Adolf Hitler admired ancient Rome as the "crystallization point of a world empire," a capital with massive public monuments that reflected the supremacy of the State and the political might of the ancient world's "master-race." He also admired the way Mussolini turned the monuments of imperial Rome into validatory symbols of Fascism. Hitler planned a Reich that would be a as durable as the Roman Empire. Its capital, Berlin, would surpass the architectural magnificence of ancient Rome before the advent of Christianity as its official religion. This book examines Hitler's views on Roman imperialism, town planning, and architecture, and shows how Albert Speer, though a self-confessed student of "Doric" architecture, planned and sometimes built structures that were intended to rival such monuments as Nero's Golden House, Hadrian's Pantheon, and the Stadium of Herodes Atticus at Athens. Other architects, such as Ludwig Ruff and Cäsar Pinnau, were to plan structures inspired by the Colosseum and the Baths of Caracalla. The ancient Roman obsession with order, discipline, and the domination of the environment is clearly reflected in the town plans and public buildings conceived by Hitler and his architects. We see that "neoclassical" state architecture in Nazi Germany was intended to signify more than stability and the persistence of tradition. It was only one aspect of the Nazi attempt to re-create a "pagan" totalitarian state based on clearly defined forms of hierarchy that divided society into slaves and slave-owners, those with and those without human rights.

A look at Adolf Hitler’s residences and their role in constructing and promoting the dictator’s private persona both within Germany and abroad. Adolf Hitler’s makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator’s preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler’s bachelor life stirred rumors, and the Nazi regime relied on the dictator’s three dwellings—the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on the Obersalzberg—to foster the myth of the Führer as a morally upstanding and refined man. Author Despina Stratigakos also reveals the previously untold story of Hitler’s interior designer, Gerdy Troost, through newly discovered archival sources. At the height of the Third Reich, media outlets around the world showcased Hitler’s homes to audiences eager for behind-the-scenes stories. After the war, fascination with Hitler’s domestic life continued as soldiers and journalists searched his dwellings for insights into his psychology. The book’s rich illustrations, many previously unpublished, offer readers a rare glimpse into the decisions involved in the making of Hitler’s homes and into the sheer power of the propaganda that influenced how the world saw him. “Inarguably the powder-keg title of the year.”—Mitchell Owen, Architectural Digest “A fascinating read, which reminds us that in Nazi Germany the architectural and the political can never be disentangled. Like his own confected image, Hitler’s buildings cannot be divorced from their odious political hinterland.”—Roger Moorhouse, Times

"How Nazi architects and planners envisioned and began to build a model 'Aryan' society in Norway during World War II"--

This richly illustrated book details the wide-ranging construction and urban planning projects launched across Germany after the Nazi Party seized power. The authors show that it was an intentional program to thoroughly reorganize the country's economic, cultural, and political landscapes in order to create a dramatically new Germany, saturated with Nazi ideology.

“Sets the record straight on Albert Speer’s assertions of ignorance of the Final Solution and claims to being the ‘good Nazi.’”—Kirkus Reviews In his bestselling autobiography, Albert Speer, Minister of Armaments and chief architect of Nazi Germany, repeatedly insisted he knew nothing of the genocidal crimes of Hitler’s Third Reich. In this revealing new biography, author Martin Kitchen disputes Speer’s lifelong assertions of ignorance and innocence, portraying a far darker figure who was deeply implicated in the appalling crimes committed by the regime he served so well. Kitchen reconstructs Speer’s life with what we now know, including information from valuable new sources that have come to light only in recent years. The result is the first truly serious accounting of the man, his beliefs, and his actions during one of the darkest epochs in modern history, not only countering Speer’s claims of non-culpability but also disputing the commonly held misconception that it was his unique genius alone that kept the German military armed and fighting long after its defeat was inevitable. “A devastating portrait of an empty, narcissistic and compulsively ambitious personality.”—The Wall Street Journal “Kitchen’s exhaustively researched, detailed book nails, one by one, the lies of the man who provided a thick coat of whitewash to millions of old Nazis. Its fascinating account of how the moral degradation of the chaotic Nazi regime corrupted an entire nation is a timely warning for today.”—Daily Mail (“Book of the Month”) “[An] excellent new biography . . . Kitchen has taken a wrecking ball to Speer’s mendacious and meticulously created self-image. And about time, too.”—History Today

Many of the buildings erected during the era of National Socialism are still standing in downtown Berlin today. In this architecture guide Matthias Donath, building and art historian, presents thirty typical examples of Third Reich architecture. Almost all of the buildings from this period are preserved except for the Reich Chancellery where only traces remain. In addition to ministries, administration centers and embassies, the author describes bunkers, office buildings and a house of the Hitler Youth. The Tempelhof Airport and Olympic grounds are well-known even outside of Berlin. The buildings presented in the book show how diverse the architecture was during these years. The author explains their different functions as well as their intended political message and how they were used for propaganda. Historical photos show the original buildings. Visitors to Berlin and Berlin residents curious about their city’s history will find this book illuminating. The sites are easy to find with the help of a map. Thirty buildings from Berlin’s inner districts are described in this architecture guide, including traces of the Reich Chancellery, various ministries, the Reich National Bank, air-raid and anti-aircraft bunkers, embassies, the Tempelhof Airport, the exhibition and convention grounds, business offices, a model house for the Hitler Youth, the Reich Sports Field (Olympic stadium) and the ensemble at Fehrbelliner Platz.