Thing from Another World and The Day the Earth Stood Still show UFOlogical facts that only government sources could have known at the time. From there the book goes on to discuss recent releases and the ongoing depictions of aliens and UFOs, right up to Independence Day, Men in Black, and Mars Attacks!

More so than any other medium, cinema has shaped our expectations of potential alien life and visitation. From The Day the Earth Stood Still and Close Encounters of the Third Kind, to Battleship, Prometheus and beyond, our hopes and fears of alien contact have been fuelled by the silver screen. But what messages does Hollywood impart to us about our possible otherworldly neighbours, from where do UFO movies draw their inspiration, and what other factors - cultural or conspiratorial - might influence their production and content? Silver Screen Saucers is a timely and revealing examination of the interplay between Hollywood's UFO movies and the UFO phenomenon itself, from 1950 to present day. The book grants the reader a rare, close-up examination of the DNA that builds our perceptions of the UFO mystery: one strand of this DNA weaves real events, stories and people from the historical record of UFOlogy, while the other spins and twists with the film and TV products they have inspired. With our alien dreams and nightmares now more fully visualized onscreen than ever before, Silver Screen Saucers asks the question: what does it all mean? Are all UFO stories just fever dreams from LA screenwriters, or are they based in something else? Could any of them be real and are they part of a bigger message? From interviews with screenwriters and directors whose visions have been shaped by their lifelong UFO obsessions; to Presidents Carter and Reagan talking aliens with Spielberg at the White House; to CIA and Pentagon manipulation of UFO-themed productions; to movie stars and producers being stalked by real Men in Black, Silver Screen Saucers provides fresh perspective on the frequently debated but little understood subject of UFOs & Hollywood. The book addresses questions such as: Does Hollywood fuel the UFO mythos, or vice versa? In other words, are our beliefs about alien visitation shaped by UFO movies, or are UFO movies shaped by our beliefs about alien visitation? Do Hollywood's UFO movies fictionalize the UFO phenomenon in the public mind, actualize it, or both? If and when humanity makes full and open contact with an unearthly intelligence, would we, as cinemagoers, be able to divorce Hollywood's historical imaginings from the reality with which we are presented? Indeed... Should we? After all, a great deal of Hollywood's UFO movie content has been closely informed by supposedly factual UFOlogical literature, events and debates. Perhaps, then, there is more truth to be found in Hollywood's UFO movies than we might imagine - which raises the question: Just how has so much dense UFOlogical theory (by its very nature 'fringe' and subcultural) managed find its way into Hollywood's populist science fiction narratives? Is Hollywood's incorporation of UFO lore attributable to a "Hollywood UFO conspiracy" designed to acclimate us to a UFO/alien reality, or is it merely the result of a natural cultural process? Silver Screen Saucers is bursting with ideas and information that will excite and intrigue any reader with a passing or serious interest in UFOs and/or science-fiction cinema."

The term "Days," plural, in the subtitle is not a typo since under consideration are the original 1940 Hiram Gilmore "Harry" Bates III short story Farewell to the Master, the 1973 Stan Lee comic book by the same title, the 1951 The Day the Earth Stood Still movie directed by Robert Wise with a script by Edmund H. North, and the 2008 movie of the same titled directed by Scott Derrickson with a script by North and David Scarpa.Moreover, consideration is given to the various alien and UFO related news items that were ubiquitous in 2020-from mainstream media sources.The Day the Earth Stood Still is "a sacred text for science fiction buffs" -Director Scott Derrickson#UFOs #Aliens #Movies #Hollywood #Scifi #Moviereview #Extraterrestrial

Without question, this is a classic by one of the most exciting new authors in the UFO field today. After reading it, your view of reality will never be the same.The owl has held a place of reverence and mystique throughout history. And as strange as this might seem, owls are also showing up in conjunction with the UFO experience.Mike Clelland has collected a wealth of first-hand accounts in which owls manifest in the highly charged moments that surround alien contact. There is a strangeness to these accounts that defy simple explanations. This book explores implications that go far beyond what more conservative researchers would dare consider.But the owl connection encompasses more than the UFO experience. It also includes profound synchronicities, ancient archetypes, dreams, shamanistic experiences, personal transformation, and death. From the mythic legends of our ancient past to the first-hand accounts of the UFO abductee, owls are playing some vital role.This is also a deeply personal story. It is an odyssey of self-discovery as the author grapples with his own owl and UFO encounters. What plays out is a story of transformation with the owl at the heart of this journey.

This comprehensive book, written and updated over a period of 43 years with hundreds of references, will appeal to both beginners and experts, skeptics and believers, as well as to fans of Science-Fiction, aviation, students of Psychology, Sociology, Psychiatry plus those interested in psychic experiences and those interested in NASA, CIA and US military coverups of UFO evidence. Foreword by Nick Pope, of Britain’s “X files”. Topics include: summary of findings and evidence from 75 years of UFOlogy; dozens of classic and recent cases which still defy skeptical explanations; 13 famous cases that have been explained or exposed as hoaxes; many government coverups; possible Nazi-Roswell-Avro-CIA connections; psychic aspects, Carl Jung etc.; Hysterical Contagion (Mass Hysteria); the Rendlesham Forest case (triangular craft seen, touched and sketched by a US Air Force security sergeant, and witnessed taking off from the forest by him and another); the famous Roswell case; Shag Harbour USO case and other USO (Unidentified Submerged Object) cases; Belgium case; the recent shoot down of a UFO in Pentyrch England – beginning of a human-alien war? the huge subliminal influence science-fiction movies, TV shows, books, and comics have had on UFO sightings and encounters; origin of the Men in Black; missing time; the technology of flying saucers, including possible propulsion systems; airships of 1890-1912: mass hysteria, UFOs or actual early dirigibles (Zeppellns)? The religion aspect (aliens function as a new mythology / belief system for many); witches (yesteryear's aliens?) Angels v. Aliens; recent US Navy sightings and disclosure in the US and other nations; the Advanced Aerospace Threat Identification Program and Luis Elizondo, the Unidentified Aerial Phenomena Task Force (2020) Airborne Object Identification and Management Synchronization Group (2021). ABDUCTIONS (a) UFO Neurosis - a new psychiatric diagnosis for some people who believe that they have been kidnapped by space aliens; (b) Some “alien abductions” are actually "screen memories" of sexual assaults, usually committed by family members or trusted friends; (c) Above applied to the famous Barney and Betty Hill case and to a few others; (d) A different hypothesis applying psychologist Julian Jaynes' 1976 theory about the bicameral mind to "experiencers" to suggest that some have bicameral brains like everyone did 4000 years, according to Jaynes; (e) One case that would stand up if it were tried at court (Pascagoula Mississippi).