Jay W. Baird demonstrates how poets and writers responded enthusiastically to Hitler's summons to artists to create a cultural revolution commensurate with the political radicalism of the new state.

As he prepared to wage his war of annihilation on the Eastern Front, Adolf Hitler repeatedly drew parallels between the Nazi quest for Lebensraum, or living space, in Eastern Europe and the United States’s westward expansion under the banner of Manifest Destiny. The peoples of Eastern Europe were, he said, his “redskins,” and for his colonial fantasy of a “German East” he claimed a historical precedent in the United States’s displacement and killing of the native population. Edward B. Westermann examines the validity, and value, of this claim in Hitler's Ostkrieg and the Indian Wars. The book takes an empirical approach that highlights areas of similarity and continuity, but also explores key distinctions and differences between these two national projects. The westward march of American empire and the Nazi conquest of the East offer clear parallels, not least that both cases fused a sense of national purpose with racial stereotypes that aided in the exclusion, expropriation, and killing of peoples. Westermann evaluates the philosophies of Manifest Destiny and Lebensraum that justified both conquests, the national and administrative policies that framed Nazi and U.S. governmental involvement in these efforts, the military strategies that supported each nation’s political goals, and the role of massacre and atrocity in both processes. Important differences emerge: a goal of annihilation versus one of assimilation and acculturation; a planned military campaign versus a confused strategy of pacification and punishment; large-scale atrocity as routine versus massacre as exception. Comparative history at its best, Westermann’s assessment of these two national projects provides crucial insights into not only their rhetoric and pronouncements but also the application of policy and ideology “on the ground.” His sophisticated and nuanced revelations of the similarities and dissimilarities between these two cases will inform further study of genocide, as well as our understanding of the Nazi conquest of the East and the American conquest of the West.

It was the endgame for Hitler's Reich. In the winter of 1944–45, Germany staked everything on its surprise campaign in the Ardennes, the “Battle of the Bulge.” But when American and Allied forces recovered from their initial shock, the German forces were left fighting for their very survival—especially on the Eastern Front, where the Soviet army was intent on matching, or even surpassing, Nazi atrocities. At the mercy of the Fuehrer, who refused to acknowledge reality and forbade German retreats, the Wehrmacht was slowly annihilated in horrific battles that have rarely been adequately covered in histories of the Second World War—especially the brutal Soviet siege of Budapest, which became known as the “Stalingrad of the Waffen-SS.” Capping a career that has produced more than forty books, Dr. Samuel W. Mitcham now tells the extraordinary tale of how Hitler’s once-dreaded war machine came to a cataclysmic end, from the Battle of the Bulge in December 1944 to the German surrender in May 1945. Making use of German wartime papers and memoirs—some rarely seen in English-language sources—Mitcham’s sweeping narrative deserves a place on the shelf of every student of World War II.

On June 22, 1941, Germany launched the greatest land assault in history on the Soviet Union, an attack that Adolf Hitler deemed crucial to ensure German economic and political survival. As the key theater of the war for the Germans, the eastern front consumed enormous levels of resources and accounted for 75 percent of all German casualties. Despite the significance of this campaign to Germany and to the war as a whole, few English-language publications of the last thirty-five years have addressed these pivotal events. In Ostkrieg: Hitler's War of Extermination in the East, Stephen G. Fritz bridges the gap in scholarship by incorporating historical research from the last several decades into an accessible, comprehensive, and coherent narrative. His analysis of the Russo-German War from a German perspective covers all aspects of the eastern front, demonstrating the interrelation of military events, economic policy, resource exploitation, and racial policy that first motivated the invasion. This in-depth account challenges accepted notions about World War II and promotes greater understanding of a topic that has been neglected by historians.

A terrifying series of short poems by one of the world’s leading playwrights, set to images of World War II In this singular book written during World War Two, Bertolt Brecht presents a devastating visual and lyrical attack on war under modern capitalism. He takes photographs from newspapers and popular magazines, and adds short lapidary verses to each in a unique attempt to understand the truth of war using mass media. Pictures of catastrophic bombings, propaganda portraits of leading Nazis, scenes of unbearable tragedy on the battlefield — all these images contribute to an anthology of horror, from which Brecht’s perceptions are distilled in poems that are razor-sharp, angry and direct. The result is an outstanding literary memorial to World War Two and one of the most spontaneous, revealing and moving of Brecht’s works.